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  • Beach&Shores,  Colour,  Daily photo,  People,  Winter

    Uninterested

    March 2, 2021 /

    No glance. No nod. Just two people moving through the same space, as if the other didn’t exist. This was taken on a beach that should have felt wide open, maybe even freeing—but something about the moment made it feel small, enclosed. The boy looks down at his phone. The girl walks past him, eyes fixed forward. Neither slows. Neither turns. They’re metres apart, yet orbiting separate worlds. I didn’t ask for this scene. It unfolded on its own. A brief choreography of disconnection. Their postures say enough: one drawn into a screen, the other into her own stride. There’s no hostility here—just absence. A quiet kind of loneliness, the…

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    Andrea Monti

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    An Old Boxing Gym

    February 22, 2016

    José Ignacio Franco – Live@Auditorium Petruzzi

    July 31, 2022

    An Athlete@Stadio Marmi, Rome

    October 11, 2018
  • Beach&Shores,  Colour,  Daily photo,  People,  Winter

    Pensive

    February 26, 2021 /

    Manual focus needs practice. This photo would have been better if I framed also the top of the cabin and focused better the person.

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    Andrea Monti

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    Who is the mannequin?

    April 11, 2013

    Sea Anemones

    August 20, 2014

    The Skeptical Listener

    May 26, 2014
  • Colour,  Daily photo,  People,  Streets&Squares,  Technique,  Winter

    A Skater

    February 23, 2021 /

    Framing the whole statue would have made this photo better. The mistake was caused by the necessity to shoot fast, the lens’ field of view and the distance between the subject and the focal plane.

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    Andrea Monti

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    Portrait of a Perinatal Cardiologist

    July 11, 2014

    The Unintended March

    January 13, 2013

    Hope after the Storm

    January 8, 2020
  • Bridges,  Colour,  Daily photo,  Winter

    A droplet

    February 21, 2021 /

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    Andrea Monti

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    The Hasselblad Way

    January 2, 2014

    Spumante (Italian Champagne) ready to fuel the party

    May 29, 2013

    The Gas Station Attendant

    November 11, 2013
  • Colour,  Daily photo,  Gear,  Winter

    A Rudder

    February 19, 2021 /

    Pentax K-1/smc Pentax-A 135/2,8

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    Andrea Monti

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    Out-of-Focus

    September 24, 2013

    London Swash

    September 3, 2014

    The Smoke Teacher

    July 1, 2013
  • Colour,  Daily photo,  Visual,  Winter

    A Mesh

    February 16, 2021 /

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    Andrea Monti

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    Roots On The Roof

    September 6, 2015

    The Icecream is ready to be served

    May 8, 2013

    The Waiting

    December 23, 2012
  • Colour,  Daily photo,  Fountains,  Visual,  Winter

    An Essay on Composition

    February 14, 2021 /

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    Andrea Monti

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    Fun

    November 12, 2014

    Italian National Skating Championship 2019

    February 8, 2019

    Spectrum

    March 12, 2017
  • Colour,  Daily photo,  Gear,  Summer,  Thoughts

    Pentax SMC-A 50/1,7 – Nikkor 50/1,4 – Summicron 50/2

    February 9, 2021 /

    The left slice is taken with a Pentax K-1 and SMC-A 50/1,7, the centre with a Nikon D750 and a Nikkor 50/1,4, the right with a Fujifilm X-T3 and a Summicron 50/2. All the cameras were at their base ISO (100 for the Pentax and Nikon, 160 with the Fujifilm), at F2 and aperture priority. The K-1 and the X-T3 photos were shot in manual focus. Only the K-1 has IBIS stabilization. The jpg is taken in Affinity by slicing each OOC RAW file without post-processing.

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    Andrea Monti

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    WTF Are They Looking At?

    May 7, 2014

    Three Tires

    May 18, 2022

    From Camera to Print…

    March 17, 2015
  • Colour,  Daily photo,  Winter

    A Lockheed C-130 Hercules

    January 31, 2021 /

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    Andrea Monti

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    Three Sprouts

    May 22, 2022

    Get Ready, Set, Go

    February 2, 2022

    High-Tech Elder Care Tool

    April 2, 2013
  • Colour,  Daily photo,  Kite Surf,  Seasons,  Sport,  Technique,  Winter

    Kite Surfer Under Duress

    January 29, 2021 /

    The wind was already rising when I reached the beach. Grey sky, hard light, the kind of day most people read from behind a window. But the kitesurfers were already out—lines taut, boards skipping through the chop. What always strikes me about this scene isn’t just the colour of the kites against a flat sky, or the sharp angles they carve into the wind—it’s the resolve. They know what they’re getting into. The cold. The salt in their eyes. The bruises. And they do it anyway. Because this is when it’s real. That’s what drew me to raise the camera. The same drive, maybe. You don’t wait for golden hour.…

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    Andrea Monti

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    Segway Chase in Villa Borghese

    April 27, 2013

    Shaken

    October 1, 2015

    The Shooter’s Dilemma

    July 12, 2014
  • Artists,  Colour,  Daily photo,  Streets&Squares,  Winter

    Busker and Covid-19

    January 26, 2021 /

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    Andrea Monti

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    The Day of the Zombies

    October 23, 2016

    Dress Different

    March 15, 2015

    Deadly Bored

    January 6, 2020
  • Actors,  B&W,  Daily photo,  Gear,  PhotoCritics,  Portraits,  Technique,  Winter

    Easy To Shoot?

    December 12, 2020 /

    This picture might look “ordinary” but for the fact that I shot it with a rangefinder film camera (guess which?) during the scene change between to acts of a theatre play. Scene assistants were placing the furnitures, actors were trying to focus on their parts, there was no time (and place) to design a proper composition and set the camera. No autofocus, no real-time exposure and white-balance setting. Maybe I have been lucky capturing the match flame close to the cigar, maybe it was because of “muscle memory”, but I did it nonetheless. Problem is that I could not be sure if I succeeded until, one week later, I saw…

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    Andrea Monti

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    A (Soon) Lost Banner

    November 1, 2018

    Running On The (Oslo’s) Docks

    September 28, 2014

    An Essay on Composition

    February 14, 2021
  • Bookstores,  Colour,  Daily photo,  Kyoto,  Summer

    Dai Shodo@Kyoto

    December 2, 2020 /

    Kyoto ‘s Teramachi-dori is full of suprises. Amidst shops of the most different kind and attire, booklovers can find this small gem. This is Dai-Shodo, a quiet print shop tucked into a narrow Kyoto street. I stepped inside on a grey afternoon with no particular plan. The light was soft, filtered through old windows and the hushed presence of paper. Everything in the shop seemed to lean inwards—frames, shelves, stairs—as if holding its breath in reverence. What struck me most wasn’t the prints themselves, but how they were displayed. Ukiyo-e woodblocks and vintage ephemera layered on every surface, propped rather than hung, as if caught mid-conversation. The stairway invited you up…

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    Andrea Monti

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    When Venus meets the Moon

    October 2, 2023

    Ghosts of Ginza

    November 14, 2023

    Saving the Boat

    December 11, 2013
  • Actors,  Artists,  Colour,  Daily photo,  Reportage,  Winter

    Il barbiere di Siviglia – Don Bartolo mad at Rosina

    November 28, 2020 /

    A shot from the mise en scene of the Il Barbiere di Siviglia I did as a scene-photgrapher for the Teatro Marrucino

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    Andrea Monti

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    Nad Sylvan

    July 10, 2017

    When We Thought We Would Have Changed The World

    August 21, 2014

    A solitary journey

    December 24, 2012
  • Colour,  Daily photo,  Doors&Windows,  Past&Relics,  Summer

    The Answer is On the Wall

    August 28, 2020 /

    A tribute to The Hitchkiker Guide to the Galaxy.

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    ContentEditor

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    An Old Boxing Gym

    February 22, 2016

    Norwegian Suits

    October 15, 2014

    Sting of the Vespa

    March 7, 2025
  • Colour,  Daily photo,  People,  PhotoCritics,  Reportage,  Winter

    Denegata Justitia

    March 2, 2020 /

    Sometimes a picture acquires a meaning that goes beyond the original intent of the photographer. In this case, taken from a reportage I did for Victor Hugo’s Les Miserables featured at Teatro Marrrucino, in Chieti, the photography becomes the archetype of the denegata Justitia. The defendant asks to speak, the justice stares elsewhere.

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    Andrea Monti

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    Inside the Garrison

    May 14, 2014

    Orange Scarf

    November 9, 2014

    Beer or Spritz?

    November 1, 2019
  • Colour,  Daily photo,  People,  PhotoCritics,  Technique,  Winter

    Breaking the Fourth Wall

    February 17, 2020 /

    Shooting a play is challenging because you must be ready to seize ‘the moment’ and, at the very same time, think of unusual compositions to avoid the boring ‘frontal’ perspective. Shooting part of the reportage from the backstage of Hamlet, with Giorgio Pasotti and Mariangela D’Abbraccio directed by Francesco Tavassi I had the possibility to experiment the breaking of the fourth wall. This picture is one of the results.

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    Andrea Monti

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    Italy, Landscape Photography and the Law – Part Two

    February 23, 2014

    The Naughty Customer’s Place

    September 28, 2013

    The Fighter

    June 2, 2013
  • Colour,  Daily photo,  People,  PhotoCritics,  Technique,  Winter

    When Colour Helps Composition

    February 7, 2020 /

    This photo I took during a reportage of Miseria e nobiltà – a classic of the Neapolitan comedy by Eduardo Scarpetta – in the mise en scene of Lello Arena e Luciano Melchionna gives a lot of insights on how composition works. The triangle designed by the two actors on the sides and the taller actress in the centre is reinforced by the colours of the costumes: black in the centre, white in the sides. Finally, the purple background behind the black figure enhances the eye-driving effect toward the centre.

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    Andrea Monti

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    Portrait of a Master luthier

    October 26, 2013

    Two Beers, One Cigarette

    April 23, 2014

    Three’s Company

    November 14, 2014
  • Colour,  Daily photo,  People,  PhotoCritics,  Seasons,  Winter

    On “timing the moment”

    January 20, 2020 /

    This photo I took during an assignment for a reportage on the theatre drama called “Le Signorine” with Giuliana De Sio and Isa Danieli is an excellent example of the “Timing the moment” concept. “Timing the moment” is a skill any event-based photographer should develop (or hone, if he’s gifted enough to have been born with the gift.) Especially in sport – but too in concerts and theatre’s show if you did not attend the rehearsal – you don’t know in advance what is going to happen. A unique mixture of intuition, reflex and decision (what the Japanese would call 決め – kime) allows capturing an unforeseen – and excellent…

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    Andrea Monti

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    Processing DSLR-digitized film with and without Pentax K-1 Monochrome Custom Image profile

    April 30, 2023

    Protected: Prova Aurum

    April 25, 2014

    No, You Don’t Need To Change Your Glasses

    June 14, 2014
  • Beach&Shores,  Colour,  Daily photo,  Landscape,  Travels,  Winter

    Hope after the Storm

    January 8, 2020 /

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    Andrea Monti

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    Watch My Back

    January 15, 2013

    As Time Goes By

    June 11, 2013

    Columns

    November 10, 2014
  • Autumn,  Colour,  Daily photo,  Fashion Shops,  People,  PhotoCritics,  Rome

    Deadly Bored

    January 6, 2020 /

    Once again, the meaning of this picture is counter intuitive and “made up” by the composition. The scene is seen from the perspective of the mannequin: at the end of a hard day spent sitting on the street-front, it (or he?) looks deadly bored and tries to kill the time before the shop closes by casually looking at the next passerby. The directional effect (from the mannequin to the passerby) is achieved by the diagonal connecting the tip of the hat, the feet of the mannequin and the cast of the shadow. Taken as a whole, these elements drive the eye from the mannequin to the persons and not vice-versa.

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    Andrea Monti

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    Just a soccer field… Part 3

    February 5, 2014

    Priority Pass Lounge at Fiumicino Airport

    November 30, 2015

    On Film Simulation or ‘is fiction more real than reality, and why should we care?’

    July 19, 2025
  • Autumn,  Boulevards,  Colour,  Daily photo,  People,  PhotoCritics,  Rome

    A Virtual Glance Dance

    December 28, 2019 /

    The essence of this photo is all in the glances of the protagonists. The man looks at the woman, the woman looks at the luxury car. The essence of this photo is all in the glances of the protagonists. The man looks at the woman, and the woman looks at the luxury car. It is this subtle game of glances that tells a story and turns the photography from a casual picture into something worth seeing. Once again, it is not relevant whether the people portrayed are actually involved in the “glance dance”, as what matters is the image to convey the meaning created by the overall result. This confirms…

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    Andrea Monti

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    Caged?

    June 6, 2014

    Saturday Night’s Ice Cream

    August 19, 2013

    A Roller Coaster… A Kind Of

    April 3, 2014
  • Artists,  Colour,  Daily photo,  People,  PhotoCritics,  Portraits,  Technique,  Winter

    The Power of Underexposing

    December 25, 2019 /

    Properly mastering underexposure helps to obtain pleasant results in challenging light conditions. I took this picture of a soprano by lowering the camera exposure by two stops, thus preserving skin tones burning, and “fading” the background to black. A proper in-camera under-exposure has the advantage of requiring lesser work in post to toggle clarity, temperature and black point.

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    Andrea Monti

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    Multiple Meaning

    December 10, 2013

    Stantsted Lounge’s Chairs

    December 31, 2013

    Portrait of a Waiter

    July 22, 2013
  • Colour,  Daily photo,  PhotoCritics,  Rome,  Winter

    When Tilted Photos Work

    December 18, 2019 /

    Tilted photos are very challenging to take. It is easy to break the composition, lose an essential part of the scene, or take a bad picture. Furthermore, making sense out of a diagonal orientation with a ratio that is not square (Hasselblad people, I can hear you loud and clear!) adds layers of difficulties. As counterintuitive as it might look, this photo taken in a “normal” orientation would have lost all its visual impact.

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    Andrea Monti

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    A Floating Crate

    February 15, 2014

    Just a Soccer Field… Part 1

    February 3, 2014

    Interior Design at Aurum

    May 26, 2013
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