Andrea Monti

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  • Buildings,  Colour,  Daily photo,  Gates&Fences,  Winter

    Open Interior

    March 14, 2021 /

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    Andrea Monti

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    The Bell Ringer of Nikko

    August 6, 2018

    At the theater, between two scenes

    June 15, 2015

    A (Soon) Lost Banner

    November 1, 2018
  • Colour,  Daily photo,  Fountains,  Winter

    Splinter

    March 13, 2021 /

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    Andrea Monti

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    Evolution of a Guitar Player

    July 5, 2013

    Just a soccer field… Part 2

    February 4, 2014

    Have fun…

    July 12, 2013
  • Colour,  Daily photo,  Doors&Windows,  Winter

    Drying Clothes

    March 9, 2021 /

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    Andrea Monti

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    A Sailor’s Knot

    November 22, 2013

    Justice measured as the distance between Words and Facts

    July 10, 2023

    Trial Docks Waiting for the Justice to Come

    April 21, 2015
  • Colour,  Daily photo,  Streets&Squares,  Winter

    The Last Journey Of An Hero of Italian Motoring

    March 7, 2021 /

    Behold, the Fiat 500. Not the modern one that’s all airbags and Bluetooth and makes you feel like a fashion blogger. No, this is the real thing. The original. The glorious, underpowered, unapologetically tinny Italian shoebox. And look at it now—strapped to the back of a truck like a pensioner wheeled out of the bingo hall for the last time. Rusted. Flat-tyred. Beaten. Magnificent. I spotted it being hauled away through a southern Italian town, and frankly, I nearly wept. This was once the car that got a nation moving. The people’s Ferrari. The automotive embodiment of an espresso shot. And now? A hunk of oxidised metal destined for the…

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    Andrea Monti

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    Right before the gig

    September 14, 2018

    Skating on the streets of Milan

    October 4, 2013

    A sample of the Carl Zeiss Jena 135/F4 Sonnar and a Fuji X-T3

    February 5, 2023
  • Beach&Shores,  Colour,  Daily photo,  People,  Winter

    Uninterested

    March 2, 2021 /

    No glance. No nod. Just two people moving through the same space, as if the other didn’t exist. This was taken on a beach that should have felt wide open, maybe even freeing—but something about the moment made it feel small, enclosed. The boy looks down at his phone. The girl walks past him, eyes fixed forward. Neither slows. Neither turns. They’re metres apart, yet orbiting separate worlds. I didn’t ask for this scene. It unfolded on its own. A brief choreography of disconnection. Their postures say enough: one drawn into a screen, the other into her own stride. There’s no hostility here—just absence. A quiet kind of loneliness, the…

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    Andrea Monti

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    Stinky Shoes

    June 3, 2015

    The Suit

    July 15, 2013

    Waiting for (Supreme) Justice

    February 14, 2017
  • Beach&Shores,  Colour,  Daily photo,  People,  Winter

    Pensive

    February 26, 2021 /

    Manual focus needs practice. This photo would have been better if I framed also the top of the cabin and focused better the person.

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    Andrea Monti

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    LP – Live@Anfiteatro La Civitella – The photogallery

    July 11, 2022

    Wet Socks

    July 19, 2014

    The Bored Bassman

    March 16, 2013
  • Colour,  Daily photo,  People,  Streets&Squares,  Technique,  Winter

    A Skater

    February 23, 2021 /

    Framing the whole statue would have made this photo better. The mistake was caused by the necessity to shoot fast, the lens’ field of view and the distance between the subject and the focal plane.

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    Andrea Monti

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    Tables and Chairs, at Night

    May 7, 2013

    High Heels Ghost

    August 20, 2013

    A promenade

    February 24, 2013
  • Bridges,  Colour,  Daily photo,  Winter

    A Droplet

    February 21, 2021 /

    Sometimes the most unassuming subjects hold the greatest visual intrigue. A Droplet invites us to pause before a corroded pipe, its mouth fringed with moss and decay, and notice the minute beads of water suspended in time. The scene is humble, even neglected, yet it carries a quiet dignity — a testament to the slow, unrelenting processes of nature reclaiming the man-made. From a compositional standpoint, the photographer has made the astute decision to centre the pipe, drawing the eye directly to the mossy rim and the droplets. The shallow depth of field isolates the subject from the textured wall behind it, giving the image a pleasing three-dimensionality. The fine…

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    Andrea Monti

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    Watching the Eiffel Tower

    October 14, 2013

    5 frames with a Canon R6 Mk II and its RF 50/1,2 L USM

    September 28, 2024

    Life is a bitch

    May 22, 2013
  • Colour,  Daily photo,  Gear,  Winter

    A Rudder

    February 19, 2021 /

    Pentax K-1/smc Pentax-A 135/2,8

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    Andrea Monti

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    Mid-Knee Clinch

    July 7, 2019

    A Splash of Colour

    November 13, 2013

    Arriba El Mexico!

    July 3, 2014
  • Colour,  Daily photo,  Visual,  Winter

    A Mesh

    February 16, 2021 /

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    Andrea Monti

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    In the Rain, A Helping Hand

    July 10, 2019

    The three musket(b)eer

    May 11, 2013

    DSLR-like…?

    March 21, 2025
  • Colour,  Daily photo,  Fountains,  Visual,  Winter

    An Essay on Composition

    February 14, 2021 /

    This photograph began with geometry, but it ended up being about contradiction. Sand, marble, sea—each a distinct texture, each performing under different rules. It’s not a landscape and it’s not abstract, but it borrows from both. The diagonal lines, the flattened depth, the conflict between order and erosion—all deliberate, but not staged. I rotated the frame on purpose. The eye expects a horizon, some gravitational anchor, but here that’s denied. The marble slabs—cold, precise, quarried and arranged—seem to float or fall, depending on how you orient yourself. The band of sand running diagonally across the frame interrupts their perfection with a tactile, natural disorder: dunes formed by wind, not by…

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    Andrea Monti

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    Shadows&Lights

    March 7, 2014

    A Jazz-Manouche Guitar Player

    August 17, 2014

    An Essay on Light

    October 13, 2017
  • Colour,  Daily photo,  Gear,  Summer,  Thoughts

    Pentax SMC-A 50/1,7 – Nikkor 50/1,4 – Summicron 50/2

    February 9, 2021 /

    The left slice is taken with a Pentax K-1 and SMC-A 50/1,7, the centre with a Nikon D750 and a Nikkor 50/1,4, the right with a Fujifilm X-T3 and a Summicron 50/2. All the cameras were at their base ISO (100 for the Pentax and Nikon, 160 with the Fujifilm), at F2 and aperture priority. The K-1 and the X-T3 photos were shot in manual focus. Only the K-1 has IBIS stabilization. The jpg is taken in Affinity by slicing each OOC RAW file without post-processing.

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    Andrea Monti

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    Inside the Nazario Sauro

    November 26, 2020

    Perfect Strangers

    April 5, 2014

    Inside The Clocktower

    August 22, 2015
  • Colour,  Daily photo,  Winter

    A Lockheed C-130 Hercules

    January 31, 2021 /

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    Andrea Monti

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    Action! (beware of Fuji X-Pro 2)

    February 2, 2016

    Tesla Coils@Boston Science Museum

    July 4, 2023

    Friendship is Forever

    March 6, 2014
  • Colour,  Daily photo,  Kite Surf,  Seasons,  Sport,  Technique,  Winter

    Kite Surfer Under Duress

    January 29, 2021 /

    The wind was already rising when I reached the beach. Grey sky, hard light, the kind of day most people read from behind a window. But the kitesurfers were already out—lines taut, boards skipping through the chop. What always strikes me about this scene isn’t just the colour of the kites against a flat sky, or the sharp angles they carve into the wind—it’s the resolve. They know what they’re getting into. The cold. The salt in their eyes. The bruises. And they do it anyway. Because this is when it’s real. That’s what drew me to raise the camera. The same drive, maybe. You don’t wait for golden hour.…

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    Andrea Monti

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    Waiting To Board

    February 4, 2013

    Once A God

    July 15, 2014

    Shooting the Shooter…

    February 12, 2013
  • Artists,  Colour,  Daily photo,  Streets&Squares,  Winter

    Busker and Covid-19

    January 26, 2021 /

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    Andrea Monti

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    A Few Shots with the 7Artisans 35mm f/0.95 in X-Mount

    October 24, 2024

    A Zeppelin in The New York Sky

    July 2, 2014

    Imitation of Banksi

    November 1, 2021
  • Actors,  B&W,  Daily photo,  Gear,  PhotoCritics,  Portraits,  Technique,  Winter

    Easy To Shoot?

    December 12, 2020 /

    This picture might look “ordinary” but for the fact that I shot it with a rangefinder film camera (guess which?) during the scene change between to acts of a theatre play. Scene assistants were placing the furnitures, actors were trying to focus on their parts, there was no time (and place) to design a proper composition and set the camera. No autofocus, no real-time exposure and white-balance setting. Maybe I have been lucky capturing the match flame close to the cigar, maybe it was because of “muscle memory”, but I did it nonetheless. Problem is that I could not be sure if I succeeded until, one week later, I saw…

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    Andrea Monti

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    A ghostly bystander

    September 21, 2013

    Head-Dresser

    February 11, 2013

    Guess who’s happier?

    May 27, 2013
  • Bookstores,  Colour,  Daily photo,  Kyoto,  Summer

    Dai Shodo@Kyoto

    December 2, 2020 /

    Kyoto ‘s Teramachi-dori is full of suprises. Amidst shops of the most different kind and attire, booklovers can find this small gem. This is Dai-Shodo, a quiet print shop tucked into a narrow Kyoto street. I stepped inside on a grey afternoon with no particular plan. The light was soft, filtered through old windows and the hushed presence of paper. Everything in the shop seemed to lean inwards—frames, shelves, stairs—as if holding its breath in reverence. What struck me most wasn’t the prints themselves, but how they were displayed. Ukiyo-e woodblocks and vintage ephemera layered on every surface, propped rather than hung, as if caught mid-conversation. The stairway invited you up…

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    Andrea Monti

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    An Essay on Composition

    February 14, 2021

    The Coffin

    December 12, 2015

    A few shots from a Paco de Lucia live performance

    July 31, 2013
  • Actors,  Artists,  Colour,  Daily photo,  Reportage,  Winter

    Il barbiere di Siviglia – Don Bartolo mad at Rosina

    November 28, 2020 /

    A shot from the mise en scene of the Il Barbiere di Siviglia I did as a scene-photgrapher for the Teatro Marrucino

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    Andrea Monti

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    A useless photo

    July 23, 2013

    A Dragon Trainer?

    July 8, 2014

    Raus

    May 12, 2013
  • Colour,  Daily photo,  Doors&Windows,  Past&Relics,  Summer

    The Answer is On the Wall

    August 28, 2020 /

    When I first saw this wall, I knew immediately that it had to be photographed. Not because it was particularly ornate or historically significant, but because of the simple red digits painted on its surface: 42. For anyone who’s read The Hitchhiker’s Guide to the Galaxy, this number isn’t just a number—it’s the number, the answer to life, the universe, and everything. And yet, here it was, not in some cosmic landscape, but on a weathered patch of brick and peeling paint. From a compositional standpoint, I kept the frame tight, letting the number sit just off-centre enough to avoid perfect symmetry. The texture of the wall does as much…

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    ContentEditor

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    Blackfriars Train Station Banner

    September 22, 2016

    Kudos to Ricoh

    February 8, 2013

    Relax At The Rapallo’s Marina

    August 2, 2014
  • Colour,  Daily photo,  People,  PhotoCritics,  Reportage,  Winter

    Denegata Justitia

    March 2, 2020 /

    Sometimes a picture acquires a meaning that goes beyond the original intent of the photographer. In this case, taken from a reportage I did for Victor Hugo’s Les Miserables featured at Teatro Marrrucino, in Chieti, the photography becomes the archetype of the denegata Justitia. The defendant asks to speak, the justice stares elsewhere.

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    Andrea Monti

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    It’s always the right time

    February 17, 2013

    When We Thought We Would Have Changed The World

    August 21, 2014

    5 Frames from our Tragic Past Shot with an iPhone 14 Pro Max

    April 4, 2025
  • Colour,  Daily photo,  People,  PhotoCritics,  Technique,  Winter

    Breaking the Fourth Wall

    February 17, 2020 /

    Shooting a play is challenging because you must be ready to seize ‘the moment’ and, at the very same time, think of unusual compositions to avoid the boring ‘frontal’ perspective. Shooting part of the reportage from the backstage of Hamlet, with Giorgio Pasotti and Mariangela D’Abbraccio directed by Francesco Tavassi I had the possibility to experiment the breaking of the fourth wall. This picture is one of the results.

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    Andrea Monti

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    Friendship is Forever

    March 6, 2014

    The Day After The Tide

    December 12, 2013

    Audience

    February 20, 2014
  • Colour,  Daily photo,  People,  PhotoCritics,  Technique,  Winter

    When Colour Helps Composition

    February 7, 2020 /

    This photo I took during a reportage of Miseria e nobiltà – a classic of the Neapolitan comedy by Eduardo Scarpetta – in the mise en scene of Lello Arena e Luciano Melchionna gives a lot of insights on how composition works. The triangle designed by the two actors on the sides and the taller actress in the centre is reinforced by the colours of the costumes: black in the centre, white in the sides. Finally, the purple background behind the black figure enhances the eye-driving effect toward the centre.

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    Andrea Monti

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    Open Window

    February 4, 2015

    A Roller Coaster… A Kind Of

    April 3, 2014

    What Are You Looking At?

    June 19, 2014
  • Colour,  Daily photo,  People,  PhotoCritics,  Seasons,  Winter

    On “timing the moment”

    January 20, 2020 /

    This photo I took during an assignment for a reportage on the theatre drama called “Le Signorine” with Giuliana De Sio and Isa Danieli is an excellent example of the “Timing the moment” concept. “Timing the moment” is a skill any event-based photographer should develop (or hone, if he’s gifted enough to have been born with the gift.) Especially in sport – but too in concerts and theatre’s show if you did not attend the rehearsal – you don’t know in advance what is going to happen. A unique mixture of intuition, reflex and decision (what the Japanese would call 決め – kime) allows capturing an unforeseen – and excellent…

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    Andrea Monti

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    A Spanish Long Jumper

    September 11, 2022

    Dark Omen

    December 31, 2021

    Tiles

    October 31, 2014
  • Beach&Shores,  Colour,  Daily photo,  Landscape,  Travels,  Winter

    Hope after the Storm

    January 8, 2020 /

    The sea hadn’t quite calmed when I made this frame—the wind still cut the crests sharp, and the noise of the waves clashing against the pilings of the trabocco was thick, physical. I waited for a break in the light, not hoping for much, and then the rainbow broke into view—just briefly—and gave the scene a tension it was missing. Not the kitsch kind of rainbow, but the kind that appears in defiance of ruin. The trabocco—an ancient fishing machine precariously perched on stilts—has always struck me as the embodiment of resilience. I framed it slightly to the left to leave space for the arc, letting the rainbow anchor the…

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    Andrea Monti

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    Even

    July 9, 2016

    The Kiev 60 and a fix for the frame spacing issue

    October 8, 2023

    Hey Mister!

    June 25, 2015
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