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Andrea Monti

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  • Colour,  Daily photo,  Fountains,  Gear,  Spring,  Thoughts

    A Fountain’s Jet

    April 12, 2021 /

    I took this shot with a Viltrox AF 56/1,4 XF at full aperture. The focus reacted swiftly, and the colours’ rendition is pretty accurate. There is minimal colour fringing. However, it is more likely caused by air bubbles rather than by the lens itself. Like its bigger sibling, the AF 85/1,8 XF, this lens is excellent. Photographing water at f/1.4 is, in many ways, an exercise in precision gambling. The Viltrox AF 56mm f/1.4 XF, mounted on the Fuji X-T3, gave me a razor-thin depth of field to work with. At this aperture, there’s no room for hesitation – you either nail the plane of focus or lose the subject…

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    Andrea Monti

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    God Save the Queen!

    September 6, 2014

    Ghosts of Ginza

    November 14, 2023

    The Bodyguard in Red

    April 13, 2014
  • Beach&Shores,  Colour,  Daily photo,  Seasons,  Spring

    Footprints

    March 27, 2021 /

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    Andrea Monti

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    No Tablet, No Problem

    April 12, 2013

    60×40 Borderless Printing with a HP Z3200ps 24

    May 11, 2014

    Mario Asks for it!

    April 9, 2014
  • Cars&Bikes,  Colour,  Daily photo,  People,  Seasons,  Winter

    Deserved Rest

    March 21, 2021 /

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    Andrea Monti

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    Guest Are Welcome!

    December 1, 2014

    Another attempt at DLSR film scanning

    January 21, 2023

    A Bad Experiment

    August 26, 2016
  • Colour,  Daily photo,  Docks,  People,  Skating,  Winter

    A Street-Skater

    March 17, 2021 /

    I came across him by the harbour on a day when the wind carried the smell of salt and diesel from the moored fishing boats. He wasn’t performing for an audience—just skating alone, immersed in his own rhythm. His movements were sharp but fluid, somewhere between dance and martial art. I wanted to capture that moment when the body leans into balance, teetering on the edge of a fall but never crossing it. The setting presented an immediate visual contrast: the fluidity of his posture against the static, almost heavy backdrop of the docked ships. I framed him to the left, letting the background breathe, so that the masts, ropes,…

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    Andrea Monti

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    A Sailor’s Knot

    November 22, 2013

    Bycicle Ride

    August 28, 2013

    Generations

    February 5, 2013
  • Buildings,  Colour,  Daily photo,  Gates&Fences,  Winter

    Open Interior

    March 14, 2021 /

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    Andrea Monti

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    A Fujifilm X-E1 Annoyance

    April 15, 2014

    Time Runs Fast

    May 21, 2014

    A Sad Cat in a Neko Cafè

    August 5, 2018
  • Colour,  Daily photo,  Fountains,  Winter

    Splinter

    March 13, 2021 /

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    Andrea Monti

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    The Seagull’s Rest

    December 18, 2013

    Tattoos in Barcelona

    August 18, 2014

    Viltrox AF85/1,8 II XF. Reflexless?

    April 2, 2021
  • Colour,  Daily photo,  Doors&Windows,  Winter

    Drying Clothes

    March 9, 2021 /

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    Andrea Monti

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    Lightblade

    September 6, 2013

    The Last Icecream?

    October 30, 2013

    Who Can It Be Now?

    February 18, 2016
  • Colour,  Daily photo,  Streets&Squares,  Winter

    The Last Journey Of An Hero of Italian Motoring

    March 7, 2021 /

    Behold, the Fiat 500. Not the modern one that’s all airbags and Bluetooth and makes you feel like a fashion blogger. No, this is the real thing. The original. The glorious, underpowered, unapologetically tinny Italian shoebox. And look at it now—strapped to the back of a truck like a pensioner wheeled out of the bingo hall for the last time. Rusted. Flat-tyred. Beaten. Magnificent. I spotted it being hauled away through a southern Italian town, and frankly, I nearly wept. This was once the car that got a nation moving. The people’s Ferrari. The automotive embodiment of an espresso shot. And now? A hunk of oxidised metal destined for the…

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    Andrea Monti

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    From Waltham to Boston

    August 4, 2023

    Impatience

    February 6, 2013

    A Roller Coaster… A Kind Of

    April 3, 2014
  • Beach&Shores,  Colour,  Daily photo,  People,  Winter

    Uninterested

    March 2, 2021 /

    No glance. No nod. Just two people moving through the same space, as if the other didn’t exist. This was taken on a beach that should have felt wide open, maybe even freeing—but something about the moment made it feel small, enclosed. The boy looks down at his phone. The girl walks past him, eyes fixed forward. Neither slows. Neither turns. They’re metres apart, yet orbiting separate worlds. I didn’t ask for this scene. It unfolded on its own. A brief choreography of disconnection. Their postures say enough: one drawn into a screen, the other into her own stride. There’s no hostility here—just absence. A quiet kind of loneliness, the…

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    Andrea Monti

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    Street Compass Rose

    September 25, 2013

    As Time Goes By

    June 11, 2013

    The Seagull And The Sentinel

    October 27, 2014
  • Beach&Shores,  Colour,  Daily photo,  People,  Winter

    Pensive

    February 26, 2021 /

    Manual focus needs practice. This photo would have been better if I framed also the top of the cabin and focused better the person.

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    Andrea Monti

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    @ Rome’s Maker Faire – 6. Lost In Texting

    November 23, 2014

    Which Part of “No Smoking” Got You Lost?

    June 21, 2015

    Through the Fog

    January 5, 2014
  • Colour,  Daily photo,  People,  Streets&Squares,  Technique,  Winter

    A Skater

    February 23, 2021 /

    Framing the whole statue would have made this photo better. The mistake was caused by the necessity to shoot fast, the lens’ field of view and the distance between the subject and the focal plane.

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    Andrea Monti

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    @ Mediterranean Beach Games 2015 – Italian Female Rowing Team

    October 7, 2015

    A Spanish Long Jumper

    September 11, 2022

    StreetPizza@Ueno Park

    August 4, 2018
  • Bridges,  Colour,  Daily photo,  Winter

    A Droplet

    February 21, 2021 /

    Sometimes the most unassuming subjects hold the greatest visual intrigue. A Droplet invites us to pause before a corroded pipe, its mouth fringed with moss and decay, and notice the minute beads of water suspended in time. The scene is humble, even neglected, yet it carries a quiet dignity — a testament to the slow, unrelenting processes of nature reclaiming the man-made. From a compositional standpoint, the photographer has made the astute decision to centre the pipe, drawing the eye directly to the mossy rim and the droplets. The shallow depth of field isolates the subject from the textured wall behind it, giving the image a pleasing three-dimensionality. The fine…

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    Andrea Monti

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    The Shoesfixer

    September 7, 2014

    Shopping in Bruxelles

    December 20, 2013

    Bulbs

    January 12, 2015
  • Colour,  Daily photo,  Gear,  Winter

    A Rudder

    February 19, 2021 /

    Pentax K-1/smc Pentax-A 135/2,8

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    Andrea Monti

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    Technological Memento

    June 26, 2021

    Waiting for the match…

    December 28, 2012

    Big Brother Enhanced

    May 1, 2013
  • Colour,  Daily photo,  Visual,  Winter

    A Mesh

    February 16, 2021 /

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    Andrea Monti

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    Max Gazzè Tour 2016 Live @Pescara

    February 1, 2016

    The Doorman

    September 1, 2013

    Hard Stare

    April 26, 2016
  • Colour,  Daily photo,  Fountains,  Visual,  Winter

    An Essay on Composition

    February 14, 2021 /

    This photograph began with geometry, but it ended up being about contradiction. Sand, marble, sea—each a distinct texture, each performing under different rules. It’s not a landscape and it’s not abstract, but it borrows from both. The diagonal lines, the flattened depth, the conflict between order and erosion—all deliberate, but not staged. I rotated the frame on purpose. The eye expects a horizon, some gravitational anchor, but here that’s denied. The marble slabs—cold, precise, quarried and arranged—seem to float or fall, depending on how you orient yourself. The band of sand running diagonally across the frame interrupts their perfection with a tactile, natural disorder: dunes formed by wind, not by…

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    Andrea Monti

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    Unkempt

    December 4, 2015

    Red Bag, Black Shoes

    November 27, 2014

    Another Bridge

    September 23, 2019
  • Colour,  Daily photo,  Gear,  Summer,  Thoughts

    Pentax SMC-A 50/1,7 – Nikkor 50/1,4 – Summicron 50/2

    February 9, 2021 /

    The left slice is taken with a Pentax K-1 and SMC-A 50/1,7, the centre with a Nikon D750 and a Nikkor 50/1,4, the right with a Fujifilm X-T3 and a Summicron 50/2. All the cameras were at their base ISO (100 for the Pentax and Nikon, 160 with the Fujifilm), at F2 and aperture priority. The K-1 and the X-T3 photos were shot in manual focus. Only the K-1 has IBIS stabilization. The jpg is taken in Affinity by slicing each OOC RAW file without post-processing.

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    Andrea Monti

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    Sega Codemaster

    November 21, 2017

    At the theater, between two scenes

    June 15, 2015

    Caparezza – Live@Palamaggetti Roseto degli Abruzzi

    February 18, 2018
  • Colour,  Daily photo,  Winter

    A Lockheed C-130 Hercules

    January 31, 2021 /

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    Andrea Monti

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    Legal Apartheid

    March 25, 2015

    A Silohuette on the Bridge

    March 3, 2014

    The Watchman (Street-Photography Shortcuts)

    January 21, 2016
  • Colour,  Daily photo,  Kite Surf,  Seasons,  Sport,  Technique,  Winter

    Kite Surfer Under Duress

    January 29, 2021 /

    The wind was already rising when I reached the beach. Grey sky, hard light, the kind of day most people read from behind a window. But the kitesurfers were already out—lines taut, boards skipping through the chop. What always strikes me about this scene isn’t just the colour of the kites against a flat sky, or the sharp angles they carve into the wind—it’s the resolve. They know what they’re getting into. The cold. The salt in their eyes. The bruises. And they do it anyway. Because this is when it’s real. That’s what drew me to raise the camera. The same drive, maybe. You don’t wait for golden hour.…

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    Andrea Monti

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    Not A Photography Anymore

    September 22, 2014

    Cornermen

    June 4, 2013

    Poetry Still Survives

    June 7, 2014
  • Artists,  Colour,  Daily photo,  Streets&Squares,  Winter

    Busker and Covid-19

    January 26, 2021 /

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    Andrea Monti

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    The Ghost

    February 15, 2013

    Fujifilm X-T3 Video Cheat Sheet

    September 5, 2021

    Hanging Towels

    March 29, 2014
  • Actors,  B&W,  Daily photo,  Gear,  PhotoCritics,  Portraits,  Technique,  Winter

    Easy To Shoot?

    December 12, 2020 /

    This picture might look “ordinary” but for the fact that I shot it with a rangefinder film camera (guess which?) during the scene change between to acts of a theatre play. Scene assistants were placing the furnitures, actors were trying to focus on their parts, there was no time (and place) to design a proper composition and set the camera. No autofocus, no real-time exposure and white-balance setting. Maybe I have been lucky capturing the match flame close to the cigar, maybe it was because of “muscle memory”, but I did it nonetheless. Problem is that I could not be sure if I succeeded until, one week later, I saw…

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    Andrea Monti

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    Portrait of a Perinatal Cardiologist

    July 11, 2014

    Comarketing

    October 10, 2019

    One Shot Story: Behind the Fence

    January 3, 2025
  • Bookstores,  Colour,  Daily photo,  Kyoto,  Summer

    Dai Shodo@Kyoto

    December 2, 2020 /

    Kyoto ‘s Teramachi-dori is full of suprises. Amidst shops of the most different kind and attire, booklovers can find this small gem. This is Dai-Shodo, a quiet print shop tucked into a narrow Kyoto street. I stepped inside on a grey afternoon with no particular plan. The light was soft, filtered through old windows and the hushed presence of paper. Everything in the shop seemed to lean inwards—frames, shelves, stairs—as if holding its breath in reverence. What struck me most wasn’t the prints themselves, but how they were displayed. Ukiyo-e woodblocks and vintage ephemera layered on every surface, propped rather than hung, as if caught mid-conversation. The stairway invited you up…

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    Andrea Monti

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    The Lifeguard’s Tools

    August 24, 2013

    In the backstage

    May 10, 2013

    Generations

    February 5, 2013
  • Actors,  Artists,  Colour,  Daily photo,  Reportage,  Winter

    Il barbiere di Siviglia – Don Bartolo mad at Rosina

    November 28, 2020 /

    A shot from the mise en scene of the Il Barbiere di Siviglia I did as a scene-photgrapher for the Teatro Marrucino

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    Andrea Monti

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    Branches On The Wall

    December 10, 2014

    Steve Hackett – Live@Teatro d’Annunzio

    July 8, 2017

    Oops!

    July 4, 2014
  • Colour,  Daily photo,  Doors&Windows,  Past&Relics,  Summer

    The Answer is On the Wall

    August 28, 2020 /

    When I first saw this wall, I knew immediately that it had to be photographed. Not because it was particularly ornate or historically significant, but because of the simple red digits painted on its surface: 42. For anyone who’s read The Hitchhiker’s Guide to the Galaxy, this number isn’t just a number—it’s the number, the answer to life, the universe, and everything. And yet, here it was, not in some cosmic landscape, but on a weathered patch of brick and peeling paint. From a compositional standpoint, I kept the frame tight, letting the number sit just off-centre enough to avoid perfect symmetry. The texture of the wall does as much…

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    Floating

    October 7, 2023

    No, You Don’t Need To Change Your Glasses

    June 14, 2014

    Stop

    December 6, 2018
  • Colour,  Daily photo,  People,  PhotoCritics,  Reportage,  Winter

    Denegata Justitia

    March 2, 2020 /

    Sometimes a picture acquires a meaning that goes beyond the original intent of the photographer. In this case, taken from a reportage I did for Victor Hugo’s Les Miserables featured at Teatro Marrrucino, in Chieti, the photography becomes the archetype of the denegata Justitia. The defendant asks to speak, the justice stares elsewhere.

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    A Taxi Night Fleet At Oslo’s Central Station

    September 26, 2014

    Late Evening Break In Piazza Dante

    October 21, 2017

    Not Sure I Would Like The Feel

    November 22, 2014
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