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  • Bruxelles,  Colour,  Daily photo,  Streets&Squares,  Summer

    Ni État Ni Patron

    June 8, 2014 /

    Brussels. A quiet wall, a passing car, and a message that’s louder than both. The slogan is old—older than the paint used to scrawl it—Ni État Ni Patron. No state, no boss. A phrase that echoes from factories, barricades, pamphlets. And now, here it is again, on a half-covered stretch of rendered concrete. It wasn’t written to decorate. It was written to remain. The graffiti stands out not just for what it says, but for where it says it: in the middle of a freshly patched rectangle, painted over what was clearly another message before it. The wall becomes a palimpsest—layers of resistance, erasure, and return. Below it, a car…

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    Andrea Monti

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    Killing Santa? Really?

    January 25, 2013

    Multiple Peripheral Visions

    February 10, 2016

    Piero Mazzocchetti – L’ultima notte di Bonfiglio Liborio

    May 12, 2022
  • B&W,  Bookstores,  Bruxelles,  Daily photo,  Spring

    Poetry Still Survives

    June 7, 2014 /

    Blessed be the city, where somebody can earn his day, by selling poetry.

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    Andrea Monti

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    Buying Chocolate

    October 31, 2015

    Waiting for (Supreme) Justice

    February 14, 2017

    A Bad Experiment

    August 26, 2016
  • Autumn,  Colour,  Daily photo,  Garbage,  Gates&Fences,  Past&Relics,  Social Control

    Caged?

    June 6, 2014 /

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    Andrea Monti

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    The Stroller

    July 7, 2015

    A Modern Orpheus

    November 24, 2015

    Piero Mazzocchetti – L’ultima notte di Bonfiglio Liborio

    May 12, 2022
  • Colour,  Daily photo,  Past&Relics,  Spring

    Much Too Powerful a Knock…

    June 3, 2014 /

    The subject here is as straightforward as it gets: a wall, framed by rusted metal edges, and a hole clean enough to suggest sudden, concentrated force. The image works because it refuses embellishment — no dramatic angles, no post-production theatrics, just a direct record of an event’s aftermath. Compositionally, the vertical framing contains the scene like a display case, while the rust on either side breaks the monotony of the pale plaster. The crack lines radiating from the impact point add an organic texture, guiding the viewer’s eye back to the centre. The absence of any human figure allows the imagination to dwell on cause and consequence. From a technical…

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    Andrea Monti

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    The Sharp Shooter

    March 10, 2015

    A Dislodged Portal

    December 15, 2018

    Oh…MG!

    July 23, 2015
  • Colour,  Daily photo,  Docks,  Paris,  Spring

    Siamese Boats On the Seine River

    June 1, 2014 /

    Two barges, TEMPO and VESTA, lashed together as if bound by some unspoken pact, making their way up the Seine. Seen from above, their pairing creates a symmetry that is almost architectural. The way their bows slice the water in unison feels more like choreography than navigation. The shot was taken from a bridge, directly aligned with their approach, which allowed me to keep both vessels centred and parallel in the frame. That alignment is crucial — a slight offset would have made the composition feel off-balance. Here, the geometry holds everything together: two hulls, two decks, two names, and a doubling of anchor motifs. The light was soft but…

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    Andrea Monti

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    National Security

    April 4, 2014

    Just a soccer field… Part 3

    February 5, 2014

    Too Late

    April 10, 2015
  • Colour,  Daily photo,  Photography,  Spring

    Who Needs A Wedding Photographer Anymore?

    May 29, 2014 /

    I took this picture at a friend’s wedding. Though there was an “official” photographer, almost all of the attendees did their own “service”. They spent the majority of their time (and of their mobiles’ batteries) by obstructing the professionals on duty to get mostly irrelevant and low quality pictures. This is the main reason I chose not do weddings and – in general – ceremonies.

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    Andrea Monti

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    A Contemporary-Art Installation?

    March 31, 2013

    A Special Dress for a Special Party

    July 6, 2016

    Turiddu repeals Santuzza

    November 19, 2022
  • B&W,  Barcelona,  Daily photo,  Docks,  Spring

    The Teleferic de Montjiuc

    May 28, 2014 /

    I framed this high, tight, and in monochrome. The tower holds its geometry clean against a washed-out sky, bisected by the tension of support cables that anchor the structure both physically and compositionally. The decision to exclude ground and context wasn’t aesthetic—it was structural. I wanted the image to stand on line, angle, and steel alone. Shot with a mid-telephoto to flatten depth slightly and reduce parallax across the girders. The light was diffuse but not flat. A break in the clouds gave enough gradient to define planes without creating shadow noise. The exposure leaned conservative: highlights retained in the clouds, midtones preserved in the riveted panels and pulleys. No…

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    Andrea Monti

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    The missing guest

    April 19, 2013

    Mirror

    January 17, 2013

    Shaken

    October 1, 2015
  • Colour,  Daily photo,  People,  Spring

    The Skeptical Listener

    May 26, 2014 /

    While a politician addresses his audience, a skeptical listener think of how many times she’ve been there before…

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    Andrea Monti

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    Three Tires

    May 18, 2022

    Is This My Breakfast? (Kirobo, the new Pinocchio)

    December 14, 2014

    The Fighter

    June 2, 2013
  • Bruxelles,  Colour,  Daily photo,  Social Control,  Spring

    Whatever You Stand For, Vote!

    May 24, 2014 /

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    Andrea Monti

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    Boat Maintenance At Genova’s Porto Antico

    July 30, 2014

    Meaningless

    November 9, 2013

    Niccolò Fabi – Meno Per Meno Tour 2023 – Live@Teatro Massimo, Pescara

    May 7, 2023
  • Colour,  Daily photo,  Past&Relics,  Summer

    Under an Old Roof

    May 22, 2014 /

    A scrap of newspaper clings to the surface of a wooden beam, yellowed by time, softened by dust. The print advertises used cars, once a promise of mobility and new beginnings, now only a faded record of another era. Above, the roof beams reveal gaps, through which light seeps, fractured and uncertain, illuminating what remains. The photograph works in layers: the brittle newsprint, the rough wood, the dim background of tiles and sky. Each element bears marks of age, but together they tell a quiet story of storage, neglect, and survival. It is less about the subject itself than about what it represents—the persistence of the ordinary beneath the erosion…

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    Andrea Monti

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    Somewhere in Japan

    May 19, 2014

    Don’t Forget!

    March 27, 2013

    After the Race

    July 27, 2015
  • B&W,  Daily photo,  Fashion Shops,  Summer

    The Hamlet’s Dilemma

    May 20, 2014 /

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    Andrea Monti

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    Wrecked Hull

    February 14, 2014

    The Icecream is ready to be served

    May 8, 2013

    The Taste Master

    March 2, 2014
  • Colour,  Daily photo,  Spring,  Visual

    Somewhere in Japan

    May 19, 2014 /

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    Andrea Monti

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    Stylish

    March 16, 2014

    Is This Smoke?

    August 15, 2013

    The Man Behind The Croissant

    December 13, 2014
  • Artists,  Colour,  Daily photo,  People,  Spring

    Portrait of Keyboard Player

    May 18, 2014 /

    He had just finished a piece when I took the shot. Head tilted, hand still resting on the keys, that slight smirk not forced but earned. This wasn’t posed—it was a breath between moments, a performer halfway out of character and halfway into self-awareness. The ambient energy of the room still swirled around him—soft voices, chairs moving, blurred motion in the background—but he held still. I composed tight to emphasise the contrast between stillness and motion. The background drags slightly, figures abstracted by a slower shutter speed, but the face and fingers are crisp—anchoring the shot where it needs to be. The lighting was mixed: tungsten overhead, cooler light from…

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    Andrea Monti

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    Who Is The Machine?

    August 5, 2019

    Posing at Milan’s Galleria Vittorio Emanuele II

    October 1, 2018

    The Expired Film Series – Episode 5 – Kodak Tri X 400 – September 2015 shot in Sept. 2023

    May 8, 2024
  • Colour,  Daily photo,  Fountains,  Spring

    A Fountain

    May 17, 2014 /

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    Andrea Monti

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    Under the Heat Of Rome…

    June 26, 2018

    Distraction

    April 6, 2016

    Life Within the Post Office

    November 24, 2014
  • Bottles&Cups,  Colour,  Daily photo,  Spring

    Yes, We…Can

    May 16, 2014 /

    I took this photo because it stopped me mid-step. A banal object — a crushed Coca-Cola can — pierced on a historic stone spike, suspended in defiance or perhaps pure indifference. The tension between the industrial red cylinder and the worn, centuries-old limestone was too stark to ignore. The composition leaned heavily on perspective and focus. I shot wide open, letting the background melt into soft abstraction, just enough to hint at an ancient setting without overpowering the main subject. I tilted the frame slightly to echo the absurd balance of the can, breaking away from textbook horizontality to embrace the odd equilibrium of the scene. Exposure was critical. I…

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    Andrea Monti

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    Sleep Wins

    August 30, 2013

    Portrait of a Judo Master

    November 14, 2013

    Denegata Justitia

    March 2, 2020
  • Artists,  B&W,  Daily photo,  Spring

    Between Two Sets

    May 15, 2014 /

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    Andrea Monti

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    Peeping the Misery

    September 4, 2013

    Justice measured as the distance between Words and Facts

    July 10, 2023

    Hanging News

    June 18, 2013
  • Barcelona,  Colour,  Daily photo,  Fashion Shops,  People,  Spring

    The New Church

    May 13, 2014 /

    In the XXIth Century, a new church grows, to satisfy old needs.

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    Andrea Monti

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    Red Beam

    October 24, 2023

    Isolation in Public Spaces

    November 10, 2023

    Collision Path

    July 5, 2019
  • Airport,  Bruxelles,  Colour,  Daily photo,  People,  Spring,  Travels

    Guru Meditation

    May 12, 2014 /

    Airports are temples of waiting. They strip away the illusion of control, leaving travellers suspended in time between one place and another. In that in-between, people invent ways to cope. Here, in a lounge of muted reds and glassy daylight, a man folds himself into a private space. One leg drawn up, back curved, cap pulled low, he cradles a tablet as if it were a small book or a talisman. His fingers rest lightly on it, not tapping, not scrolling—just holding. The surrounding noise and movement dissolve in his stillness. This is meditation for the digital age. Not in a forest clearing or a candlelit room, but in an…

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    Andrea Monti

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    Never Trust the Autofocus (not only) in Street-Photography

    July 20, 2013

    A Gull, Posing

    June 17, 2022

    Belgian Chocolate – Neuhaus

    November 16, 2015
  • Buildings,  Colour,  Daily photo,  Odds,  Rome,  Spring

    Inside the Elevator

    May 9, 2014 /

    Escher’s Relativity inspired these shots.

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    Andrea Monti

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    Late-afternoon’s snack

    April 15, 2013

    Reminiscenses From The Past

    September 7, 2013

    Gliding Away

    December 21, 2021
  • Beach&Shores,  Colour,  Daily photo,  Landscape,  Spring

    Falling Tree

    May 8, 2014 /

    Again, an impossible perspective…

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    Andrea Monti

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    Carabinieri:To Serve And Protect

    February 8, 2016

    Gravity on Pause

    September 5, 2025

    Inside The Palace of Power

    September 17, 2015
  • Barcelona,  Colour,  Daily photo,  People,  Spring

    WTF Are They Looking At?

    May 7, 2014 /

    Read More
    Andrea Monti

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    Lunchtime

    February 18, 2013

    Rectangles

    March 12, 2015

    Inside an Old Gym

    February 16, 2015
  • B&W,  Bruxelles,  Buildings,  Daily photo,  Spring

    An Unplausable Perspective

    May 6, 2014 /

    There is something odd in this photo, isnt’it?

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    Andrea Monti

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    Lost

    July 13, 2015

    Play It Again, Sam!

    April 13, 2017

    None of Your Business

    October 2, 2013
  • Artists,  Colour,  Daily photo,  People,  Portraits,  Spring

    Portrait of a young guitar player

    May 4, 2014 /

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    Andrea Monti

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    The Quest for Belgian Chocolate…

    April 11, 2017

    Plenty of Chairs in Via Veneto

    December 2, 2013

    A Bad Experiment

    August 26, 2016
  • Beach&Shores,  Colour,  Daily photo,  Gear,  Photography,  Spring,  Visual,  WideAngle

    Noon on the Beach

    May 1, 2014 /

    this image hinges on simplicity and distortion. The sun was directly overhead, leaving the shadow of the pole as a near-perfect sundial, slicing the centre of the frame from bottom to vanishing point. That shadow was the whole reason to shoot: absolute verticality rendered into graphic contrast on a near-featureless plane. The lens dictates the structure. At 16mm, lines bow. The horizon curves. Perspective exaggerates. I leaned into it—there’s no attempt to correct distortion in post. The intention was not to imitate a rectilinear frame, but to emphasise space as abstraction. The beach becomes a sphere, the sky a ceiling, and the tiny trace of buildings at the perimeter only…

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    Andrea Monti

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    Late for Lunch

    March 26, 2014

    Not A Photography Anymore

    September 22, 2014

    Bulbs

    January 12, 2015
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