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Andrea Monti

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  • Bruxelles,  Colour,  Daily photo,  Streets&Squares,  Summer

    Ni État Ni Patron

    June 8, 2014 /

    Brussels. A quiet wall, a passing car, and a message that’s louder than both. The slogan is old—older than the paint used to scrawl it—Ni État Ni Patron. No state, no boss. A phrase that echoes from factories, barricades, pamphlets. And now, here it is again, on a half-covered stretch of rendered concrete. It wasn’t written to decorate. It was written to remain. The graffiti stands out not just for what it says, but for where it says it: in the middle of a freshly patched rectangle, painted over what was clearly another message before it. The wall becomes a palimpsest—layers of resistance, erasure, and return. Below it, a car…

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    Andrea Monti

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    The Hasselblad Way

    January 2, 2014

    Masters of Propaganda

    July 18, 2023

    Portrait of a Professional Pugilist. Davide De Lellis

    March 8, 2019
  • B&W,  Bookstores,  Bruxelles,  Daily photo,  Spring

    Poetry Still Survives

    June 7, 2014 /

    Blessed be the city, where somebody can earn his day, by selling poetry.

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    Andrea Monti

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    Portrait of a politician – 1

    October 25, 2013

    Multiple Peripheral Visions

    February 10, 2016

    Out for a ride…

    January 2, 2013
  • Autumn,  Colour,  Daily photo,  Garbage,  Gates&Fences,  Past&Relics,  Social Control

    Caged?

    June 6, 2014 /

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    Andrea Monti

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    An Old Motorcade At Night

    August 10, 2015

    Hanging Towels

    March 29, 2014

    Outside the Nobel Museum

    June 30, 2016
  • Colour,  Daily photo,  Past&Relics,  Spring

    Much Too Powerful a Knock…

    June 3, 2014 /

    The subject here is as straightforward as it gets: a wall, framed by rusted metal edges, and a hole clean enough to suggest sudden, concentrated force. The image works because it refuses embellishment — no dramatic angles, no post-production theatrics, just a direct record of an event’s aftermath. Compositionally, the vertical framing contains the scene like a display case, while the rust on either side breaks the monotony of the pale plaster. The crack lines radiating from the impact point add an organic texture, guiding the viewer’s eye back to the centre. The absence of any human figure allows the imagination to dwell on cause and consequence. From a technical…

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    Andrea Monti

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    Don’t They Drink Tea, Instead?

    December 27, 2016

    Generations

    February 5, 2013

    Horizontal

    March 14, 2015
  • Colour,  Daily photo,  Docks,  Paris,  Spring

    Siamese Boats On the Seine River

    June 1, 2014 /

    Two barges, TEMPO and VESTA, lashed together as if bound by some unspoken pact, making their way up the Seine. Seen from above, their pairing creates a symmetry that is almost architectural. The way their bows slice the water in unison feels more like choreography than navigation. The shot was taken from a bridge, directly aligned with their approach, which allowed me to keep both vessels centred and parallel in the frame. That alignment is crucial — a slight offset would have made the composition feel off-balance. Here, the geometry holds everything together: two hulls, two decks, two names, and a doubling of anchor motifs. The light was soft but…

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    Andrea Monti

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    @Rome Maker Faire – 1

    October 9, 2014

    The Chicken

    September 10, 2014

    Landing

    December 4, 2021
  • Colour,  Daily photo,  Photography,  Spring

    Who Needs A Wedding Photographer Anymore?

    May 29, 2014 /

    I took this picture at a friend’s wedding. Though there was an “official” photographer, almost all of the attendees did their own “service”. They spent the majority of their time (and of their mobiles’ batteries) by obstructing the professionals on duty to get mostly irrelevant and low quality pictures. This is the main reason I chose not do weddings and – in general – ceremonies.

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    Andrea Monti

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    Ramping Up

    September 16, 2014

    Silhouettes@Osaka Castle

    June 12, 2018

    A Toilet of the Court of Rome

    March 11, 2014
  • B&W,  Barcelona,  Daily photo,  Docks,  Spring

    The Teleferic de Montjiuc

    May 28, 2014 /

    I framed this high, tight, and in monochrome. The tower holds its geometry clean against a washed-out sky, bisected by the tension of support cables that anchor the structure both physically and compositionally. The decision to exclude ground and context wasn’t aesthetic—it was structural. I wanted the image to stand on line, angle, and steel alone. Shot with a mid-telephoto to flatten depth slightly and reduce parallax across the girders. The light was diffuse but not flat. A break in the clouds gave enough gradient to define planes without creating shadow noise. The exposure leaned conservative: highlights retained in the clouds, midtones preserved in the riveted panels and pulleys. No…

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    Andrea Monti

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    A Cornhole Board – Independence Day Edition

    July 8, 2023

    The Spanish Sense of Flesh – 1

    June 26, 2014

    Waiting To Board At Santa Margherita Ligure

    August 16, 2014
  • Colour,  Daily photo,  People,  Spring

    The Skeptical Listener

    May 26, 2014 /

    While a politician addresses his audience, a skeptical listener think of how many times she’ve been there before…

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    Andrea Monti

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    5 frames with a Kiev 60, a Volna 80/2,8 and a Ferrania Orto

    June 28, 2024

    Urban Scavenger

    June 28, 2013

    Full Moon

    May 9, 2017
  • Bruxelles,  Colour,  Daily photo,  Social Control,  Spring

    Whatever You Stand For, Vote!

    May 24, 2014 /

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    Andrea Monti

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    The Flame is Still Burning…

    June 23, 2018

    A Relaxed Call

    February 12, 2014

    @ Mediterranean Beach Games 2015 – Italian Anthem (and a primer on sport photography, part 1)

    September 22, 2015
  • Colour,  Daily photo,  Past&Relics,  Summer

    Under an Old Roof

    May 22, 2014 /

    A scrap of newspaper clings to the surface of a wooden beam, yellowed by time, softened by dust. The print advertises used cars, once a promise of mobility and new beginnings, now only a faded record of another era. Above, the roof beams reveal gaps, through which light seeps, fractured and uncertain, illuminating what remains. The photograph works in layers: the brittle newsprint, the rough wood, the dim background of tiles and sky. Each element bears marks of age, but together they tell a quiet story of storage, neglect, and survival. It is less about the subject itself than about what it represents—the persistence of the ordinary beneath the erosion…

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    Andrea Monti

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    A Toilet of the Court of Rome

    March 11, 2014

    Good Plan, Poor Execution

    December 15, 2019

    The New Church

    May 13, 2014
  • B&W,  Daily photo,  Fashion Shops,  Summer

    The Hamlet’s Dilemma

    May 20, 2014 /

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    Andrea Monti

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    Has street-photography a limit?

    December 19, 2012

    Avid Readers

    November 19, 2014

    Out For Justice

    June 21, 2014
  • Colour,  Daily photo,  Spring,  Visual

    Somewhere in Japan

    May 19, 2014 /

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    Andrea Monti

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    Thirthy years behind…

    April 6, 2013

    A Fisherman in Rome

    November 1, 2013

    Chitchat under the rain

    March 10, 2013
  • Artists,  Colour,  Daily photo,  People,  Spring

    Portrait of Keyboard Player

    May 18, 2014 /

    He had just finished a piece when I took the shot. Head tilted, hand still resting on the keys, that slight smirk not forced but earned. This wasn’t posed—it was a breath between moments, a performer halfway out of character and halfway into self-awareness. The ambient energy of the room still swirled around him—soft voices, chairs moving, blurred motion in the background—but he held still. I composed tight to emphasise the contrast between stillness and motion. The background drags slightly, figures abstracted by a slower shutter speed, but the face and fingers are crisp—anchoring the shot where it needs to be. The lighting was mixed: tungsten overhead, cooler light from…

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    Andrea Monti

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    Portrait of a young scholar

    October 28, 2013

    YANE – Yet Another Nepal Exhibit

    March 23, 2015

    She Died Alone

    February 15, 2022
  • Colour,  Daily photo,  Fountains,  Spring

    A Fountain

    May 17, 2014 /

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    Andrea Monti

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    Too Late

    April 10, 2015

    The missing guest

    April 19, 2013

    Skating on the streets of Milan

    October 4, 2013
  • Bottles&Cups,  Colour,  Daily photo,  Spring

    Yes, We…Can

    May 16, 2014 /

    I took this photo because it stopped me mid-step. A banal object — a crushed Coca-Cola can — pierced on a historic stone spike, suspended in defiance or perhaps pure indifference. The tension between the industrial red cylinder and the worn, centuries-old limestone was too stark to ignore. The composition leaned heavily on perspective and focus. I shot wide open, letting the background melt into soft abstraction, just enough to hint at an ancient setting without overpowering the main subject. I tilted the frame slightly to echo the absurd balance of the can, breaking away from textbook horizontality to embrace the odd equilibrium of the scene. Exposure was critical. I…

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    Andrea Monti

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    St. Peter in Background

    December 5, 2013

    Carl Zeiss T* 50 1,5 Sonnar and EOS EF-M 18-55

    August 4, 2013

    Room 17 – VIXI

    March 27, 2015
  • Artists,  B&W,  Daily photo,  Spring

    Between Two Sets

    May 15, 2014 /

    Read More
    Andrea Monti

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    Enough…

    March 2, 2013

    Ultras

    July 20, 2016

    Time Runs Fast

    May 21, 2014
  • Barcelona,  Colour,  Daily photo,  Fashion Shops,  People,  Spring

    The New Church

    May 13, 2014 /

    In the XXIth Century, a new church grows, to satisfy old needs.

    Read More
    Andrea Monti

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    Light Dance in Hamburg

    April 6, 2018

    Becoming a Human Tripod

    January 9, 2017

    The BatFire

    April 29, 2016
  • Airport,  Bruxelles,  Colour,  Daily photo,  People,  Spring,  Travels

    Guru Meditation

    May 12, 2014 /

    Airports are temples of waiting. They strip away the illusion of control, leaving travellers suspended in time between one place and another. In that in-between, people invent ways to cope. Here, in a lounge of muted reds and glassy daylight, a man folds himself into a private space. One leg drawn up, back curved, cap pulled low, he cradles a tablet as if it were a small book or a talisman. His fingers rest lightly on it, not tapping, not scrolling—just holding. The surrounding noise and movement dissolve in his stillness. This is meditation for the digital age. Not in a forest clearing or a candlelit room, but in an…

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    Andrea Monti

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    Chasing the Runner

    October 6, 2013

    Have fun…

    July 12, 2013

    A Modern Nazca?

    December 4, 2014
  • Buildings,  Colour,  Daily photo,  Odds,  Rome,  Spring

    Inside the Elevator

    May 9, 2014 /

    Escher’s Relativity inspired these shots.

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    Andrea Monti

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    Caught In The Act… Almost

    October 4, 2018

    An outdoor theatre?

    January 31, 2013

    Belgian Ghosts

    May 2, 2014
  • Beach&Shores,  Colour,  Daily photo,  Landscape,  Spring

    Falling Tree

    May 8, 2014 /

    Again, an impossible perspective…

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    Andrea Monti

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    A Nikon’s Portrait Made With a Fuji

    January 14, 2016

    A Ferrari 812 GTS in Boston

    July 14, 2023

    Do Not Disturb the News Reader

    February 24, 2014
  • Barcelona,  Colour,  Daily photo,  People,  Spring

    WTF Are They Looking At?

    May 7, 2014 /

    Read More
    Andrea Monti

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    Tables and Chairs, at Night

    May 7, 2013

    An Old-Style ATM

    April 13, 2013

    Rocco Zifarelli, Jeff Berlin, Beth&Danny Gottlieb, Gabriela Sinagra

    June 10, 2013
  • B&W,  Bruxelles,  Buildings,  Daily photo,  Spring

    An Unplausable Perspective

    May 6, 2014 /

    There is something odd in this photo, isnt’it?

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    Andrea Monti

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    TicTacToe

    September 1, 2014

    Thirsty

    June 10, 2014

    Guru Meditation

    May 12, 2014
  • Artists,  Colour,  Daily photo,  People,  Portraits,  Spring

    Portrait of a young guitar player

    May 4, 2014 /

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    Andrea Monti

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    Stylemaster

    August 22, 2014

    Fishing Shelter Under The Bridge

    September 4, 2014

    Italy, Landscape Photography and the Law

    January 23, 2014
  • Beach&Shores,  Colour,  Daily photo,  Gear,  Photography,  Spring,  Visual,  WideAngle

    Noon on the Beach

    May 1, 2014 /

    this image hinges on simplicity and distortion. The sun was directly overhead, leaving the shadow of the pole as a near-perfect sundial, slicing the centre of the frame from bottom to vanishing point. That shadow was the whole reason to shoot: absolute verticality rendered into graphic contrast on a near-featureless plane. The lens dictates the structure. At 16mm, lines bow. The horizon curves. Perspective exaggerates. I leaned into it—there’s no attempt to correct distortion in post. The intention was not to imitate a rectilinear frame, but to emphasise space as abstraction. The beach becomes a sphere, the sky a ceiling, and the tiny trace of buildings at the perimeter only…

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    Andrea Monti

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    Isolation in Public Spaces

    November 10, 2023

    The Real-Life Lens Test Series – Episode 1: Viltrox XF 56/1,4 AF

    June 6, 2024

    @ Mediterranean Beach Games 2015 – Italian Female Rowing Team

    October 25, 2015
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