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Andrea Monti

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  • Chairs&Seats,  Colour,  Daily photo,  Paris,  Restaurants&Bar,  Spring

    Waiting For The Patrons – 2

    June 19, 2015 /

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    Andrea Monti

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    Action! (beware of Fuji X-Pro 2)

    February 2, 2016

    Should I Stay or Should I Go?

    November 29, 2013

    The Silent Dialog

    August 31, 2013
  • Chairs&Seats,  Colour,  Daily photo,  Paris,  Restaurants&Bar,  Spring

    Waiting For The Patrons – 1

    June 17, 2015 /

    Rows of empty tables fill the frame, each one neatly set with glasses, cutlery, and the small black silhouettes of salt and pepper shakers. The chairs—red and blue—alternate without any strict pattern, giving the scene both order and disorder at once. The repetition draws the eye deep into the image, yet the absence of people leaves it eerily still. In the background, columns rise like structural sentinels, breaking the rhythm of the tables. Behind them, white sheets hang, blocking whatever lies beyond. These barriers, makeshift and plain, add to the sense that this place is on pause—prepared for service, yet suspended in anticipation. The light is soft, diffused, and without…

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    Andrea Monti

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    Stadio Olimpico, seen from Tribuna Monte Mario

    October 1, 2022

    The Ghost

    February 15, 2013

    Footprints in the Snow

    December 25, 2012
  • Colour,  Daily photo,  People,  Spring

    At the theater, between two scenes

    June 15, 2015 /

    I took this on instinct. The curtain was down inside, but the real theatre was unfolding on the steps. Not dramatic, not rehearsed — just a handful of people suspended in that odd in-between: not quite arriving, not quite leaving. They scattered themselves across the stairs as if cast by some unseen director. The architecture held them. A brutalist façade, cyan-oxidised and flaking like tired makeup. The symmetry of the stairs did most of the compositional work — I just centred the frame and waited. The banister slices the image vertically, anchoring the eye. One figure leans left, one right, each adjusting the balance. Technically, it’s a colour study wrapped…

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    Andrea Monti

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    Somewhere in Japan

    May 19, 2014

    Too Young to Spend Time Watching the Ducks in the Pond

    October 22, 2013

    A Bookstore in the Gallery

    December 22, 2013
  • B&W,  Daily photo,  Docks,  Paris,  People,  Spring

    Pensive

    June 13, 2015 /

    This black-and-white image, taken along the riverside steps in Paris, captures the quiet weight of stillness against a backdrop of movement. At the centre of the frame sits a lone figure, their silhouette defined against the lighter tones of the water. They face away from the crowd, turned toward the river’s shifting surface, embodying a pause in a city otherwise in motion. CompositionThe most compelling element of this photograph is its use of leading lines. The sweeping curve of the steps pulls the eye from the lower right of the frame directly toward the seated figure, and then out toward the distant pedestrians. This arc not only structures the scene…

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    Andrea Monti

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    Heater

    May 23, 2015

    What Lasts of Last Summer

    May 30, 2013

    Windows XVIII … Century

    February 27, 2014
  • B&W,  Daily photo,  Paris,  People,  Spring

    Skating at Palais de Tokyo

    June 11, 2015 /

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    Andrea Monti

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    Hanging Heart at via Olmetto

    March 31, 2014

    A Two-Masted Schooner

    October 25, 2014

    Lunar Network Or Snowy Mountain?

    May 5, 2015
  • B&W,  Daily photo,  Docks,  Paris,  Spring

    Under the Arc of the Seine

    June 9, 2015 /

    Paris has a way of revealing its geometry to those who care to look. This photograph, taken from the cobblestone banks of the Seine, uses the underside of a bridge as a natural proscenium arch. The frame it creates is both literal and compositional, guiding the viewer’s gaze toward the urban stage beyond. The sweep of the bridge’s curve is echoed by the concentric stone steps leading down to the water, while the horizontal layers of the background—trees, buildings, roadway—add a pleasing counterbalance to the strong arc. From a technical perspective, the choice of black and white serves the image well. Stripping away colour emphasises the interplay of lines, curves,…

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    Andrea Monti

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    Too Late

    April 10, 2015

    The Mystique of Film

    August 24, 2022

    A Virtual Glance Dance

    December 28, 2019
  • Colour,  Daily photo,  Paris,  Spring,  WideAngle

    PI Room At Palais de la Découverte

    June 7, 2015 /

    Walking into the Palais de la découverte, I was expecting to find science distilled into exhibits, but not quite in the graphic, almost Pop-art punch delivered by this wall installation. Bold, oversized foam digits leap from a sterile white surface, forming the endlessly irrational sequence of π. The visual rhythm is broken strategically with occasional black numerals, pulling the eye into brief moments of disruption. Below the digits, the names — EUCLIDE, EULER, FERMAT, FOURIER — provide a calm intellectual gravity against the visual chaos above. This shot was as much about the tension between mathematics and design as it was about light and form. I framed it head-on to…

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    Andrea Monti

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    Red Bag, Black Shoes

    November 27, 2014

    Don’t Forget!

    March 27, 2013

    Late

    December 31, 2012
  • B&W,  Daily photo,  Paris,  People,  Social Control,  Spring

    Underground Security RA(T)P

    June 5, 2015 /

    I took this shot as these three officers from the RATP Sûreté unit passed me in a corridor of the Paris Metro. The framing was pure reflex: centre-weighted, low-angle, fast shutter. I didn’t have time to fine-tune the exposure—the lighting was flat and mixed, with harsh fluorescence above and murky shadows dragging behind. But I didn’t correct much in post either. This is a moment that benefits from its rawness. Their backs tell the whole story. The staggered stride, the swing of a baton, the compressed geometry of the underground corridor—they speak of tension, routine, and latent power. It’s not a confrontational image. The officers aren’t responding to a threat.…

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    Andrea Monti

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    Sales Force

    January 28, 2016

    On Photography and Self-Delusion

    September 4, 2022

    Old Rolls, Immortal Style

    August 12, 2019
  • Colour,  Daily photo,  Doors&Windows,  Paris,  Spring

    Stinky Shoes

    June 3, 2015 /

    I didn’t stage the boots. They were already there — resting, waiting, perhaps forgotten. Red leather, worn smooth at the toes, zipped and upright like sentries. The scene caught my eye not because of the shoes themselves, but because of their place within this cage of repetition: iron grille, mesh netting, and behind it all, the geometry of a city reflected in the glass. The photograph rests on layers. Foreground: a net that seems both to protect and to obscure. Midground: the wrought iron, rusted and ornate, Victorian in its stubborn elegance. Background: the shoes. And beyond them, windows reflecting windows. This multiplicity of frames becomes the structure of the…

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    Andrea Monti

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    Without Glasses @ via del Corso

    January 25, 2016

    The TelcoMan

    January 26, 2015

    Max Gazzè Tour 2016 Live @Pescara

    February 1, 2016
  • Colour,  Daily photo,  Docks,  Paris,  Spring

    Access Denied

    June 1, 2015 /

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    Andrea Monti

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    Orange Scarf

    November 9, 2014

    Enough…

    March 2, 2013

    Creativity vs Originality

    March 11, 2024
  • Colour,  Daily photo,  Moon,  Paris,  Spring

    Planetarium

    May 30, 2015 /

    The Zeiss projector at the Palais de la Découverte has an undeniable presence. It is both a piece of scientific equipment and a sculptural object, an embodiment of precision engineering turned into theatre. Under the dome’s dimmed lights, the machine sits like a mechanical deity, ready to conjure the heavens onto the curved canvas above. Photographing it was a matter of honouring its shape without reducing it to a mere technical diagram. I centred the composition to give the machine the stature it deserves, allowing its symmetrical arms and lenses to extend outward in all directions. The warm backdrop of the dome was a natural contrast to the cooler, magenta-tinted…

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    Andrea Monti

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    An Evening Chat

    July 30, 2013

    Writer Inspiration’s Tools

    April 17, 2015

    The Jewels Sale

    November 18, 2015
  • Colour,  Daily photo,  Past&Relics,  Spring,  Visual

    Amex

    May 25, 2015 /

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    Andrea Monti

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    A Single(‘s) Call

    September 24, 2016

    The Seagull’s Rest

    December 18, 2013

    Shopping in Bruxelles

    December 20, 2013
  • B&W,  Daily photo,  Spring,  Visual

    Heater

    May 23, 2015 /

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    Andrea Monti

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    A Fisherman in Rome

    November 1, 2013

    The Actor’s Nightmare

    August 3, 2013

    Panning the Police

    November 17, 2016
  • B&W,  Chairs&Seats,  Daily photo,  Spring,  Visual

    Absence in Three Acts

    May 21, 2015 /

    Empty chairs always speak louder than full ones. These three, bolted to the floor, stare back with a kind of institutional blankness that neither welcomes nor dismisses. They simply are—efficient, expressionless, durable. I wanted to see if the geometry could carry the whole frame, and it does. The repetition, interrupted only by the slight angle of the shot and the unavoidable play of light, creates rhythm without sentiment. Shot in black and white to emphasise the chrome’s edge and the mesh’s subtle gradients, the photograph hinges on texture and symmetry. The lighting is flat, but deliberately so: no shadows, no contrast drama—just presence. These are not chairs meant for rest;…

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    Andrea Monti

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    An Altar for the Propaganda Machine

    November 17, 2013

    Trial Docks Waiting for the Justice to Come

    April 21, 2015

    Sega Codemaster

    November 21, 2017
  • Colour,  Daily photo,  Fountains,  Spring

    Floating Flower

    May 19, 2015 /

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    Andrea Monti

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    Late Evening Break In Piazza Dante

    October 21, 2017

    Under the Arc of the Seine

    June 9, 2015

    The Aperitif

    October 5, 2017
  • Colour,  Daily photo,  Fighters,  Shooting,  Spring

    Home on the Range

    May 17, 2015 /

    There’s a moment—right before the shot breaks—when everything else falls away. This frame captures that exact moment. The quiet before the concussion. The balance between intent and mechanics. Taken in a professional range under full control, it documents not violence, but discipline. Focus. Precision. The brass tells its own story: just-fired casings scattered like punctuation marks on the shooter’s rhythm. The rifle rests steady on a bipod—cold, functional, ready. The shooter’s hand is not tense, but deliberate. His chain bracelet glints faintly in the sterile light, an unexpected human contrast to the black polymer and steel. This isn’t combat. It’s not theatre. It’s a place where performance meets protocol. Where…

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    Andrea Monti

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    Downtown Pulse

    October 17, 2014

    Reminiscenses From The Past

    September 7, 2013

    Waiting for The Flight

    July 14, 2013
  • B&W,  Court,  Daily photo,  Spring

    And Justice For All

    May 15, 2015 /

    This shot came together in complete silence — the kind of silence that only certain institutional buildings can generate. The kind made of marble, fluorescent light, and tension. I didn’t stage a thing; the geometry was already waiting for me. One man in the foreground, half-shielded by a paper, lines converging to a trio sitting far in the distance — it all felt like a scene rehearsed for a stage I just happened to walk onto. Compositionally, this image relies heavily on symmetry and recession. The central aisle, vanishing neatly into the background, draws the eye from the bold human presence up front to the barely-noticed figures in the rear…

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    Andrea Monti

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    Should I Stay or Should I Go?

    November 29, 2013

    Shooting Kite Surfing

    September 22, 2024

    Tesla Coils@Boston Science Museum

    July 4, 2023
  • B&W,  Daily photo,  Gates&Fences,  Spring

    Desolation

    May 13, 2015 /

    I remember standing at the entrance of this narrow underpass, camera in hand, struck by the oppressive stillness. The word “desolation” seemed to settle in my mind even before I pressed the shutter. There was no movement, no sign of life, only the faint echo of my own footsteps on the tiles. The composition is built on geometry and confinement. The corridor acts like a visual funnel, guiding the eye towards the back courtyard and the blank, closed garage doors. The graffiti scrawled on both walls interrupts the symmetry just enough to add texture and a hint of human presence — though not the kind that enlivens a space. The…

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    Andrea Monti

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    Flashes’ Forgotten Powersuits

    April 11, 2014

    While Waiting for the Food

    September 3, 2013

    Boat Maintenance At Genova’s Porto Antico

    July 30, 2014
  • B&W,  Daily photo,  Landscape,  Moon,  Spring,  Visual

    Lunar Network Or Snowy Mountain?

    May 5, 2015 /

    This image was made at high altitude, but it could have been taken on the Moon. That’s what initially drew my eye: the surreal minimalism of these snow-covered slopes interrupted by a line of utility poles, stretched tight against the vast emptiness. The illusion of a lunar landscape is heightened by the total absence of sky detail—pure black, a void—and the almost abstract texture of the snow, exaggerated by strong directional sunlight. The decision to shoot in black and white came naturally. Colour would have been a distraction from the harsh geometry, from the juxtaposition of natural emptiness and imposed structure. Each pole, evenly spaced, is both part of a…

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    Andrea Monti

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    Kite Surfing, Again

    February 19, 2017

    Path of Life

    May 17, 2017

    Trento, After Dark

    June 23, 2013
  • Colour,  Daily photo,  Doors&Windows,  Lines,  Spring

    Trespassed

    May 3, 2015 /

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    Andrea Monti

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    A Splash of Colour

    November 13, 2013

    At the theater, between two scenes

    June 15, 2015

    Should I Seat?

    December 15, 2021
  • Colour,  Daily photo,  Spring,  Visual

    Pipes in Colour

    May 1, 2015 /

    I photographed this section of wall for its unexpected interplay between infrastructure and colour. The rusted pipe, running vertically through the frame, is not remarkable in itself, yet in combination with the graffiti and stains, it becomes part of an improvised composition. The red spray paint, the rough blue marks, and the muted grey stone surface transform a functional corner of the street into an abstract tableau. The framing was deliberate: I aligned the pipe with the vertical axis to divide the picture almost in two, while allowing the barred window to creep in at the bottom left. That small intrusion anchors the image, reminding the viewer that this is…

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    Andrea Monti

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    A Toilet of the Court of Rome

    March 11, 2014

    Autumn Leaves

    September 8, 2014

    Right before the gig

    September 14, 2018
  • B&W,  Daily photo,  Lines,  Spring,  Visual

    Stripes in B&W

    April 29, 2015 /

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    Andrea Monti

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    AI or not AI?

    October 3, 2023

    A Lamppost

    November 26, 2014

    Different Financial Transactions

    November 3, 2016
  • Colour,  Daily photo,  Social Control,  Spring

    Hammer and Sickle

    April 27, 2015 /

    The image presents a straightforward urban fragment: an electrical cabinet bearing two layers of graffiti, one in red, one in blue. The red, unmistakably, forms the hammer and sickle symbol — sprayed quickly, with visible vertical striations from the cabinet’s ridged surface disrupting its edges. The blue tag below is broader, more gestural, perhaps made with a thicker nozzle and without concern for the political overtones of what sits above it. Compositionally, the vertical framing suits the subject, containing the entire cabinet and the immediate environment. The flanking pipes and textured wall create a symmetrical boundary, keeping the viewer’s focus on the graffiti itself. The alignment is square and deliberate,…

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    Andrea Monti

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    Uchi-Mata

    November 8, 2014

    Damned Autofocus

    April 20, 2014

    A Step Ahead

    October 8, 2022
  • Colour,  Daily photo,  Gates&Fences,  Spring

    Springtime

    April 23, 2015 /

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    Andrea Monti

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    Square Three

    June 20, 2014

    Macarons. Again

    October 23, 2015

    The Bell Ringer of Nikko

    August 6, 2018
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