Seasons
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Who Can It Be Now?
The ubiquitous smartphone never let its owner (or slave?) free to enjoy a few time offline, not even during a concert …
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Staged?
This pictures portrays Max Gazzè 2016 tour’s official photographer asking the crowd to raise and wave the hands. Although the picture is staged (meaining: the photographer “created” the “moment” instead of waiting for it) the outcome is not, since is the result of the dialog between the photographer and the people.
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Crowd Control
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Inked
This is a real photo and not the result of a Photoshop filter. Reality always win against software emulation…
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Distraction
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Carabinieri:To Serve And Protect
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Art Auction at Piazza Navona
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A coffee at Saint Eustachio’s
This photo is taken with an X-E2 coupled with a Zeiss Planar 50/1,5, manually focused. Although the visible purple shift in the face of the barman is still visible, it doesn’t change the quality of the colours rendition.
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Action! (beware of Fuji X-Pro 2)
I’ve shot this picture with a Fujifilm X-E2 and a Zeiss C Sonnar T* 1,5/50 ZM. The split-image manual focus confirmation worked properly (though with a strong light it’s more difficult to handle it) and the resulting file in term of size and quality is fairly satisfying. Enter the X-Pro2 with a bigger resolution and new RAW format. While a 24 Megapixel APS-C sensor creates file that can be handled by most of the computer currently in place, the new RAW format will require the latest Photoshop CC/Lightroom update. So, if you chose not to enter into the mud of a subscription-based software licensing model, all of a sudden you…
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Max Gazzè Tour 2016 Live @Pescara
For this reportage I’ve borrowed a Canon 5D Mk III coupled with a EF 100-400mm f/4.5-5.6 L IS USM and my Fuji X-E2 with the XF 18-55 f/2.8-4R LM OIS. Of course, I got no operational problems with the 5D (if you know how to overcome its limits) and the lens performed very good, but I must admit that I’ve been surprised by the quality of the X-E2 images, taken at ISO 3200. Does this means that is time to trash the Canon and go for a “Fuji-only” setup? I don’t think so, in particular if telephotos are a recurring presence in the jobs. True, now Fujifilm too has a…
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After a Tough Day
I took this photo with a Fujifilm X-E2 and a Leica Elmarit 90/2,8. Manual focusing with the split-image option has been fairly easy.
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Sales Force
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Should I Buy It? (Best Taken With an 85mm)
…but actually with a 23mm (35mm equivalent, cropped.)
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The Watchman (Street-Photography Shortcuts)
As every thing under the sun, Street-Photography too has its own shortcuts: freaky street-portraits are one of those. It’s easy to have your pictures noticed when your subject is a 60-years old Brit-Punk, an implausible-color dressed man or whatever alike: these subjects do the work on your behalf and it is very hard to obtain such kind of picture AND conveying actual meaning. Personally I like photos that – alone or made meaningful by a title – can tell a story. This way I can try to (pretend to) make “unique” shots, that stand with dignity in front of the zillions of 500px/Instagram/Flickr’s great images that are often perfect but…
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True Leather (Saved by Photoshop’s Crop)
A 35mm focal length is definitely much too wide for my kind of street-photography, but I must admit that the advantages of using a Fujifilm X100s in terms of efficiency and portability, beat any other issue related to the wideness of the lens. And the X100s’ resolution is good enough to obtain a good composition through Photoshop’s crop feature.
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A Nikon’s Portrait Made With a Fuji
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Reflexes
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Labcoats
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Last Puff Before the Ride
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Busy
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Earbuds
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A Vessel
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Romeo’s Hideout
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Traffic Jam in Rome
