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The Way Out
There is something about an open window that always draws me in—not for what lies beyond, but for the threshold it represents. This frame was taken from inside a dimly lit room, the glass swung outward, offering a partial view of a Parisian-style zinc roof, punctuated by a small chimney vent. The decision to work in black and white came naturally; the textures and tonal contrasts were far more compelling than any colour the scene might have offered. The geometry of the roof panels and the window frame gave me strong lines to play with, and the skewed perspective from shooting slightly off-centre added a subtle tension to the composition.…
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Empty Chairs in the Tuileries
Paris in the rain changes its pace. The air thickens, the sounds dampen, and spaces usually alive with chatter take on a hushed, suspended quality. Here, in the Jardin des Tuileries, the iconic green metal chairs gather loosely at the edge of the fountain. They are arranged without intention—angled differently, backs turned, no symmetry to suggest a shared moment. It’s as if the conversation ended abruptly and the participants slipped away, leaving only their seats to remember the posture of their presence. The wet ground darkens the green paint, the armrests glisten with a thin film of water, and the fountain continues its arc in the background, indifferent. The frame…
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Same Space, Different Worlds
Lost in their own business.
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The Changer — Glass Walls, Paper Smiles, and Currency Drained
Shot through the pane of a Paris bureau de change, this image came together almost by accident, although the structure was too rigid to call it candid. I was struck by the transactional melancholy of it all. The young man hunched behind the counter, bathed in the cold glow of LED-lit optimism, was framed perfectly by posters promising “a fabulous customer experience.” The visual irony was impossible to ignore — printed smiles all around, while the only real expression behind the glass was fatigue. Technically, this image is about reflection and layering. The pane acts as both barrier and canvas, catching the street behind me and folding it into the…
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A Sad Afternoon
… waiting for someone to call.
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Chasing the Runner
When I framed this shot, I wasn’t only interested in the runner. His focused stride, his athletic attire, the purposeful set of his shoulders — these elements alone could have made for a conventional sports photograph. But what drew my attention was the peripheral narrative: to his left, almost in the shadows of his determined pace, a boy on a skateboard followed along, as if sharing the same lane of motion, but on an entirely different journey. The scene unfolded on a palm-lined promenade, cars and cyclists adding a sense of layered urban activity. The runner is sharp and dominant in the frame, his bright white outfit popping against the…
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Skating on the streets of Milan
Late in the evening, Milan had thinned out and the spaces between people became wider. The man in the frame was crossing the street with a deliberate, slightly laboured movement, his body pitched forward as if negotiating both balance and direction. His orange trousers and red jacket stood out sharply against the muted tones of the pavement and the buildings—a small burst of colour in a subdued urban palette. What drew me in was the intersection of stillness and motion. The green pedestrian light glowed steadily above him, indifferent to the slowness of his crossing. Around him, the city carried on in fragments: the illuminated bank window, the muted signage,…
