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A Standup Paddleboarder
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Snorkeling
I made this photograph with a Pentax K-5 II and the humble SMC Pentax 18-55, a kit lens that, while often underestimated, has served me well in situations where flexibility is more important than technical perfection. Framing was a game of patience here. The snorkeller moved slowly into my line of sight, framed naturally by the foreground rocks, which form a rough vignette and create a sense of peeking into a private scene. This kind of natural framing can be both a gift and a curse: while it gives depth and directs the eye, it also forces me to deal with tricky metering. In this case, I exposed for the…
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Stylemaster
A woman captured mid-stride in a crowded urban setting. Her expression is firm and composed, giving her a commanding presence within the frame. She wears a vivid combination of colours: a bright yellow top beneath a dark jacket, complemented by a multicoloured scarf that adds texture and movement. Her accessories — large earrings, a metallic necklace, and a patterned bag — contribute to a distinctive and confident style. She stands out sharply from the softly blurred background, where uniformed officers and passers-by create a sense of bustle and public activity. The selective focus isolates her as the visual anchor, allowing her posture, attire, and expression to carry the narrative. The…
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Waiting For The Bus On Las Ramblas
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Tattoos in Barcelona
The sunlight was sharp, bouncing off stone and glass, cutting strong highlights across shoulders and pavement. I didn’t ask them to slow down or acknowledge me; I simply kept pace for a few steps, paying attention to posture, rhythm, and the way bodies occupy shared space.
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A Jazz-Manouche Guitar Player
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Waiting To Board At Santa Margherita Ligure
Crowds have their own choreography. This moment, taken on the waterfront of Santa Margherita Ligure, is less about any single subject and more about the small, unspoken narratives that weave together in a public space. Nobody is looking at the same thing, yet they are all connected by the same purpose — waiting for the boat. From a compositional standpoint, I deliberately let the frame fill with people, favouring density over isolation. The image works because of its layers: the foreground with its sharply focused details, the mid-ground of partially obscured figures, and the soft backdrop of the harbour and town. Each layer adds depth without distracting from the central…
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A Young Sailor in Open Sea
I made this photograph on a calm summer morning, the sea flat as polished glass and the light still gentle, skimming across the water like a whisper. The subject—a boy alone in an Optimist dinghy—caught my eye not for his skill or posture, but for the sheer quietness of the moment. He’s not posing. He’s not performing. He’s learning, observing, maybe hesitating. And in that brief hesitation, the photograph took shape. The composition is deliberately simple. The frame is tight enough to remove distractions, allowing the viewer to focus on the relationship between the sailor and his boat. His red lifejacket breaks the soft palette of blue and white, creating…
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Passage Lost
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Generations – I
In a sunlit alley, life unfolds in layers of time. Two older men stand in conversation by a shuttered shop, their bodies relaxed yet anchored in the familiarity of routine. Their exchange is unhurried, belonging to a pace that has watched decades pass in these same streets. A few steps away, a man pushes a stroller through the narrow path, his back turned, moving forward into the day. In that simple motion, another generation is carried into the world—a reminder that time does not stand still, even in the most timeless corners of a city. The street itself seems to join the dialogue of generations. Tall, weathered buildings lean toward…
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Conversations, Silences, and Street Life
I took this photo on a market day in a small Italian town—one of those moments where nothing happens, and yet everything is happening. The street café was squeezed between stalls and pedestrian flow, and I noticed how time seemed to pass differently at each table. In the foreground, two women, elegantly aged, sat in full conversation, flanked by shopping bags and sun-faded handbags. Behind them, two men—one turned, one leaning—observed, disengaged but present. A quiet choreography of glances, posture, distance. The scene reads like a layered composition. Foreground, midground, background—each one active, but narratively distinct. I framed the shot from an angle that allowed these strata to settle into…
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Call On The Docks
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Friends
There is a certain quiet joy in photographs that capture the ease and warmth of companionship. Friends presents just such a moment — a woman and her dog sharing a gentle exchange on a patch of summer grass. No theatrics, no posed glamour; just a fleeting instance of mutual attention and affection. The composition makes effective use of depth and framing. The low camera angle places the viewer almost at the dog’s eye level, encouraging an empathetic connection with the animal. The human subject is positioned slightly off-centre, balancing the frame against the mass of greenery to the left. This not only prevents the image from feeling static but also…
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Relax At The Rapallo’s Marina
I remember walking past this café terrace at the marina in Rapallo and being drawn to the contrasting energies it contained. In the foreground, a woman in a red dress sits absorbed in her magazine, her body language completely self-contained. Just beyond her, a small group of older men and women are animated in conversation, their faces alive with expression. The scene felt like two parallel worlds inhabiting the same space—private quiet and social exchange—separated only by a few metres of wicker furniture. The colour red became the unifying element. The woman’s dress, the handbag on the sofa beside her, and the clothing of the woman facing away from the…
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Staring At The Infinite (While Waiting For The Fishes)
On a calm afternoon by the Ligurian coast, the sea was neither rough nor still, and time seemed to have slowed to match the rhythm of the waves. The fisherman sat among the rocks, his body angled slightly toward the horizon, hands resting loosely near the rods. There was no urgency in his posture—only patience. The red cap, almost absurd in its brightness, became the visual anchor in an otherwise muted palette of stone, water, and sky.
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The Chess Players’ Summer Nest
There’s a rhythm to afternoons like this. The sun heavy in the air, the shade of the arcade offering just enough relief to keep men rooted to their chairs, eyes fixed on the chequerboard battlefield. The setting is unmistakably local — a small bar spilling its life out onto the pavement, Coca-Cola chairs scarred by years of use, walls patched and peeling. Everything here is part of the game, even the hum of conversation from the tables beyond. What makes the photograph work is its layering. The first plane is the duel: two players hunched, arms folded, eyes locked on the chessboard, their bodies mirroring each other in stubborn concentration.…
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Boat Maintenance At Genova’s Porto Antico
The Porto Antico in Genoa has a way of blending the romantic with the mundane. Tourists tend to focus on the gleaming yachts, the glint of sunlight on the water, the distant hum of maritime history. I found myself drawn to something less glamorous but far more telling—a simple act of maintenance on a sailboat, captured mid-task. From my vantage point, the composition presented itself naturally. The man in the red shirt bends over the stern, his white hair almost glowing under the midday sun. In the foreground, another man, back turned to us, anchors the scene and adds depth. The large ship’s wheel to the right and the tangle…
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An Early Morning Fishing Expedition
I shot this just after sunrise. Light was low but clear, casting long shadows and warming the palette without oversaturating the sand. The three men—two pushing, one walking alongside—form a diagonal that pulls the eye from left to right, through netting, boat, and beach. The scene holds movement without blur. Every element is in transition. I framed from distance using a moderate telephoto to compress the layers—foreground vegetation, safety fencing, beach, and deep field of straw umbrellas. The shallow depth of field separates the action while still referencing the beach’s infrastructure. I let the background stay busy. It adds context, not confusion. Exposure was tricky. Highlights off the boat’s rubber…
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Mooring The Boat
I made this photograph while standing slightly above the scene, looking down as the sailor secured the mooring line. The angle was dictated not by style but by circumstance: the dock rose just enough over the water to offer a natural vantage point. I didn’t ask him to look up or alter his posture. He was intent on the work, and I preferred to remain a quiet observer.
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Waiting For A Customer To Come
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Lost In Rembrance
I made this image during an early evening walk along the Ligurian coast, at a moment when the wind had dropped, the chatter from the restaurants below had softened, and the sea had begun its slow shift to silver. The man in the frame didn’t pose or perform. He stood still, arms folded behind his back, eyes fixed somewhere beyond the horizon—somewhere private. I didn’t interrupt. The strength of this frame lies in its quiet composition. The iron railing draws the eye to the curve of the man’s posture and then out towards the water, which mirrors the diagonal of his gaze. That subtle mirroring, between the subject and the…
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The Penguin’s Feeder
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A Shadow
Shot with the Leica M9, this image is a study in discretion and the poetics of presence. The figure in the foreground is reduced to a silhouette, his back turned to the viewer, his face never revealed. He absorbs the frame. The street scene beyond—colourful, lively, and teeming with out-of-focus activity—contrasts sharply with his opaque stillness. Technically, the decision to expose for the highlights in the background rather than lifting the shadows in the foreground was intentional. I wanted the viewer to feel like an outsider—watching someone who is, himself, watching. The bokeh from the streetlamps adds texture without stealing attention, while the shallow depth of field, aided by the…
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The Godfather
There are portraits that declare themselves in full—broad poses, direct gazes, theatrical light. Then there are those, like The Godfather, that wield influence through omission. This image withholds the subject’s full face, offering only a partial profile and the language of body and gesture. The composition is tightly cropped, forcing the viewer into an intimate but controlled proximity. The jawline is set, the mouth neutral but firm; the hand rests on the chest, fingers curled in a posture that feels both protective and deliberate. The subject’s gaze, cast off-frame, hints at a private sphere of thought or authority that we are not invited to enter. Colour plays an essential role…
