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Off Duty
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A Smoker
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Who The Hell Killed the Light Off?
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Lotus Tweak
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Table Dressing
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Lost
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Nice Drink
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Are you Sure?
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The Stroller
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Indifference
… I know. The pole has broken the composition. But in street-photography you can’t always choose your point-of-view.
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The Porter
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The Violinist
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Mediterranean Games 2009
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Hi-Tech Temptation
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Hey Mister!
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Different Load
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At the theater, between two scenes
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Pensive
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Skating at Palais de Tokyo
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Underground Security RA(T)P
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Home on the Range
There’s a moment—right before the shot breaks—when everything else falls away. This frame captures that exact moment. The quiet before the concussion. The balance between intent and mechanics. Taken in a professional range under full control, it documents not violence, but discipline. Focus. Precision. The brass tells its own story: just-fired casings scattered like punctuation marks on the shooter’s rhythm. The rifle rests steady on a bipod—cold, functional, ready. The shooter’s hand is not tense, but deliberate. His chain bracelet glints faintly in the sterile light, an unexpected human contrast to the black polymer and steel. This isn’t combat. It’s not theatre. It’s a place where performance meets protocol. Where…
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Where Did I Left My Car?
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The Street Photographer Dilemma: Film or Digital
To me Street-Photography is digital. I missed this shot because I wasn’t able to properly focus my full-manual kit, as I would have do with an average digital camera. There is no point in wasting film in an highly fault-rate activity such as Street Photography.
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Milan