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Andrea Monti

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  • Autumn,  B&W,  Daily photo,  Downtown,  Milan,  People

    Shaken

    October 1, 2015 /

    The frame is a study in disarray — not in subject matter alone, but in its very execution. The scene, taken on a busy street, is blurred throughout: the figures, the car, the elegant repetition of arches behind them. Whether caused by an unsteady hand, a slow shutter, or a deliberate choice, the result is an image where nothing stands still enough to become the focal point. Two figures anchor the composition: one in the foreground to the left, caught mid-turn, the other to the right, hunched over something in his hands. Their outlines dissolve into the tonal softness, denying the viewer access to facial expression or fine detail. The…

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    Andrea Monti

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    A relic from the (recent) past

    April 30, 2013

    The Alchoolist’s garbage

    March 5, 2013

    The Ferrania Film Series – Episode 1 – Ferrania Orto shot on October/November 2023

    August 7, 2024
  • Beach Handball,  Colour,  Daily photo,  People,  Sport,  Summer

    @ Mediterranean Beach Games 2015 – Italian Beach Handball Female Team (and a primer on sport photography, part 3)

    September 30, 2015 /

    During the event 1 – Get Ready for the Show a – Check the logistic Be sure to have the competitions’ timetable at hand. Every day go first and early to the main press room and ask for last minutes changes. Ask how to check further possible issues (delays, cancellation, venue shifting. etc.) For each venue try to locate a “safe spot”, a place where you can rest or leave your bag (relatively) safe. b – Check the weather forecast If the competitions you’re attending is outdoor, checking the weather forecast is of the utmost importance. Among other things, it helps you choose what gear and dresses bring with you:…

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    Andrea Monti

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    Blob

    January 4, 2014

    A Fisherman in Rome

    November 1, 2013

    Late for Lunch

    March 26, 2014
  • B&W,  Boulevards,  Daily photo,  People,  Rome,  Summer

    A Waiter in via Sardegna

    September 26, 2015 /

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    Andrea Monti

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    Make Sense (or: Meaning is in the Eye of the Beholder)

    October 10, 2025

    While the kids grow-up…

    July 25, 2013

    Breaking the Fourth Wall

    February 17, 2020
  • Beach&Shores,  Colour,  Daily photo,  People,  Soccer,  Sport,  Summer

    @ Mediterranean Beach Games 2015 – Italy Beach Soccer Team’s Goalkeeper (and a primer on sport photography, part 2)

    September 24, 2015 /

    2 – Have the media pass working for you Part 1 of this primer dealt with the topic “Getting Your Media Pass”.  Now is the time to use it properly. a – Meet the media-manager and participate to the technical briefing (or anyway get the relevant information about the competition) If the competition is big enough, chances are that the organizing committee has appointed a media-manager in charge of handling all the issues related to broadcasting services and photographers. You definitely need to talk to him as early as you can, to get: your numbered “photographer jacket” (often needed to access the competition fields), a leaflet with all the relevant…

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    Andrea Monti

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    Stantsted Lounge’s Chairs

    December 31, 2013

    Outdoor Aperitif

    April 7, 2017

    Dark Cloud Over San Pietro

    August 27, 2021
  • Colour,  Daily photo,  People,  Reportage,  Soccer,  Sport,  Summer

    @ Mediterranean Beach Games 2015 – Italian Anthem (and a primer on sport photography, part 1)

    September 22, 2015 /

      Intro Working on assignment is different than loitering around “waiting for the moment”. This is true, in particular, for sport photography where you have to handle multiple issues at a time, most of them not related to the actual shooting activity. While there are a lot of sources to drink from that hint about how to assemble and check the gear, which lens is better suited for the job and so on, a less fancy but nevertheless critical issue to be aware of is how to handle the logistic and administrative stuff. Before the event 1 – Getting your media pass a – Accelerate the shipping of the accreditation…

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    Andrea Monti

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    Ottica Boncompagni

    November 7, 2014

    A Sad Afternoon

    October 7, 2013

    Stadio Olimpico, seen from Tribuna Monte Mario

    October 1, 2022
  • B&W,  Daily photo,  People,  Social Control,  Summer

    Off Duty

    September 4, 2015 /

    From the back, their posture says almost as much as their uniforms. Four policemen walk away from the viewer, the word Polizia split and partially hidden by their movement. There’s no confrontation here, no heightened drama — instead, the image captures that moment of decompression, when the weight of vigilance begins to lift. The decision to shoot from behind removes the personal identifiers that a front-facing portrait would reveal. We are left with silhouettes of authority in retreat, the curve of a shoulder, the relaxed drop of an arm, the natural slouch of someone whose shift may be ending. In the background, the urban night hums along: signage, faint light,…

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    Andrea Monti

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    Portrait of a Fin Swimmer

    June 5, 2021

    A Lamp in an Old Teather

    March 8, 2016

    A Waiter in via Sardegna

    September 26, 2015
  • Colour,  Daily photo,  People,  Summer

    A Smoker

    September 2, 2015 /

    Some portraits are not posed; they happen between moments, in that thin sliver of time when the subject is simply being. This was one of those. The woman — cigarette in hand, wrist adorned with metallic bangles catching stray light — had the stillness of someone lost in thought. The background was unremarkable, and that suited me: no distractions, no narrative clutter, just her profile against a soft blur. The shot was taken in available light, which was far from ideal. The conditions pushed me to raise the ISO more than I’d have liked, and as a result, the image carries a touch more grain than a studio portraitist would…

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    Andrea Monti

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    The Expired Film Series – Episode 5 – Kodak Tri X 400 – September 2015 shot in Sept. 2023

    May 8, 2024

    Ninja-Turtles?

    April 30, 2014

    For Sale

    May 5, 2014
  • Cars&Bikes,  Colour,  Daily photo,  People,  Summer

    Who The Hell Killed the Light Off?

    August 2, 2015 /

    There’s a certain magic to photographing night-time events — the glow of street lamps, the hum of a crowd, the way artificial light sculpts a scene. But it also comes with its share of battles, and this image is a perfect example of working on the edge of what’s technically possible. The scene is rich in story: a vintage race car, its scarlet paint dulled slightly under the sodium and LED mix of city lights; two men in matching white overalls, one bending towards the vehicle’s front as if inspecting or coaxing it to life; a small crowd leaning over barriers, caught in their own observations. The moment feels candid…

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    Andrea Monti

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    Landed

    December 19, 2013

    The Double Helix

    October 13, 2013

    A Street Dancer In Sakae

    August 9, 2019
  • Cars&Bikes,  Colour,  Daily photo,  People,  Summer

    Lotus Tweak

    July 31, 2015 /

    At first glance, it’s a straightforward scene — two men leaning over the open engine bay of a bare-bodied Lotus, spanners in hand, eyes locked on some mechanical nuance that only they understand. But to me, it’s also a portrait of intimacy — not between people, but between man and machine. The bond here is tactile: the smell of fuel, the heat radiating off aluminium, the gentle precision of a carburettor adjustment. The Leica M9 lends itself well to this kind of work. The CCD sensor has that distinctive tonal rendering that keeps the colours honest but rich — the brushed metal gleam of the car body, the deep reds…

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    Andrea Monti

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    Peeping the Misery

    September 4, 2013

    The Shooter’s Dilemma

    July 12, 2014

    An Essay on Composition

    February 14, 2021
  • Colour,  Daily photo,  People,  Restaurants&Bar,  Spring,  Venice

    Table Dressing

    July 15, 2015 /

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    Andrea Monti

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    Downtown Pulse

    October 17, 2014

    Oh…MG!

    July 23, 2015

    Surreal Judo

    December 11, 2016
  • Colour,  Daily photo,  People,  Spring,  Venice

    Lost

    July 13, 2015 /

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    Andrea Monti

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    A Maserati GranTurismo

    July 15, 2023

    And Justice For All

    May 15, 2015

    The Flying Dutchman… a sort of

    March 19, 2017
  • Colour,  Daily photo,  People,  Restaurants&Bar,  Spring,  Venice

    Nice Drink

    July 11, 2015 /

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    Andrea Monti

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    Slow Walk at Mulberry St.

    January 16, 2014

    Carabinieri in Milan

    January 28, 2014

    Just In Case

    June 9, 2014
  • Colour,  Daily photo,  People,  Spring,  Venice

    Are you Sure?

    July 9, 2015 /

    There is a delightful dissonance at work in this photograph, taken on Venice’s docks. We expect wedding portraits to be carefully curated affairs — romantic, timeless, perhaps even a little clichéd. Yet here, the scene unfolds against a backdrop of a bright yellow, graffiti-stained container, with stacks of bottled water and the raw brick of a church wall behind it. From a compositional perspective, the frame is well balanced. The groom, positioned to the left, strides toward the bride, who stands slightly off-centre to the right. The eye is drawn naturally from him to her, and then to the small entourage of photographers and onlookers who appear more amused than…

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    Andrea Monti

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    Seeing What Isn’t There

    October 27, 2015

    Final Arrangements Before the Hearing

    April 19, 2015

    Ultras

    July 20, 2016
  • Colour,  Daily photo,  People,  Spring,  Venice

    The Stroller

    July 7, 2015 /

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    Andrea Monti

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    The Commuter

    July 24, 2017

    Early Morning’s Cleanup

    July 21, 2013

    Gioacchino Rossini – La Cenerentola@Teatro Marrucino

    December 13, 2024
  • Colour,  Daily photo,  People,  Spring,  Venice

    Indifference

    July 5, 2015 /

    They might be travelling together, but their body language tells a different story. I spotted them in Venice, sitting mere inches apart, yet continents away in attitude. She looks ahead, arms crossed, eyes shaded, posture closed. He’s buried in his phone call, face half-covered, shoulders turned. The irony of their proximity to water — a place where people typically pause, connect, reflect — only heightens the emotional disconnect. Compositionally, I was drawn to the layered diagonals: the canal’s edge slicing across, the dock projecting out, the visual wall created by their backs. Their separation isn’t just emotional — it’s architectural. Framing them just off-centre, I allowed the background vaporetto and…

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    Andrea Monti

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    Three Lamps

    September 19, 2022

    A Frame Within a Frame Within a Frame

    April 23, 2023

    Why on Earth people, in Italy, still eat junk food?

    January 16, 2013
  • Colour,  Daily photo,  People,  Spring,  Venice

    The Porter

    July 3, 2015 /

    There is a peculiar rhythm to Venice in summer — a constant shuffle of feet, a hum of voices in a dozen languages, the clack and roll of suitcase wheels over stone. This image came from within that chaos, taken almost in the middle of the stream. The porter is pushing against the tide, a functional counterpoint to the leisure of the surrounding crowd. His trolley, loaded with a fortress of luggage, dominates the frame, almost spilling out toward the viewer. The sign with his name and “authorized” status lends a touch of officialdom to what is otherwise a raw, physical job. I positioned myself low and close, so the…

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    Andrea Monti

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    A Toilet of the Court of Rome

    March 11, 2014

    School of Mathematics@Sapienza University of Rome

    November 10, 2018

    Autumn Leaves

    September 8, 2014
  • Artists,  Colour,  Daily photo,  People,  Spring,  Venice

    The Violinist

    July 1, 2015 /

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    Andrea Monti

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    Mediterranean Games 2009

    June 28, 2015

    Three Sprouts

    May 22, 2022

    The Smoke Teacher

    July 1, 2013
  • Colour,  Fighters,  People,  Summer

    Mediterranean Games 2009

    June 28, 2015 /

    The cover image distills the Mediterranean Games 2009 into a single, decisive moment. Two judokas are locked in the opening clinch, bodies pressed forward, balance and leverage in a delicate contest. The Italian athlete’s gi dominates the frame—white fabric, bold blue “ITA” lettering, the name Frezza stitched above. Behind, the blurred figure of the opponent fades into a wash of deep blue, the background dissolved into the anonymity of the crowd and banners. It’s an image that works not by showing the entirety of the sport, but by narrowing the lens to the moment of contact. You can almost feel the strain in the forearms, the push of shoulders, the…

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    Andrea Monti

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    Shooting an Outdoor Volleyball Match

    June 19, 2025

    The Violinist

    July 1, 2015

    HeadButt

    August 5, 2023
  • Colour,  Daily photo,  People,  Spring,  Venice

    Hi-Tech Temptation

    June 27, 2015 /

    The contrast was immediate and irresistible — two Buddhist monks, their robes a saturated blaze of orange, standing in front of a shop window brimming with the shiny clutter of modern consumerism. The scene unfolded in Venice, a city that thrives on paradoxes, and the colour clash alone could have carried the frame. But the real intrigue came from the posture of the two figures: one more open, almost leaning toward the display, the other turned slightly away, as if holding a polite distance from the pull of it all. Technically, the shot benefits from the light that bounces generously along Venetian streets. It’s a soft daylight, diffused just enough…

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    Andrea Monti

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    Call On The Docks

    August 4, 2014

    The Rise of the Mutant Spiders?

    November 4, 2013

    Lockpicking Tools

    December 11, 2018
  • Colour,  Daily photo,  People,  Spring,  Venice

    Hey Mister!

    June 25, 2015 /

    Shot mid-morning in hard light, narrow Venetian alley, high pedestrian flow. The frame snapped into place by instinct—the older tourist in the foreground, the younger porter directly behind, moving toward the same vanishing point. No interaction between them, yet the composition forces a silent narrative: one leading, the other following, as if engaged in negotiation. They weren’t. Framing was tight but deliberate. I stepped back half a metre to let the porter’s hand, cart, and stance fall into line with the man’s shoulder. Their postures echo: left arm bent, forward step, gaze off-frame. Depth compresses them, flattening the spatial truth into a compositional fiction. The scene holds three depths: chalkboard…

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    Andrea Monti

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    Isolation in Public Spaces

    November 10, 2023
    Copyright Foto AFP / Issouf Sanogo - ALL RIGHTS RESERVED

    A stupid quarrell

    April 7, 2013

    Silent Among Many Voices

    January 1, 2013
  • Colour,  Daily photo,  People,  Venice

    Different Loads

    June 23, 2015 /

    I’ve always been fascinated by how the street can arrange itself into small, unplanned narratives. Here, the frame catches two distinct burdens: a man in the foreground carrying a large, wrapped package clasped tightly in his arms, and another, further back, wheeling a suitcase with the ease of modern travel. Between them, a handful of passers-by slip through the scene, each in their own rhythm. The composition benefits from a strong foreground element — the man’s folded hands over the package create both texture and a sense of intimacy. They also form a visual block that forces the eye to travel diagonally into the depth of the frame. The background…

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    Andrea Monti

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    Skating on Avenue Louise

    April 1, 2014

    Ninja-Turtles?

    April 30, 2014

    The Bored Bassman

    March 16, 2013
  • Colour,  Daily photo,  People,  Spring

    At the theater, between two scenes

    June 15, 2015 /

    I took this on instinct. The curtain was down inside, but the real theatre was unfolding on the steps. Not dramatic, not rehearsed — just a handful of people suspended in that odd in-between: not quite arriving, not quite leaving. They scattered themselves across the stairs as if cast by some unseen director. The architecture held them. A brutalist façade, cyan-oxidised and flaking like tired makeup. The symmetry of the stairs did most of the compositional work — I just centred the frame and waited. The banister slices the image vertically, anchoring the eye. One figure leans left, one right, each adjusting the balance. Technically, it’s a colour study wrapped…

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    Andrea Monti

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    Drying Clothes

    March 9, 2021

    The Spanish Sense of Flesh – 1

    June 26, 2014

    From Waltham to Boston

    August 4, 2023
  • B&W,  Daily photo,  Docks,  Paris,  People,  Spring

    Pensive

    June 13, 2015 /

    This black-and-white image, taken along the riverside steps in Paris, captures the quiet weight of stillness against a backdrop of movement. At the centre of the frame sits a lone figure, their silhouette defined against the lighter tones of the water. They face away from the crowd, turned toward the river’s shifting surface, embodying a pause in a city otherwise in motion. CompositionThe most compelling element of this photograph is its use of leading lines. The sweeping curve of the steps pulls the eye from the lower right of the frame directly toward the seated figure, and then out toward the distant pedestrians. This arc not only structures the scene…

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    Andrea Monti

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    Saving the Boat

    December 11, 2013

    A Ferrari 812 GTS in Boston

    July 14, 2023

    Opposites

    February 3, 2013
  • B&W,  Daily photo,  Paris,  People,  Spring

    Skating at Palais de Tokyo

    June 11, 2015 /

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    Andrea Monti

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    Pino Ammendola – L’ultima notte di Bonfiglio Liborio@Teatro Marrucino

    May 13, 2022

    Good Manners

    September 29, 2013

    Last Check Before the Start

    July 29, 2015
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