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Andrea Monti

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  • Actors,  Artists,  Colour,  Daily photo,  People,  Reportage,  Winter

    A Night at the Opera – Plays and Opera Photography

    December 21, 2024 /

    This is an abbreviated version of a talk I gave to a local chapter of the Italian Federation of Amateur Photographers (FIAF) on the challenges of photographing in a Teatro all’italiana environment. A word to the wise: this post has just a few pictures because it talks about what happens behind the camera and not about what happens in front of it Initially published by 35mmc.com To approach professional photography in Italian-style theatres, it is essential to understand and deal with a series of difficulties and critical issues that characterise this particular environment. The Italian-style theatre, with its architectural structure, lighting layout and show dynamics, imposes a series of technical and…

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    Andrea Monti

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    Venditti&DeGregori – Live@Anfiteatro La Civitella

    August 11, 2022

    The Lifeguard’s Tools

    August 24, 2013

    Cupido’s Fall

    June 2, 2014
  • Actors,  Daily Video,  Winter

    Gioacchino Rossini – La Cenerentola@Teatro Marrucino

    December 13, 2024 /

    This is part of a reportage I did on December 13, 2024 for the Teatro Marrucino in Chieti (IT) during the performance of Gioacchino Rossini’s La Cenerentola. Gear: Fujifilm X-T4 and X-T5 cameras, Fujinon XF 18-120 F4, 7-Artisans 35/0,95 X-Mount Find out more at https://andrea.monti.photography

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    Andrea Monti

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    The Porter

    July 3, 2015

    The Silent Dialog

    August 31, 2013

    Real Time Update

    February 20, 2016
  • Actors,  Autumn,  B&W,  Bruxelles,  Colour,  Daily photo,  Fighters,  Fighting Disciplines,  Photography,  Spring,  Summer,  Winter

    What Does ‘Professional’ Mean in Photography?

    March 19, 2024 /

    Pro’ is the photographer’s blessing and curse. It is the status we all – well, many of us – aspire to. It is the marketing gimmick created by the exploiters of the Gear Acquisition Syndrome to make people believe that tools make the craftsman. ‘Amateur’, on the other hand, is a word associated with casual photographers, ‘wannabe’ artists, and people who want to make you believe that tools make the craftsman. I have always been unconvinced that such a difference exists, at least in the general meaning associated with the words ‘pro’ and ‘amateur’, and in relation to the idea that the equipment used or the quality of the shots…

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    Andrea Monti

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    Daniele Silvestri – Teatri 2022 – Live@Teatro Massimo, Pescara

    December 16, 2022

    The Road To Justice

    August 31, 2014

    Mandatory Photo Position

    August 3, 2019
  • Actors,  Autumn,  Colour,  Daily photo

    Serva padrona @ Teatro Marrucino

    October 1, 2023 /

    LED banding is a major problem when using electronic shutters, and the Fuji X-T4 and X-T5 are no exception. In the specific conditions of this piece, I found that setting the shutter speed below 1/100s tamed the problem. However, there is one major drawback: the number of ruined shots increases. This is particularly true of the moments when the actors are waving their limbs or moving randomly. In this case, the slower parts of the body remain in focus, while the peripheral parts do not. Unfortunately, there is still no post-production technique that can eliminate this problem, which makes it difficult to achieve usable results. Of course, using a mechanical…

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    Andrea Monti

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    Hi-Tech Temptation

    June 27, 2015

    Caged?

    June 6, 2014

    7Artisans 35mm 0.95 – Testing this Fujifilm X Mount Lens in a Demanding Environment

    December 22, 2024
  • Actors,  Colour,  Daily photo,  People,  Winter

    Norina shouts at Don Pasquale

    December 12, 2022 /

    This picture is part of the reportage I did for Gaetano Donizetti’s Don Pasquale, featured on December 11, 2022, at Teatro Marrucino. It has been the chance to experiment a few tricks to avoid the banding effect caused by the LED pulse frequency and the sensor’s delay in EFC is used. I chose to go for time rather than aperture priority mode. I also set the shutter speed at 1/50, as suggested in many forums, and the trick worked. In some cases, banding was still present, but it was insignificant. I also tried to shoot in full manual (leaving only the focus in auto.) Some pictures ended up overexposed, and…

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    Andrea Monti

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    The Sorcerer’s Shop

    November 1, 2016

    An Off Duty Anchor

    September 21, 2014

    Counter-intuitive Focus

    February 9, 2020
  • Actors,  Colour,  Daily photo,  Winter

    Turiddu repeals Santuzza

    November 19, 2022 /

    This is a photo taken from the reportage I made for the Teatro Marrucino during the première of Cavalleria Rusticana by Pietro Mascagni. It captures the moment Turiddu (Piero Giuliacci) abandons Santuzza (Alessandra Di Giorgio), who —in turns— begs him in vain to change his mind. Image quality isn’t exceptional: unlike other cases, where the Fuji X-T3/Fujinon XF 16-80 pairing provided excellent results, this time it didn’t perform at its best, probably due to the choices on the scene lights.On the contrary, the composition is particularly successful.Turiddu is in the centre of the upper part of the picture. The railings of the staircase lead the eye towards him. Stantuzza’s dynamic…

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    Andrea Monti

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    Gioacchino Rossini – La Cenerentola@Teatro Marrucino

    December 13, 2024

    Sea Anemones Shot With A Cheap Kit

    August 20, 2014

    Last Wing Down

    February 26, 2015
  • Actors,  Autumn,  Colour,  Daily photo,  People,  Reportage

    The Death of Cio-Cio san

    October 15, 2022 /

    The final scene of yesterday’s Madama Butterfly’s ‘Prima’ at Teatro Marrucino. Opera photography is always a delicate dance between anticipation and reaction. The photographer must respect the performers’ craft while being acutely aware of the unfolding drama, ready to translate it into still imagery that holds the same emotional weight as the music itself. In this frame, taken during the tragic denouement of Madama Butterfly, the composition works almost like a Renaissance tableau — each character positioned with clear intention. The central focus rests on Cio-Cio-San’s lifeless figure, draped in white and crimson, her body collapsed against the steps like a human punctuation mark. Around her, the women in white…

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    Andrea Monti

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    Urgent Calls Only

    May 15, 2017

    Faces in the Façade: A Ghostly Smile in Stone

    November 15, 2014

    The Chicken

    September 10, 2014
  • Actors,  Colour,  Daily photo,  People

    Pino Ammendola – L’ultima notte di Bonfiglio Liborio@Teatro Marrucino

    May 13, 2022 /

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    Andrea Monti

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    Too Busy to Enjoy the Life…

    April 12, 2014

    Waiting for the Justice to Arrive

    March 11, 2013

    Skating at Palais de Tokyo

    June 11, 2015
  • Actors,  Colour,  Daily photo,  People,  Spring

    Alessandro Blasioli – L’ultima notte di Bonfiglio Liborio@Teatro Marrucino

    May 9, 2022 /

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    Andrea Monti

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    So long and thank you for the fish

    February 6, 2014

    Plenty of Chairs in Via Veneto

    December 2, 2013

    Ni État Ni Patron

    June 8, 2014
  • Actors,  Colour,  Daily photo,  People,  Spring

    Ugo Pagliai – Romeo e Giulietta@Teatro Marrucino

    March 29, 2022 /

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    Andrea Monti

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    Another Bridge

    September 23, 2019

    Fun

    November 12, 2014

    The Sailor

    June 24, 2013
  • Actors,  Colour,  Daily photo,  People,  Winter

    Leo Gullotta – Bartleby lo scrivano@Teatro Marrucino

    March 15, 2022 /

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    Andrea Monti

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    An Athlete@Stadio Marmi, Rome

    October 11, 2018

    5 Frames with a Praktica MTL5B, a Pentacon 50/1,8 and a Roll of Portra 400 (expired in 2011)

    June 20, 2024

    Handling the Fishnet

    October 28, 2014
  • Actors,  Colour,  Daily photo,  People,  Seasons,  Winter

    Giorgio Pasotti – Racconti disumani@Teatro Marrucino

    February 28, 2022 /

    The stage is almost bare, yet dense with implication. A man in a deep red suit leans forward over a small stepped platform, his body angled as if straining toward something invisible. The light catches the side of his face, leaving the rest of the space in heavy shadow. To his right, suspended in the darkness, an image of a bottle looms, projected larger than life—its glass skin ghostly, its presence more oppressive than inanimate. This is Kafka territory. The stripped set, the exaggerated scale, the isolation of the figure—they all speak the language of unease. The microphone at centre stage stands unused, a silent witness, or perhaps a channel…

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    The Casual Observer

    September 5, 2013

    The Hands of a Drummer (Horacio “El Negro” Hernandez)

    April 24, 2013

    The Street Photographer Rights In Italy. The Leaflet

    July 10, 2014
  • Actors,  B&W,  Daily photo,  Gear,  PhotoCritics,  Portraits,  Technique,  Winter

    Easy To Shoot?

    December 12, 2020 /

    This picture might look “ordinary” but for the fact that I shot it with a rangefinder film camera (guess which?) during the scene change between to acts of a theatre play. Scene assistants were placing the furnitures, actors were trying to focus on their parts, there was no time (and place) to design a proper composition and set the camera. No autofocus, no real-time exposure and white-balance setting. Maybe I have been lucky capturing the match flame close to the cigar, maybe it was because of “muscle memory”, but I did it nonetheless. Problem is that I could not be sure if I succeeded until, one week later, I saw…

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    Andrea Monti

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    Protected: Prova Aurum

    April 25, 2014

    Abruzzo’s made Coke??

    March 26, 2013

    The Temple of Justice

    February 25, 2017
  • Actors,  Artists,  Colour,  Daily photo,  Reportage,  Winter

    Il barbiere di Siviglia – Don Bartolo mad at Rosina

    November 28, 2020 /

    A shot from the mise en scene of the Il Barbiere di Siviglia I did as a scene-photgrapher for the Teatro Marrucino

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    Andrea Monti

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    Photography and the Importance of a Proper Training

    April 23, 2024

    A Couch in the Yard

    November 18, 2013

    London Swash

    September 3, 2014
  • Actors,  Colour,  Daily photo,  People,  PhotoCritics

    Meaning in Photography

    March 4, 2020 /

    In this picture, taken during the reportage I did for the Teatro Marrucino’s I Miserabili, an old and exhausted fighter rests while a young citoyen waves the French flag defying the fire of the royalists. The strength of the picture is in the dialectics created by the two protagonists, hinting at a “relay” between an old man that “gave all”, resting while a young man steps in.

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    Andrea Monti

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    Home on the Range

    May 17, 2015

    Without Glasses @ via del Corso

    January 25, 2016

    Easy Parking

    August 12, 2013
  • Actors,  Colour,  Daily photo,  People,  Winter

    On “timing the moment”

    January 21, 2020 /

    This photo I took during an assignment for a reportage on the theatre drama called “Le Signorine” with Giuliana De Sio and Isa Danieli is an excellent example of the “Timing the moment” concept. “Timing the moment” is a skill any event-based photographer should develop (or hone, if he’s gifted enough to have been born with the gift.) Especially in sport – but too in concerts and theatre’s show if you did not attend the rehearsal – you don’t know in advance what is going to happen. A unique mixture of intuition, reflex and decision (what the Japanese would call 決め – kime) allows capturing an unforeseen – and excellent…

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    Andrea Monti

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    She Died Alone

    February 15, 2022

    Welcome in the New (?) Year

    January 1, 2014

    Conversations, Silences, and Street Life

    August 5, 2014

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