Andrea Monti

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  • Actors,  Artists,  Colour,  Daily photo,  People,  Reportage,  Winter

    A Night at the Opera – Plays and Opera Photography

    December 21, 2024 /

    This is an abbreviated version of a talk I gave to a local chapter of the Italian Federation of Amateur Photographers (FIAF) on the challenges of photographing in a Teatro all’italiana environment. A word to the wise: this post has just a few pictures because it talks about what happens behind the camera and not about what happens in front of it Initially published by 35mmc.com To approach professional photography in Italian-style theatres, it is essential to understand and deal with a series of difficulties and critical issues that characterise this particular environment. The Italian-style theatre, with its architectural structure, lighting layout and show dynamics, imposes a series of technical and…

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    Andrea Monti

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    Against the Tide

    January 30, 2014

    Different Loads

    June 23, 2015

    Trick or Treat?

    June 14, 2013
  • Actors,  Daily Video,  Winter

    Gioacchino Rossini – La Cenerentola@Teatro Marrucino

    December 13, 2024 /

    This is part of a reportage I did on December 13, 2024 for the Teatro Marrucino in Chieti (IT) during the performance of Gioacchino Rossini’s La Cenerentola. Gear: Fujifilm X-T4 and X-T5 cameras, Fujinon XF 18-120 F4, 7-Artisans 35/0,95 X-Mount Find out more at https://andrea.monti.photography

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    Andrea Monti

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    Sleep Wins

    August 30, 2013

    PizzaPizza

    January 12, 2013

    Roots On The Roof

    September 6, 2015
  • Actors,  Autumn,  B&W,  Bruxelles,  Colour,  Daily photo,  Fighters,  Fighting Disciplines,  Photography,  Spring,  Summer,  Winter

    What Does ‘Professional’ Mean in Photography?

    March 19, 2024 /

    Pro’ is the photographer’s blessing and curse. It is the status we all – well, many of us – aspire to. It is the marketing gimmick created by the exploiters of the Gear Acquisition Syndrome to make people believe that tools make the craftsman. ‘Amateur’, on the other hand, is a word associated with casual photographers, ‘wannabe’ artists, and people who want to make you believe that tools make the craftsman. I have always been unconvinced that such a difference exists, at least in the general meaning associated with the words ‘pro’ and ‘amateur’, and in relation to the idea that the equipment used or the quality of the shots…

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    Andrea Monti

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    Brain vs Camera

    April 19, 2014

    An Old Lady in Great Shape

    September 23, 2014

    Efesto’s New Production Line

    September 20, 2014
  • Actors,  Autumn,  Colour,  Daily photo

    Serva padrona @ Teatro Marrucino

    October 1, 2023 /

    LED banding is a major problem when using electronic shutters, and the Fuji X-T4 and X-T5 are no exception. In the specific conditions of this piece, I found that setting the shutter speed below 1/100s tamed the problem. However, there is one major drawback: the number of ruined shots increases. This is particularly true of the moments when the actors are waving their limbs or moving randomly. In this case, the slower parts of the body remain in focus, while the peripheral parts do not. Unfortunately, there is still no post-production technique that can eliminate this problem, which makes it difficult to achieve usable results. Of course, using a mechanical…

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    Andrea Monti

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    Do Not Touch

    June 5, 2013

    Thirsty

    June 10, 2014

    One Shot Story: Behind the Fence

    January 3, 2025
  • Actors,  Colour,  Daily photo,  People,  Winter

    Norina shouts at Don Pasquale

    December 12, 2022 /

    This picture is part of the reportage I did for Gaetano Donizetti’s Don Pasquale, featured on December 11, 2022, at Teatro Marrucino. It has been the chance to experiment a few tricks to avoid the banding effect caused by the LED pulse frequency and the sensor’s delay in EFC is used. I chose to go for time rather than aperture priority mode. I also set the shutter speed at 1/50, as suggested in many forums, and the trick worked. In some cases, banding was still present, but it was insignificant. I also tried to shoot in full manual (leaving only the focus in auto.) Some pictures ended up overexposed, and…

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    Andrea Monti

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    Zombies

    March 4, 2021

    Portrait of a Politician – 2

    June 15, 2014

    Traffic Jam in Rome

    December 14, 2015
  • Actors,  Colour,  Daily photo,  Winter

    Turiddu repeals Santuzza

    November 19, 2022 /

    This is a photo taken from the reportage I made for the Teatro Marrucino during the première of Cavalleria Rusticana by Pietro Mascagni. It captures the moment Turiddu (Piero Giuliacci) abandons Santuzza (Alessandra Di Giorgio), who —in turns— begs him in vain to change his mind. Image quality isn’t exceptional: unlike other cases, where the Fuji X-T3/Fujinon XF 16-80 pairing provided excellent results, this time it didn’t perform at its best, probably due to the choices on the scene lights.On the contrary, the composition is particularly successful.Turiddu is in the centre of the upper part of the picture. The railings of the staircase lead the eye towards him. Stantuzza’s dynamic…

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    Andrea Monti

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    The Hands of a Drummer (Horacio “El Negro” Hernandez)

    April 24, 2013

    Action! (beware of Fuji X-Pro 2)

    February 2, 2016

    Snorkeling

    August 24, 2014
  • Actors,  Autumn,  Colour,  Daily photo,  People,  Reportage

    The Death of Cio-Cio san

    October 15, 2022 /

    The final scene of yesterday’s Madama Butterfly’s ‘Prima’ at Teatro Marrucino. Opera photography is always a delicate dance between anticipation and reaction. The photographer must respect the performers’ craft while being acutely aware of the unfolding drama, ready to translate it into still imagery that holds the same emotional weight as the music itself. In this frame, taken during the tragic denouement of Madama Butterfly, the composition works almost like a Renaissance tableau — each character positioned with clear intention. The central focus rests on Cio-Cio-San’s lifeless figure, draped in white and crimson, her body collapsed against the steps like a human punctuation mark. Around her, the women in white…

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    Andrea Monti

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    Aren’t Tapas Spanish?

    June 29, 2015

    Nick Beggs

    July 12, 2017

    Street Of New York… Possibly

    March 21, 2017
  • Actors,  Colour,  Daily photo,  People

    Pino Ammendola – L’ultima notte di Bonfiglio Liborio@Teatro Marrucino

    May 13, 2022 /

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    Andrea Monti

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    Uchi-Mata

    November 8, 2014

    Accidental Precision

    February 12, 2016

    Windows

    September 15, 2014
  • Actors,  Colour,  Daily photo,  People,  Spring

    Alessandro Blasioli – L’ultima notte di Bonfiglio Liborio@Teatro Marrucino

    May 9, 2022 /

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    Andrea Monti

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    Guru Meditation

    May 12, 2014

    Impatience

    February 6, 2013

    Get Ready for The Duty

    July 13, 2013
  • Actors,  Colour,  Daily photo,  People,  Spring

    Ugo Pagliai – Romeo e Giulietta@Teatro Marrucino

    March 29, 2022 /

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    Andrea Monti

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    Horizontal

    March 14, 2015

    All Mobiles But One Book

    June 24, 2017

    Vasa’s Ghost

    July 11, 2016
  • Actors,  Colour,  Daily photo,  People,  Winter

    Leo Gullotta – Bartleby lo scrivano@Teatro Marrucino

    March 15, 2022 /

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    Andrea Monti

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    Fun

    November 12, 2014

    Same Space, Different Worlds

    October 18, 2013

    The Mailbox

    May 5, 2013
  • Actors,  Colour,  Daily photo,  People,  Seasons,  Winter

    Giorgio Pasotti – Racconti disumani@Teatro Marrucino

    February 28, 2022 /

    The stage is almost bare, yet dense with implication. A man in a deep red suit leans forward over a small stepped platform, his body angled as if straining toward something invisible. The light catches the side of his face, leaving the rest of the space in heavy shadow. To his right, suspended in the darkness, an image of a bottle looms, projected larger than life—its glass skin ghostly, its presence more oppressive than inanimate. This is Kafka territory. The stripped set, the exaggerated scale, the isolation of the figure—they all speak the language of unease. The microphone at centre stage stands unused, a silent witness, or perhaps a channel…

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    Andrea Monti

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    The Long Way Up

    March 25, 2013

    Fast Call

    December 28, 2013

    5 frames with a Kiev 60, a Volna 80/2,8 and a Ferrania Orto

    June 28, 2024
  • Actors,  B&W,  Daily photo,  Gear,  PhotoCritics,  Portraits,  Technique,  Winter

    Easy To Shoot?

    December 12, 2020 /

    This picture might look “ordinary” but for the fact that I shot it with a rangefinder film camera (guess which?) during the scene change between to acts of a theatre play. Scene assistants were placing the furnitures, actors were trying to focus on their parts, there was no time (and place) to design a proper composition and set the camera. No autofocus, no real-time exposure and white-balance setting. Maybe I have been lucky capturing the match flame close to the cigar, maybe it was because of “muscle memory”, but I did it nonetheless. Problem is that I could not be sure if I succeeded until, one week later, I saw…

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    Andrea Monti

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    Guru Meditation

    May 12, 2014

    London Panning

    December 30, 2013

    Conversation

    September 14, 2017
  • Actors,  Artists,  Colour,  Daily photo,  Reportage,  Winter

    Il barbiere di Siviglia – Don Bartolo mad at Rosina

    November 28, 2020 /

    A shot from the mise en scene of the Il Barbiere di Siviglia I did as a scene-photgrapher for the Teatro Marrucino

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    Andrea Monti

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    Portrait with Skewers

    December 6, 2014

    A Calm Person

    January 8, 2014

    Alessandro Valle – Live@Anfiteatro La Civitella

    August 11, 2022
  • Actors,  Colour,  Daily photo,  People,  PhotoCritics

    Meaning in Photography

    March 4, 2020 /

    In this picture, taken during the reportage I did for the Teatro Marrucino’s I Miserabili, an old and exhausted fighter rests while a young citoyen waves the French flag defying the fire of the royalists. The strength of the picture is in the dialectics created by the two protagonists, hinting at a “relay” between an old man that “gave all”, resting while a young man steps in.

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    Andrea Monti

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    The last waltz

    January 24, 2013

    Helios 40-2 85/1,5 and Fuji X-T5: a sample

    June 21, 2023

    Lady Gaga Art Rave

    October 5, 2014

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