-
Lightblade
No, there are no Jedis around…
-
The Casual Observer
-
Peeping the Misery
A rough opening in a white wall becomes the frame. The edges are jagged, still bearing the scars of whatever blow created them. Through it, the eye is led into another world—a dusty, abandoned space where sunlight slices across the ground. On the floor lies a tangle of debris: fragments of cloth, splinters, and what seems to be a torn banner, its once-bright colours now dulled. The text on it is broken, unreadable, a language interrupted. In the background, shapes blur into shadow—remnants of furniture, perhaps, or the skeletal remains of another wall. This photograph is about looking in without stepping in. The viewer is held at a distance, forced…
-
While Waiting for the Food
Somewhere coastal, sometime after sundown. The table is set, the drinks half gone, the plates not yet full. It’s the in-between moment—the pause before the meal arrives, when conversation either deepens or disappears. He’s on his phone, thumb scrolling with purpose, eyes locked to the glow. Around him, the restaurant hums: plastic chairs, thatched roof, barefoot kids running between tables, the usual clatter of dishes and casual voices. A holiday place, probably. Warm air, sea salt, and time meant to be slower. What struck me was not the act—because it’s common—but the woman across from him. Half-hidden, partly blurred, yet watching. Not annoyed, not angry. Just watching. The kind of…
-
Vinyl Never Dies
-
The Doorman
Another hard night at the door is going to start.
-
The Silent Dialog
Sometimes, two subjects share a conversation without exchanging a word. In this case, the dialogue exists between man and stone — between the jogger, resting mid-route, and the towering marble column in front of him. The stillness of the sculpture contrasts with his barely contained energy, as though the pause is only temporary before motion resumes. The composition is anchored by geometry. The bollards form a rhythm across the foreground, pulling the eye toward the seated figure. The column rises almost dead-centre in the frame, lending a sense of vertical authority, while the urban backdrop — palms, apartments, the waiting truck — situates the scene in the ordinary present, far…
-
Sleep Wins
I found them in that fragile hour when night hasn’t fully given up and the day hasn’t quite claimed the streets. Two bodies slumped against a shuttered shopfront, graffiti curling behind them like a silent narrator. They weren’t staged, of course — this was simply where exhaustion decided to settle. With the Canon EOS-M paired to the EF-M 18–55, I had the flexibility to frame them in a way that gave space for the scene to breathe. The late light worked in my favour, sliding in at an angle that brought warmth to their skin tones while pulling texture from the cold metal behind them. The graffiti, soft enough not…
-
A Puff of Smoke
-
Bycicle Ride
-
Afternoon’s Mumbling
-
Garbage Collection
-
Pillars Of The Beach
-
Lifeguard
-
The Nightmare
Last night, at what should have been an intimate tango exhibition, I was reminded how delicate the relationship between photographer, performer, and audience really is. It’s a balance of presence and discretion — a dance of our own, if you will — and when one party missteps, the whole atmosphere can falter. The image I took here is less about the aesthetics of tango than about an interruption to its magic. In the foreground stands a photographer, camera raised, entirely absorbed in his task. The moon glows softly above him, the darkness swallowing most of the scene, but it’s clear enough to see the intent concentration on his face. Off…
-
Staring At The Infinite
Will this love lasts as much?
-
When The Passion Is Gone (thank to a sneaky photographer)
The close-up delivers a feeling of hot passion, as often tangueros do. But a wider view, including that sneaky photographer, kills the mood.
-
High Heels Ghost
On Saturday night, ghosts too dress themselves up.
-
Saturday Night’s Ice Cream
You May Also Like
Workbench
Giorgio Pasotti – Racconti disumani@Teatro Marrucino
A Fisherman in Rome
-
When We Were Kids
-
Avid Readers
Anything, Anywhere…
-
Gotcha!
It was the contrast that caught my eye. A man stands knee-deep in the Adriatic shallows, focused, precise, moving a small blue net through the water like he’s brushing dust off glass. He’s working under the shadow of a trabocco—a towering wooden fishing machine, all cables and beams, designed to drop massive nets and haul in fish by the hundreds. The kind of structure that speaks of industry, tradition, scale. But here he is. Alone. Shirtless. Waist-deep. Fishing by hand. The second frame pulls back. You see it all—the full span of the trabocco, its arms stretched wide like a maritime cathedral. And at the base, dwarfed by design, the same man…
-
Is This Smoke?
It seems so.
-
Who Said That Music Is Relaxing?
