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Waiting Chairs
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Floating Flower
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Home on the Range
There’s a moment—right before the shot breaks—when everything else falls away. This frame captures that exact moment. The quiet before the concussion. The balance between intent and mechanics. Taken in a professional range under full control, it documents not violence, but discipline. Focus. Precision. The brass tells its own story: just-fired casings scattered like punctuation marks on the shooter’s rhythm. The rifle rests steady on a bipod—cold, functional, ready. The shooter’s hand is not tense, but deliberate. His chain bracelet glints faintly in the sterile light, an unexpected human contrast to the black polymer and steel. This isn’t combat. It’s not theatre. It’s a place where performance meets protocol. Where…
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And Justice For All
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Desolation
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Is Iron Sky just a sci-fi movie?
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Trespassed
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Pipes in Colour
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Stripes in B&W
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What Lasts After the Hangover
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Rusted Platform
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Springtime
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Trial Docks Waiting for the Justice to Come
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Final Arrangements Before the Hearing
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Writer Inspiration’s Tools
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Outside the Courthall
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Too Late
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Italian Stardust
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Behind the Glass
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Where Did I Left My Car?
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Justice Under Construction
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Arrested Behind the Door
Arrested inside. Don’t enter unless you can prove you’re (their) lawyer…
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Room 17 – VIXI
The steel doors of Aula 17 stand closed, expressionless. Matte black, scratched, impassive. Above them, a bureaucratic sign: 7ᵃ Sezione, Edificio B. On the right, a board once meant to list names and hearings is now empty—washed clean by time or intention. Seventeen is an unlucky number in Italy. Rearranged, the Roman numerals XVII form VIXI—”I have lived”, an epitaph. And so, Room 17 becomes more than a courtroom. It becomes a threshold. A place where the living confront endings. The end of freedom. The end of illusions. Sometimes, the end of justice itself. The symmetry of the composition tightens the tension. Every element is locked in place. Nothing moves, and nothing is random.…
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Legal Apartheid