Andrea Monti

Photographer

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  • Colour,  Daily photo,  Docks,  Exhibitions

    Inside the Nazario Sauro

    November 26, 2020 /

    An important piece of history of the Italian Navy, at the anchor in the Port of Genova.

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    Andrea Monti

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    Twin Helmets

    July 21, 2015

    Lorenzo negli stadi

    July 11, 2013

    EOS-M. An act of fairness

    July 24, 2013
  • Colour,  Daily photo,  Marketing,  Nagoya,  Reportage,  Travels

    Nagoya’s reportage featured in The Good Life

    October 29, 2020 /

    The Good Life‘s October issue features my photoreportage of Nagoya.

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    Andrea Monti

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    Just Another Piccadilly Circus’ View

    September 20, 2016

    Clandestine Seagull

    November 24, 2013

    Planetarium

    May 30, 2015
  • Colour,  Daily photo,  Doors&Windows,  Past&Relics,  Summer

    The Answer is On the Wall

    August 28, 2020 /

    A tribute to The Hitchkiker Guide to the Galaxy.

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    ContentEditor

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    Portrait of a Judo Master

    November 14, 2013

    Gigi Cifarelli Guitar Solo (feat. Michele Di Toro) – Live@Florian Espace Pescara

    March 7, 2016

    Still Ruling

    February 5, 2022
  • Actors,  Colour,  Daily photo,  People,  PhotoCritics

    Meaning in Photography

    March 4, 2020 /

    In this picture, taken during the reportage I did for the Teatro Marrucino’s I Miserabili, an old and exhausted fighter rests while a young citoyen waves the French flag defying the fire of the royalists. The strength of the picture is in the dialectics created by the two protagonists, hinting at a “relay” between an old man that “gave all”, resting while a young man steps in.

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    Andrea Monti

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    Floating

    October 7, 2023

    Different Life

    June 24, 2016

    Claws of Fire

    September 27, 2017
  • Colour,  Daily photo,  People,  PhotoCritics,  Reportage,  Winter

    Denegata Justitia

    March 2, 2020 /

    Sometimes a picture acquires a meaning that goes beyond the original intent of the photographer. In this case, taken from a reportage I did for Victor Hugo’s Les Miserables featured at Teatro Marrrucino, in Chieti, the photography becomes the archetype of the denegata Justitia. The defendant asks to speak, the justice stares elsewhere.

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    Andrea Monti

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    A Great Marketing Stunt

    May 27, 2014

    Writer Inspiration’s Tools

    April 17, 2015

    Urban Totem

    April 29, 2014
  • Colour,  Daily photo,  People,  PhotoCritics,  Technique,  Winter

    Breaking the Fourth Wall

    February 17, 2020 /

    Shooting a play is challenging because you must be ready to seize ‘the moment’ and, at the very same time, think of unusual compositions to avoid the boring ‘frontal’ perspective. Shooting part of the reportage from the backstage of Hamlet, with Giorgio Pasotti and Mariangela D’Abbraccio directed by Francesco Tavassi I had the possibility to experiment the breaking of the fourth wall. This picture is one of the results.

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    Andrea Monti

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    A Two-Masted Schooner

    October 25, 2014

    A Stop in Reggio Emilia

    February 21, 2024

    No time for lunch at Piazza Fiume …

    February 20, 2013
  • Artists,  Colour,  Daily photo,  PhotoCritics,  Technique

    Counter-intuitive Focus

    February 9, 2020 /

    This photo I took during a reportage for a theatre hosting a concert of Uto Ughi shows a counter-intuitive use of focusing. Rather than go for the obvious option, the attention is shifted on the two musicians in the background capturing their concentration, with the leading violin blurred and conceptually, thus, ‘left behind’. The global effect is reinforced by a neat separation between the dark and light parts of the frame.

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    Andrea Monti

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    Shoes’ Meeting in Corso Vittorio

    March 12, 2014

    The Spinners

    June 13, 2013

    Flashes’ Lost Powersuits

    April 11, 2014
  • Colour,  Daily photo,  People,  PhotoCritics,  Technique,  Winter

    When Colour Helps Composition

    February 7, 2020 /

    This photo I took during a reportage of Miseria e nobiltà – a classic of the Neapolitan comedy by Eduardo Scarpetta – in the mise en scene of Lello Arena e Luciano Melchionna gives a lot of insights on how composition works. The triangle designed by the two actors on the sides and the taller actress in the centre is reinforced by the colours of the costumes: black in the centre, white in the sides. Finally, the purple background behind the black figure enhances the eye-driving effect toward the centre.

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    Andrea Monti

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    A priest

    October 19, 2019

    Busy (again)

    February 2, 2013

    Waiting for the goal

    April 28, 2013
  • Colour,  Daily photo,  People,  PhotoCritics,  Seasons,  Winter

    On “timing the moment”

    January 20, 2020 /

    This photo I took during an assignment for a reportage on the theatre drama called “Le Signorine” with Giuliana De Sio and Isa Danieli is an excellent example of the “Timing the moment” concept. “Timing the moment” is a skill any event-based photographer should develop (or hone, if he’s gifted enough to have been born with the gift.) Especially in sport – but too in concerts and theatre’s show if you did not attend the rehearsal – you don’t know in advance what is going to happen. A unique mixture of intuition, reflex and decision (what the Japanese would call 決め – kime) allows capturing an unforeseen – and excellent…

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    Andrea Monti

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    Protected: Prova Aurum

    April 25, 2014

    Afternoon’s Mumbling

    August 27, 2013

    A Moment Of Rest

    June 17, 2013
  • Beach&Shores,  Colour,  Daily photo,  Landscape,  Travels,  Winter

    Hope after the Storm

    January 8, 2020 /

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    Andrea Monti

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    Fast Food Loneliness in Nagoya…

    July 17, 2019

    Though Choice

    June 23, 2014

    Milan

    March 19, 2015
  • Autumn,  Colour,  Daily photo,  Fashion Shops,  People,  PhotoCritics,  Rome

    Deadly Bored

    January 6, 2020 /

    Once again, the meaning of this picture is counter intuitive and “made up” by the composition. The scene is seen from the perspective of the mannequin: at the end of a hard day spent sitting on the street-front, it (or he?) looks deadly bored and tries to kill the time before the shop closes by casually looking at the next passerby. The directional effect (from the mannequin to the passerby) is achieved by the diagonal connecting the tip of the hat, the feet of the mannequin and the cast of the shadow. Taken as a whole, these elements drive the eye from the mannequin to the persons and not vice-versa.

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    Andrea Monti

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    Vive La France, The Oslo’s Way

    October 7, 2014

    Man in Trenchcoat

    November 20, 2021

    Another experiment, now with a Kodak Portra 400

    May 4, 2023
  • Autumn,  Boulevards,  Colour,  Daily photo,  People,  PhotoCritics,  Rome

    A Virtual Glance Dance

    December 28, 2019 /

    The essence of this photo is all in the glances of the protagonists. The man looks at the woman, the woman looks at the luxury car. The essence of this photo is all in the glances of the protagonists. The man looks at the woman, and the woman looks at the luxury car. It is this subtle game of glances that tells a story and turns the photography from a casual picture into something worth seeing. Once again, it is not relevant whether the people portrayed are actually involved in the “glance dance”, as what matters is the image to convey the meaning created by the overall result. This confirms…

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    Andrea Monti

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    Cold Freezing Touring Through The Oslo’s Fjord

    October 4, 2014

    Thirthy years behind…

    April 6, 2013

    Footprints

    May 19, 2013
  • Artists,  Colour,  Daily photo,  People,  PhotoCritics,  Portraits,  Technique,  Winter

    The Power of Underexposing

    December 25, 2019 /

    Properly mastering underexposure helps to obtain pleasant results in challenging light conditions. I took this picture of a soprano by lowering the camera exposure by two stops, thus preserving skin tones burning, and “fading” the background to black. A proper in-camera under-exposure has the advantage of requiring lesser work in post to toggle clarity, temperature and black point.

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    Andrea Monti

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    Alone

    December 31, 2017

    Late-afternoon’s snack

    April 15, 2013

    A promenade

    February 24, 2013
  • Colour,  Daily photo,  PhotoCritics,  Rome,  Winter

    When Tilted Photos Work

    December 18, 2019 /

    Tilted photos are very challenging to take. It is easy to break the composition, lose an essential part of the scene, or take a bad picture. Furthermore, making sense out of a diagonal orientation with a ratio that is not square (Hasselblad people, I can hear you loud and clear!) adds layers of difficulties. As counterintuitive as it might look, this photo taken in a “normal” orientation would have lost all its visual impact.

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    Andrea Monti

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    Oh…MG!

    July 23, 2015

    Forgotten bike

    April 3, 2013

    The Aperitif

    October 5, 2017
  • Colour,  Daily photo,  People,  PhotoCritics,  Rome,  Winter

    Good Plan, Poor Execution

    December 15, 2019 /

    The idea behind the composition is entirely correct. The mannequins and the girl form a triangle, as does the direction of the stares, conveying both a sense of symmetry and counterposing the liveness of a human being to the puppets’ lack of. A poor execution, though, led to the mannequins’ head cut, turning a visually appealing photography into a meaningless shot.

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    Andrea Monti

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    A Sound Engineer

    March 10, 2016

    Niccolò Fabi – Meno Per Meno Tour 2023 – Live@Teatro Massimo, Pescara

    May 7, 2023

    Different Paths

    December 26, 2012
  • Colour,  Daily photo,  Downtown,  Observer Bias,  PhotoCritics,  Rome,  Winter

    Light as Meaning Shifter

    December 11, 2019 /

    The original idea behind this picture was to match the emptiness of the shop with the facelessness of the mannequin posing as a store clerk, to convey a general feeling of depersonalization. Unfortunately, the big lightblot represented by the poster close to the mannequin catches the observer’s attention and reduce the effectiveness of the composition. Instead of connecting the mannequin with the internal part of the store thus making sense of the whole picture, the eye just “sees” an ad poster.

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    Andrea Monti

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    Out-of-Focus Once Again

    February 28, 2015

    Breakfast at Rue Brisemiche

    March 25, 2014

    Landscape

    December 21, 2012
  • Colour,  Daily photo,  OutOfFocus,  PhotoCritics,  Rome,  Visual,  Winter

    Photopanning in Rome

    December 3, 2019 /

    Photo panning is an art in itself and – when adequately practised – is able to deliver a stunning visual experience. In this picture (that has not been altered but for contrast and clarity) the overall experience reminds the Impressionism aesthetics.

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    Andrea Monti

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    A Fujifilm X-E1 Annoyance

    April 15, 2014

    Lightblade

    September 6, 2013

    The 365th Shot: Between Sacred and Profane

    December 14, 2013
  • Colour,  Daily photo,  Jewelry,  Observer Bias,  PhotoCritics,  Rome,  Winter

    Keep Out!

    November 30, 2019 /

    This photo conveys a message of “rejection”: first, a security guard who blocks access to the jewellery and then a signal of a prohibition of access reinforces the concept, thanks to a composition that guides the eye to a diagonal that goes from the bottom to the top, from left to right. Obviously, there is nothing “true” about all this because the overall result is the result of the organization of the spaces and the management of the perspective that allow connecting semantically elements that, in reality, have no relationship between them. It would have been enough to shoot from a different angle – or not juxtapose the security guard…

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    Andrea Monti

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    Portrait of a Bailaor

    November 19, 2013

    The Silent Listeners

    December 27, 2013

    Stairway to nothing

    September 18, 2013
  • Airport,  Colour,  Daily photo,  People,  Projects

    Hands of a Steward

    November 22, 2019 /

    Shooting up and close in confined space. A skill every street-photographer should hone.

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    Andrea Monti

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    Portrait of aTocaor

    October 8, 2013

    Waiting for (Supreme) Justice

    February 14, 2017

    Hanging

    January 19, 2015
  • Colour,  Daily photo,  Milan,  People,  PhotoCritics,  Winter

    Evolution in Red

    November 20, 2019 /

    This is another example of how purely visual (the color red) and factual (a stroller on the far left, and an adult on the far right) elements create in the mind of the observer a semantic connection (in this case: the transition from childhood to adulthood) that does not exist in reality.

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    Andrea Monti

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    No, You Don’t Need To Change Your Glasses

    June 14, 2014

    Shooting the Shooter…

    February 12, 2013

    The Wild Bunch

    September 30, 2014
  • Autumn,  Colour,  Daily photo,  Downtown,  People,  Restaurants&Bar,  Rome

    Beer or Spritz?

    November 1, 2019 /

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    Andrea Monti

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    Floating

    February 5, 2023

    The Sorcerer’s Shop

    November 1, 2016

    Final Arrangements Before the Hearing

    April 19, 2015
  • Autumn,  Cars&Bikes,  Colour,  Daily photo,  Rome

    Fast drivers in Via del Tritone

    October 31, 2019 /

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    Andrea Monti

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    Upcoming Call

    June 3, 2013

    Belgian Macarons

    November 2, 2015

    Very British

    October 29, 2016
  • Autumn,  Colour,  Daily photo,  People,  Rome

    A priest

    October 19, 2019 /

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    Andrea Monti

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    Should I Stay

    November 29, 2013

    Fun

    November 12, 2014

    One Shot (Plus One) Story – All That Lasts

    April 19, 2025
  • Autumn,  Colour,  Daily photo,  Gear,  Technique,  Thoughts

    Will The iPhone Kill Traditional Cameras? Not Very

    October 15, 2019 /

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    Andrea Monti

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    Crowd Control

    July 16, 2013

    An Intense Conversation

    October 9, 2013

    A Zen Garden?

    February 22, 2014
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