Andrea Monti

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  • Autumn,  B&W,  Daily photo,  Moon

    When Venus Meets the Moon

    October 2, 2023 /

    I made this photograph with the Fujifilm X-T5 paired to the XF 150-600mm, working handheld in the early evening. The Moon was already high and bright, its craters crisp in the cold winter air. Venus, to the left, shone as a pinpoint — a bright, almost stubborn presence against the vastness of black space. Compositional balance here was straightforward but demanded precision: the Moon anchored on the right third, Venus sitting low and left, with the negative space not just filling the frame but defining the mood. The sheer emptiness is as much the subject as the two celestial bodies. Technically, the exposure leaned toward underexposing slightly to preserve lunar…

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    Andrea Monti

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    The Ubiquitous Mobile

    July 14, 2016

    Under The Bridge

    June 27, 2016

    Full Moon

    September 30, 2018
  • Colour,  Daily photo,  Moon,  Summer

    Red Moon at the end of August

    September 1, 2023 /

    Shot handheld (no tripod) with an X-T5 and a Fuji XF 150-600. Image stabilisation worked very well.

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    Andrea Monti

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    A tribute to an old friend

    January 7, 2014

    God Save the Queen!

    September 6, 2014

    Hard Worker

    February 9, 2014
  • B&W,  Daily photo,  Moon,  Spring

    Moon, hand-held

    April 30, 2021 /

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    Andrea Monti

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    Processing a DSLR Digitised Black and White Film with Affinity Photo

    January 24, 2023

    Come on in…

    September 11, 2013

    Dreaming of a Lancia Delta Martini…

    March 24, 2013
  • Autumn,  B&W,  Daily photo,  Moon

    Full Moon

    September 30, 2018 /

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    Andrea Monti

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    Hope after the Storm

    January 8, 2020

    Daniele Silvestri – Teatri 2022 – Live@Teatro Massimo, Pescara

    December 16, 2022

    George Braque

    October 11, 2013
  • Colour,  Daily photo,  Landscape,  Moon,  Spring

    Full Moon

    May 9, 2017 /

    Photographing the moon is a deceptively simple task — at least until you try it. What I wanted was the cold, silvery sharpness of our nearest celestial neighbour, etched against a black void. What I ended up with was something quite different, but not without merit: a moody study of the moon as seen through a gauzy veil of fast-moving clouds. The composition is almost entirely dictated by nature. The moon sits dead-centre, surrounded by concentric ripples of light refracted through water vapour. The clouds swirl and twist in soft greys, catching the pale light and turning it into a painterly texture. In the very heart, there’s a thin halo…

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    Andrea Monti

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    Three Sprouts

    May 22, 2022

    Lightspeed

    August 6, 2015

    60×40 Borderless Printing with a HP Z3200ps 24

    May 11, 2014
  • Colour,  Daily photo,  Moon,  Paris,  Spring

    Planetarium

    May 30, 2015 /

    The Zeiss projector at the Palais de la Découverte has an undeniable presence. It is both a piece of scientific equipment and a sculptural object, an embodiment of precision engineering turned into theatre. Under the dome’s dimmed lights, the machine sits like a mechanical deity, ready to conjure the heavens onto the curved canvas above. Photographing it was a matter of honouring its shape without reducing it to a mere technical diagram. I centred the composition to give the machine the stature it deserves, allowing its symmetrical arms and lenses to extend outward in all directions. The warm backdrop of the dome was a natural contrast to the cooler, magenta-tinted…

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    Andrea Monti

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    Daniele Silvestri – Teatri 2022 – Live@Teatro Massimo, Pescara

    December 16, 2022

    Luck is an Attitude

    January 25, 2014

    The Sprint Before the Ride

    August 8, 2013
  • B&W,  Daily photo,  Landscape,  Moon,  Spring,  Visual

    Lunar Network Or Snowy Mountain?

    May 5, 2015 /

    This image was made at high altitude, but it could have been taken on the Moon. That’s what initially drew my eye: the surreal minimalism of these snow-covered slopes interrupted by a line of utility poles, stretched tight against the vast emptiness. The illusion of a lunar landscape is heightened by the total absence of sky detail—pure black, a void—and the almost abstract texture of the snow, exaggerated by strong directional sunlight. The decision to shoot in black and white came naturally. Colour would have been a distraction from the harsh geometry, from the juxtaposition of natural emptiness and imposed structure. Each pole, evenly spaced, is both part of a…

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    Andrea Monti

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    A manual-focus atteimpt on a moving target

    July 26, 2013

    Three Shadows

    November 11, 2016

    Paths of Life

    January 20, 2013

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