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Different Stories
Taking ‘static’ pictures, such as those of buildings and other architectural structures, can be quite challenging, as it is easy to fall into obvious, already seen compositions that rob the shot of any individuality.One of the things that can make an otherwise dull image more interesting is the presence of some kind of action that blends in with the stillness of the environment.In this case, the woman on the phone is in exactly the same position as the model on the billboard. Only they are telling two different stories.
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Landing
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Hands of a Steward
Shooting up and close in confined space. A skill every street-photographer should hone. This photograph, Hands of a Steward, strips air travel of its grand narratives—no sweeping cabin views, no glamour of jet engines—reducing it instead to the essential human act of service. The subject is cropped tightly, showing only the steward’s forearms and hands as they prepare to serve water. The details tell the story: the gold buttons on the navy blazer, the insignia on the chest, the precise, slightly formal watch peeking from under the cuff. CompositionThe frame works in the language of precision. By excluding the steward’s face and body, the photograph directs our full attention to…
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Leaving
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Missed Airplane
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Priority Pass Lounge at Fiumicino Airport
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The El Prat’s Lounge
Airport lounges often exist in a strange, liminal space — neither entirely connected to the bustle of the terminal nor completely detached from it. This photograph captures that in-between feeling with an almost still-life precision. The beige armchairs, glass coffee table, and neatly placed newspaper (“La Vanguardia”) suggest a space curated for calm, yet one can sense the transient nature of those who pass through. The composition is deliberate and symmetrical, the sofa centred with the vase of artificial flowers acting as the visual anchor. The choice to place the glass table in the foreground introduces depth and framing, its reflections adding subtle complexity without pulling attention from the central…
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Guru Meditation
Airports are temples of waiting. They strip away the illusion of control, leaving travellers suspended in time between one place and another. In that in-between, people invent ways to cope. Here, in a lounge of muted reds and glassy daylight, a man folds himself into a private space. One leg drawn up, back curved, cap pulled low, he cradles a tablet as if it were a small book or a talisman. His fingers rest lightly on it, not tapping, not scrolling—just holding. The surrounding noise and movement dissolve in his stillness. This is meditation for the digital age. Not in a forest clearing or a candlelit room, but in an…
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Same Seats, Different Lifes
They’re close, but never been so distant
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Stantsted Lounge’s Chairs
I took this photo just after the final boarding call echoed through the terminal, the kind of stillness that only follows a rush. The lounge was cleared in minutes — all urgency gone, replaced by silence. The chairs, once wrapped in the inertia of travel, now stood like architectural punctuation against the faux-wood paneling, waiting for the next wave of restless travellers. I framed the shot at a low angle, intentionally compressing the line of stools to push a rhythm into the scene — one repetition after the other. It’s a simple structure, but the legs of the stools, criss-crossing over each other, create a mesh of shadow geometry on…
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Waiting to Go Home
The gate is still close, a long wait before boarding, is easier to bear when seated comfortably.
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Same Space, Different Worlds
Lost in their own business.
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Waiting for The Flight
Airport lounges are curious spaces—half liminal, half aspirational. I shot this at Milano Linate, where the atmosphere was oddly hushed despite the comings and goings just outside. The artificial calm was broken only by the subtle rustle of magazine pages and the occasional clink of glass. I was drawn to the symmetry—the near-theatrical lighting, the evenly placed glasses on the coffee table, and the sketchy wall mural of aeroplanes gesturing to movement while everyone inside remained still. Technically, I worked with the available light, letting the ambient tones do their job. The soft light from the floor lamp created a pleasing halo on the wall, balancing the composition visually. I…
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No Tablet, No Problem
Airport Gate, Early Evening No screens. No earbuds. No glowing rectangles in sight. Just two people passing time with cards and conversation, waiting for a flight that’s probably delayed. The bench is metallic, cold. The lighting is flat. But between them, something human is happening—casual, quiet, and becoming increasingly rare. I didn’t stage this. I just noticed it. In a terminal where most people were curled into devices, these two were leaning forward, sharing space, actually looking at each other. He speaks, she listens. She gestures, he laughs. Their luggage is there, sure—but this moment isn’t about where they’re going. It’s about the pause before it. The photo isn’t sharp…
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The Businessman…
Restless, waiting for the last flight to come back home.
