Daily photo
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The Last Journey
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Zombie
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Uninterest
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Lava Nails
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Pensive
Manual focus needs practice. This photo would have been better if I framed also the top of the cabin and focused better the person.
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A Skater
Framing the whole statue would have made this photo better. The mistake was caused by the necessity to shoot fast, the lens’ field of view and the distance between the subject and the focal plane.
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A droplet
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A Rudder
Pentax K-1/smc Pentax-A 135/2,8
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A Mesh
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An Essay on Composition
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Pentax SMC-A 50/1,7 – Nikkor 50/1,4 – Summicron 50/2
The left slice is taken with a Pentax K-1 and SMC-A 50/1,7, the centre with a Nikon D750 and a Nikkor 50/1,4, the right with a Fujifilm X-T3 and a Summicron 50/2. All the cameras were at their base ISO (100 for the Pentax and Nikon, 160 with the Fujifilm), at F2 and aperture priority. The K-1 and the X-T3 photos were shot in manual focus. Only the K-1 has IBIS stabilization. The jpg is taken in Affinity by slicing each OOC RAW file without post-processing.
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A Lockheed C-130 Hercules
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Kite Surfer Under Duress
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Busker and Covid-19
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Galaxy S21 Ultra 5g. The difference between Marketing and Reality in Image Quality
To put it short, this is what you get by purchasing a Galaxy S21 Ultra 5g using the standard camera app: access to all four lenses is limited to jpg, 108megapixel resolution is limited to one lens (the one Samsung calls ‘wide’ or ‘1x’), RAW format is only availble in ‘PRO’ mode, limited to ‘ultrawide’ (0,6x) and ‘wide’ (1x), with no access to 108megpixel resolution. Samsung advertises the Galaxy S21 Ultra 5g by spinning its 108 megapixel camera. However, it does not make clear that the 108 megapixel resolution is not available in “PRO” mode, the only that records in raw. By contrast, this super resolution is available in normal…
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A Fix for the Wikipedia Photos’ Copyright Scams?
As reported by Petapixel, a new form of copyright (better, ‘moral rights of author) scam hits photographer: the credit stealing on Wikipedia. In a nutshell, as everything on Wikipedia is editable, somebody started changing the photos’ ownership information from the original author to somebody else who, as Petapixel writes, get a series of ‘benefit’. As bad as it sounds, copyright protection on the Internet is a lost battle for an individual. Some services like Unsplash “turned the problem into an opportunity”. However it did not solve the issue in general terms. I’m seriously considering if just going back to a print-only sharing is a better way to handle pictures’ copyright,…
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Easy To Shoot?
This picture might look “ordinary” but for the fact that I shot it with a rangefinder film camera (guess which?) during the scene change between to acts of a theatre play. Scene assistants were placing the furnitures, actors were trying to focus on their parts, there was no time (and place) to design a proper composition and set the camera. No autofocus, no real-time exposure and white-balance setting. Maybe I have been lucky capturing the match flame close to the cigar, maybe it was because of “muscle memory”, but I did it nonetheless. Problem is that I could not be sure if I succeeded until, one week later, I saw…
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Tsutaya Bookstore@Ginza
This is a photo I took insude the Tsutaya bookstore in Tokyo. When faced with something like this, Amazon can’t win because no remote purchase can replace the experience of spending time in such a place (and the photo doesn’t do justice to the context, by the way).
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Dai Shodo@Kyoto
Kyoto ‘s Teramachi-dori is full of suprises. Amidst shops of the most different kind and attire, booklovers can find this small gem.
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Il barbiere di Siviglia – Don Bartolo mad at Rosina
A shot from the mise en scene of the Il Barbiere di Siviglia I did as a scene-photgrapher for the Teatro Marrucino
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Inside the Nazario Sauro
An important piece of history of the Italian Navy, at the anchor in the Port of Genova.
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Nagoya’s reportage featured in The Good Life
The Good Life‘s October issue features my photoreportage of Nagoya.
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Fuji X-T2 records audio at 16bit/48Khz
Neither the user manual, nor the Youtube ‘experts’ tell this open secret: the X-T2 samples audio at 16bit. Although the sample rate is 48khz (a standard in video production) 16bit may not be enough to record (a minimum) professional grade audio. This is not a big deal for the rest of the humans, but If you want to ‘go pro’ or need to unleash your Gear Addiction Syndrome be advised that to have 24bit/48Khz audio you must switch to the X-T3.
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The Answer is On the Wall
A tribute to The Hitchkiker Guide to the Galaxy.
