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Andrea Monti

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  • Colour,  Daily photo,  Docks,  People,  Skating,  Winter

    A Street-Skater

    March 17, 2021 /

    I came across him by the harbour on a day when the wind carried the smell of salt and diesel from the moored fishing boats. He wasn’t performing for an audience—just skating alone, immersed in his own rhythm. His movements were sharp but fluid, somewhere between dance and martial art. I wanted to capture that moment when the body leans into balance, teetering on the edge of a fall but never crossing it. The setting presented an immediate visual contrast: the fluidity of his posture against the static, almost heavy backdrop of the docked ships. I framed him to the left, letting the background breathe, so that the masts, ropes,…

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    Andrea Monti

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    Tesla Coils@Boston Science Museum

    July 4, 2023

    Good Manners

    September 29, 2013

    Pentax – In Praise of Usability of Cameras and Lenses

    March 3, 2024
  • Buildings,  Colour,  Daily photo,  Gates&Fences,  Winter

    Open Interior

    March 14, 2021 /

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    Andrea Monti

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    Coffee Doesn’t Need a Table. It Needs a Moment

    June 17, 2013

    A Beverage Dispenser

    November 21, 2014

    Too Young to Spend Time Watching the Ducks in the Pond

    October 22, 2013
  • Colour,  Daily photo,  Fountains,  Winter

    Splinter

    March 13, 2021 /

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    Andrea Monti

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    An attempt at DSLR-made film digitization

    January 14, 2023

    A pouch for the Fuji XF 150-600

    May 16, 2023

    Damned Autofocus

    April 20, 2014
  • Colour,  Daily photo,  Doors&Windows,  Winter

    Drying Clothes

    March 9, 2021 /

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    Andrea Monti

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    Portrait of a Bailaor

    November 19, 2013

    @ Mediterranean Beach Games 2015 – Italian Female Rowing Team

    October 25, 2015

    The Alchoolist’s garbage

    March 5, 2013
  • Colour,  Daily photo,  Streets&Squares,  Winter

    The Last Journey Of An Hero of Italian Motoring

    March 7, 2021 /

    Behold, the Fiat 500. Not the modern one that’s all airbags and Bluetooth and makes you feel like a fashion blogger. No, this is the real thing. The original. The glorious, underpowered, unapologetically tinny Italian shoebox. And look at it now—strapped to the back of a truck like a pensioner wheeled out of the bingo hall for the last time. Rusted. Flat-tyred. Beaten. Magnificent. I spotted it being hauled away through a southern Italian town, and frankly, I nearly wept. This was once the car that got a nation moving. The people’s Ferrari. The automotive embodiment of an espresso shot. And now? A hunk of oxidised metal destined for the…

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    Andrea Monti

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    The Silent Ceremony

    November 2, 2017

    The TelcoMan

    January 26, 2015

    Seeing What Isn’t There

    October 27, 2015
  • B&W,  Beach&Shores,  Daily photo,  People

    Zombies

    March 4, 2021 /

    It was one of those winter mornings where the fog doesn’t just obscure — it swallows. Standing on the shoreline with the Nikon D610 and my trusty Nikkor 105mm f/2.5, I could barely see ten metres ahead. Figures emerged slowly from the haze, walking towards me in silence, their features lost in the grey void. The effect was unsettling enough that, reviewing the shots later, I couldn’t help but think of a scene from a low-budget horror film — the title wrote itself. Technically, this photograph is a study in embracing limitation. Autofocus in such conditions is almost pointless, and it wasn’t a problem since the lens is full-manual; I…

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    Andrea Monti

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    Gravity on Pause

    September 5, 2025

    God Save the Queen!

    September 6, 2014

    A Tribute to An Old Friend

    January 7, 2014
  • Beach&Shores,  Colour,  Daily photo,  People,  Winter

    Uninterested

    March 2, 2021 /

    No glance. No nod. Just two people moving through the same space, as if the other didn’t exist. This was taken on a beach that should have felt wide open, maybe even freeing—but something about the moment made it feel small, enclosed. The boy looks down at his phone. The girl walks past him, eyes fixed forward. Neither slows. Neither turns. They’re metres apart, yet orbiting separate worlds. I didn’t ask for this scene. It unfolded on its own. A brief choreography of disconnection. Their postures say enough: one drawn into a screen, the other into her own stride. There’s no hostility here—just absence. A quiet kind of loneliness, the…

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    Andrea Monti

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    From Camera to Print…

    March 17, 2015

    Opposites

    February 3, 2013

    Red Dot

    January 21, 2015
  • Bridges,  Colour,  Daily photo

    Lava Nails

    February 28, 2021 /

    The first thing that struck me when I looked at this photograph was the title — Lava Nails. It’s an evocative phrase, one that instantly conjures visions of volcanic rock cooling into jagged forms. In reality, of course, what we’re looking at is far more prosaic: rows of rusty rivets or bolts on a weathered surface. Yet, the camera has transformed the mundane into the dramatic. The composition is built on strong linear perspective. The rivets march away from the viewer, converging toward a vanishing point that lies just outside the frame’s blurred horizon. This forced depth, amplified by a shallow depth of field, isolates the tactile detail of the…

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    Andrea Monti

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    The Boat That Never Left

    September 26, 2019

    Good Manners

    September 29, 2013

    Foto-Grafo featured on Yanidel.net

    March 20, 2013
  • Beach&Shores,  Colour,  Daily photo,  People,  Winter

    Pensive

    February 26, 2021 /

    Manual focus needs practice. This photo would have been better if I framed also the top of the cabin and focused better the person.

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    Andrea Monti

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    When Tilted Photos Work

    December 18, 2019

    St. Peter in Background

    December 5, 2013

    Masters of Propaganda

    July 18, 2023
  • Colour,  Daily photo,  People,  Streets&Squares,  Technique,  Winter

    A Skater

    February 23, 2021 /

    Framing the whole statue would have made this photo better. The mistake was caused by the necessity to shoot fast, the lens’ field of view and the distance between the subject and the focal plane.

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    Andrea Monti

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    Under the Heat Of Rome…

    June 26, 2018

    When Colour Helps Composition

    February 7, 2020

    Splinter

    March 13, 2021
  • Bridges,  Colour,  Daily photo,  Winter

    A Droplet

    February 21, 2021 /

    Sometimes the most unassuming subjects hold the greatest visual intrigue. A Droplet invites us to pause before a corroded pipe, its mouth fringed with moss and decay, and notice the minute beads of water suspended in time. The scene is humble, even neglected, yet it carries a quiet dignity — a testament to the slow, unrelenting processes of nature reclaiming the man-made. From a compositional standpoint, the photographer has made the astute decision to centre the pipe, drawing the eye directly to the mossy rim and the droplets. The shallow depth of field isolates the subject from the textured wall behind it, giving the image a pleasing three-dimensionality. The fine…

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    Andrea Monti

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    The Solitude of Power

    May 6, 2018

    An illuminated escape path will help you to reach the exits …

    November 10, 2013

    Friendship is Forever

    March 6, 2014
  • Colour,  Daily photo,  Gear,  Winter

    A Rudder

    February 19, 2021 /

    Pentax K-1/smc Pentax-A 135/2,8

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    Andrea Monti

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    The Drying Machine

    November 30, 2014

    An Exercise in Composition (was: Rowing Boats)

    February 18, 2024

    When The Passion Is Gone (thank to a sneaky photographer)

    August 21, 2013
  • Colour,  Daily photo,  Visual,  Winter

    A Mesh

    February 16, 2021 /

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    Andrea Monti

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    TKO

    May 8, 2019

    Just a Soccer Field… Part 1

    February 3, 2014

    The Crew’s Rest

    July 20, 2014
  • Colour,  Daily photo,  Fountains,  Visual,  Winter

    An Essay on Composition

    February 14, 2021 /

    This photograph began with geometry, but it ended up being about contradiction. Sand, marble, sea—each a distinct texture, each performing under different rules. It’s not a landscape and it’s not abstract, but it borrows from both. The diagonal lines, the flattened depth, the conflict between order and erosion—all deliberate, but not staged. I rotated the frame on purpose. The eye expects a horizon, some gravitational anchor, but here that’s denied. The marble slabs—cold, precise, quarried and arranged—seem to float or fall, depending on how you orient yourself. The band of sand running diagonally across the frame interrupts their perfection with a tactile, natural disorder: dunes formed by wind, not by…

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    Andrea Monti

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    @ Mediterranean Beach Games 2015 – Wrestling, Italy vs France (And a primer on sport photography – Part 5)

    October 9, 2015

    Urban Desolation

    September 18, 2014

    Visual

    January 18, 2013
  • Colour,  Daily photo,  Gear,  Summer,  Thoughts

    Pentax SMC-A 50/1,7 – Nikkor 50/1,4 – Summicron 50/2

    February 9, 2021 /

    The left slice is taken with a Pentax K-1 and SMC-A 50/1,7, the centre with a Nikon D750 and a Nikkor 50/1,4, the right with a Fujifilm X-T3 and a Summicron 50/2. All the cameras were at their base ISO (100 for the Pentax and Nikon, 160 with the Fujifilm), at F2 and aperture priority. The K-1 and the X-T3 photos were shot in manual focus. Only the K-1 has IBIS stabilization. The jpg is taken in Affinity by slicing each OOC RAW file without post-processing.

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    Andrea Monti

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    A Step Ahead

    October 8, 2022

    Just Another Times Square View

    July 9, 2014

    Under the Arc of the Seine

    June 9, 2015
  • Colour,  Daily photo,  Winter

    A Lockheed C-130 Hercules

    January 31, 2021 /

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    Andrea Monti

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    The Bell Ringer of Nikko

    August 6, 2018

    A Bitter Sweet

    March 23, 2013

    The Godfather

    July 23, 2014
  • Colour,  Daily photo,  Kite Surf,  Seasons,  Sport,  Technique,  Winter

    Kite Surfer Under Duress

    January 29, 2021 /

    The wind was already rising when I reached the beach. Grey sky, hard light, the kind of day most people read from behind a window. But the kitesurfers were already out—lines taut, boards skipping through the chop. What always strikes me about this scene isn’t just the colour of the kites against a flat sky, or the sharp angles they carve into the wind—it’s the resolve. They know what they’re getting into. The cold. The salt in their eyes. The bruises. And they do it anyway. Because this is when it’s real. That’s what drew me to raise the camera. The same drive, maybe. You don’t wait for golden hour.…

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    Andrea Monti

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    Soldering

    November 8, 2021

    Outside the Nobel Museum

    June 30, 2016

    The Penguin’s Feeder

    July 25, 2014
  • Artists,  Colour,  Daily photo,  Streets&Squares,  Winter

    Busker and Covid-19

    January 26, 2021 /

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    Andrea Monti

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    Dreaming of a Lancia Delta Martini…

    March 24, 2013

    The Smoker’s Golden Rule: A Coffee Always Calls a Cigarette

    July 9, 2013

    Trial Docks Waiting for the Justice to Come

    April 21, 2015
  • Colour,  Daily photo,  Gear,  Thoughts

    Galaxy S21 Ultra 5g. The difference between Marketing and Reality in Image Quality

    January 24, 2021 /

    To put it short, this is what you get by purchasing a Galaxy S21 Ultra 5g using the standard camera app: access to all four lenses is limited to jpg, 108megapixel resolution is limited to one lens (the one Samsung calls ‘wide’ or ‘1x’), RAW format is only availble in ‘PRO’ mode, limited to ‘ultrawide’ (0,6x) and ‘wide’ (1x), with no access to 108megpixel resolution. Samsung advertises the Galaxy S21 Ultra 5g by spinning its 108 megapixel camera. However, it does not make clear that the 108 megapixel resolution is not available in “PRO” mode, the only that records in raw. By contrast, this super resolution is available in normal…

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    Andrea Monti

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    Shadows&Lights

    March 7, 2014

    A Dislodged Portal

    December 15, 2018

    Should I Stay or Should I Go?

    November 29, 2013
  • Colour,  Daily photo,  Photography

    A Fix for the Wikipedia Photos’ Copyright Scams?

    December 19, 2020 /

    As reported by Petapixel, a new form of copyright (better, ‘moral rights of author) scam hits photographer: the credit stealing on Wikipedia. In a nutshell, as everything on Wikipedia is editable, somebody started changing the photos’ ownership information from the original author to somebody else who, as Petapixel writes, get a series of ‘benefit’. As bad as it sounds, copyright protection on the Internet is a lost battle for an individual. Some services like Unsplash “turned the problem into an opportunity”. However it did not solve the issue in general terms. I’m seriously considering if just going back to a print-only sharing is a better way to handle pictures’ copyright,…

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    Andrea Monti

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    Fisherman’s Friend

    January 10, 2014

    Shaken

    October 1, 2015

    To Do or To Own? (or the Photographer’s Dilemma)

    March 2, 2025
  • Actors,  B&W,  Daily photo,  Gear,  PhotoCritics,  Portraits,  Technique,  Winter

    Easy To Shoot?

    December 12, 2020 /

    This picture might look “ordinary” but for the fact that I shot it with a rangefinder film camera (guess which?) during the scene change between to acts of a theatre play. Scene assistants were placing the furnitures, actors were trying to focus on their parts, there was no time (and place) to design a proper composition and set the camera. No autofocus, no real-time exposure and white-balance setting. Maybe I have been lucky capturing the match flame close to the cigar, maybe it was because of “muscle memory”, but I did it nonetheless. Problem is that I could not be sure if I succeeded until, one week later, I saw…

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    Andrea Monti

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    5 frames exploring the Sporting Gun Culture in Italy

    April 15, 2025

    Nikkor 16mm Fisheye – Three Ways to Make use of Such a Lens

    August 22, 2024

    Phone Call – 2

    February 20, 2015
  • Bookstores,  Colour,  Daily photo,  Tokyo

    Tsutaya Bookstore@Ginza

    December 6, 2020 /

    Photographed inside the Tsutaya Bookstore in Ginza, Tokyo, this image celebrates the bookstore as a curated stage, where books are not simply stored but presented as artefacts. The frame is dense yet controlled, offering layer upon layer of shelves, display tables, and oversized art books. The eye is immediately drawn to the centre, where a large black-and-white wildlife photograph dominates—its scale and high contrast making it the de facto anchor of the composition. CompositionThe photographer has worked with a classic layered approach. Foreground tables angle toward the viewer, drawing them deeper into the mid-ground where the hero book sits open, and then further into the background shelves which fill the…

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    Andrea Monti

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    A Bookstore in the Gallery

    December 22, 2013

    The Real Street Photographer: Bold and Fearless

    February 25, 2013

    What Are You Looking At?

    June 19, 2014
  • Bookstores,  Colour,  Daily photo,  Kyoto,  Summer

    Dai Shodo@Kyoto

    December 2, 2020 /

    Kyoto ‘s Teramachi-dori is full of suprises. Amidst shops of the most different kind and attire, booklovers can find this small gem. This is Dai-Shodo, a quiet print shop tucked into a narrow Kyoto street. I stepped inside on a grey afternoon with no particular plan. The light was soft, filtered through old windows and the hushed presence of paper. Everything in the shop seemed to lean inwards—frames, shelves, stairs—as if holding its breath in reverence. What struck me most wasn’t the prints themselves, but how they were displayed. Ukiyo-e woodblocks and vintage ephemera layered on every surface, propped rather than hung, as if caught mid-conversation. The stairway invited you up…

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    Andrea Monti

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    Ultras

    July 20, 2016

    Moistmaker@Piazza della Rotonda

    July 12, 2018

    A Priest Walking Through the Graffiti Streets

    October 19, 2019
  • Actors,  Artists,  Colour,  Daily photo,  Reportage,  Winter

    Il barbiere di Siviglia – Don Bartolo mad at Rosina

    November 28, 2020 /

    A shot from the mise en scene of the Il Barbiere di Siviglia I did as a scene-photgrapher for the Teatro Marrucino

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    Andrea Monti

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    The Porter

    July 3, 2015

    St. Peter in Background

    December 5, 2013

    Whatever You Stand For, Vote!

    May 24, 2014
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