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Andrea Monti

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  • Buildings,  Colour,  Daily photo,  Gates&Fences,  Winter

    Open Interior

    March 14, 2021 /

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    Andrea Monti

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    Seeking Directions – Where Do I Go From Here?

    September 10, 2013

    Watching the Eiffel Tower

    October 14, 2013

    Inside a Lost Building

    February 16, 2014
  • Colour,  Daily photo,  Fountains,  Winter

    Splinter

    March 13, 2021 /

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    Andrea Monti

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    The Chess Players’ Summer Nest

    July 31, 2014

    Uchi-Mata

    November 8, 2014

    Rusted Platform

    April 25, 2015
  • Colour,  Daily photo,  Doors&Windows,  Winter

    Drying Clothes

    March 9, 2021 /

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    Andrea Monti

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    Servicing a Sig Sauer P226

    December 16, 2017

    Frames for Sale at Via Margutta

    May 2, 2016

    A Fence

    November 6, 2014
  • Colour,  Daily photo,  Streets&Squares,  Winter

    The Last Journey Of An Hero of Italian Motoring

    March 7, 2021 /

    Behold, the Fiat 500. Not the modern one that’s all airbags and Bluetooth and makes you feel like a fashion blogger. No, this is the real thing. The original. The glorious, underpowered, unapologetically tinny Italian shoebox. And look at it now—strapped to the back of a truck like a pensioner wheeled out of the bingo hall for the last time. Rusted. Flat-tyred. Beaten. Magnificent. I spotted it being hauled away through a southern Italian town, and frankly, I nearly wept. This was once the car that got a nation moving. The people’s Ferrari. The automotive embodiment of an espresso shot. And now? A hunk of oxidised metal destined for the…

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    Andrea Monti

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    When the Rubbish Basket is full…

    December 13, 2013

    A Sailor’s Knot

    November 22, 2013

    Strategy

    September 20, 2018
  • B&W,  Beach&Shores,  Daily photo,  People

    Zombies

    March 4, 2021 /

    It was one of those winter mornings where the fog doesn’t just obscure — it swallows. Standing on the shoreline with the Nikon D610 and my trusty Nikkor 105mm f/2.5, I could barely see ten metres ahead. Figures emerged slowly from the haze, walking towards me in silence, their features lost in the grey void. The effect was unsettling enough that, reviewing the shots later, I couldn’t help but think of a scene from a low-budget horror film — the title wrote itself. Technically, this photograph is a study in embracing limitation. Autofocus in such conditions is almost pointless, and it wasn’t a problem since the lens is full-manual; I…

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    Andrea Monti

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    Who dares…

    February 7, 2013

    5 frames exploring the Sporting Gun Culture in Italy

    April 15, 2025

    Portrait of a Judo Master

    November 14, 2013
  • Beach&Shores,  Colour,  Daily photo,  People,  Winter

    Uninterested

    March 2, 2021 /

    No glance. No nod. Just two people moving through the same space, as if the other didn’t exist. This was taken on a beach that should have felt wide open, maybe even freeing—but something about the moment made it feel small, enclosed. The boy looks down at his phone. The girl walks past him, eyes fixed forward. Neither slows. Neither turns. They’re metres apart, yet orbiting separate worlds. I didn’t ask for this scene. It unfolded on its own. A brief choreography of disconnection. Their postures say enough: one drawn into a screen, the other into her own stride. There’s no hostility here—just absence. A quiet kind of loneliness, the…

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    Andrea Monti

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    A Standup Paddleboarder

    August 25, 2014

    Floating Flower

    May 19, 2015

    Hell Behind — Tiny Holes Reveal the Flames

    March 19, 2013
  • Bridges,  Colour,  Daily photo

    Lava Nails

    February 28, 2021 /

    The first thing that struck me when I looked at this photograph was the title — Lava Nails. It’s an evocative phrase, one that instantly conjures visions of volcanic rock cooling into jagged forms. In reality, of course, what we’re looking at is far more prosaic: rows of rusty rivets or bolts on a weathered surface. Yet, the camera has transformed the mundane into the dramatic. The composition is built on strong linear perspective. The rivets march away from the viewer, converging toward a vanishing point that lies just outside the frame’s blurred horizon. This forced depth, amplified by a shallow depth of field, isolates the tactile detail of the…

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    Andrea Monti

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    Fisherman’s Friend

    January 10, 2014

    Romeo’s Hideout

    December 16, 2015

    Yin and Yang

    November 26, 2013
  • Beach&Shores,  Colour,  Daily photo,  People,  Winter

    Pensive

    February 26, 2021 /

    Manual focus needs practice. This photo would have been better if I framed also the top of the cabin and focused better the person.

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    Andrea Monti

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    Abstract

    May 9, 2023

    5 frames with the (much awaited) Ferrania P33, a Nikon F3 and a Nikkor 50 F2

    April 30, 2024

    Strolling in Stockholm

    July 4, 2016
  • Colour,  Daily photo,  People,  Streets&Squares,  Technique,  Winter

    A Skater

    February 23, 2021 /

    Framing the whole statue would have made this photo better. The mistake was caused by the necessity to shoot fast, the lens’ field of view and the distance between the subject and the focal plane.

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    Andrea Monti

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    Fast Drivers in Via del Tritone

    October 31, 2019

    Wasubot. A Stiff Organ Player@Tsukuba

    June 21, 2018

    Unattainable 1:1 magnification with the JJC FDA S-1 and Micro Nikkor 60 2,8

    January 29, 2023
  • Bridges,  Colour,  Daily photo,  Winter

    A Droplet

    February 21, 2021 /

    Sometimes the most unassuming subjects hold the greatest visual intrigue. A Droplet invites us to pause before a corroded pipe, its mouth fringed with moss and decay, and notice the minute beads of water suspended in time. The scene is humble, even neglected, yet it carries a quiet dignity — a testament to the slow, unrelenting processes of nature reclaiming the man-made. From a compositional standpoint, the photographer has made the astute decision to centre the pipe, drawing the eye directly to the mossy rim and the droplets. The shallow depth of field isolates the subject from the textured wall behind it, giving the image a pleasing three-dimensionality. The fine…

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    Andrea Monti

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    On Photography and Self-Delusion

    September 4, 2022

    Norwegian Suits

    October 15, 2014

    High Heels Ghost

    August 20, 2013
  • Colour,  Daily photo,  Gear,  Winter

    A Rudder

    February 19, 2021 /

    Pentax K-1/smc Pentax-A 135/2,8

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    Andrea Monti

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    Pipeline

    February 13, 2014

    A Grocery Store in Rome

    November 5, 2014

    The Kiev 60 and a fix for the frame spacing issue

    October 8, 2023
  • Colour,  Daily photo,  Visual,  Winter

    A Mesh

    February 16, 2021 /

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    Andrea Monti

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    Fast Roping

    October 21, 2021

    WTF Are They Looking At?

    May 7, 2014

    The Last Journey Of An Hero of Italian Motoring

    March 7, 2021
  • Colour,  Daily photo,  Fountains,  Visual,  Winter

    An Essay on Composition

    February 14, 2021 /

    This photograph began with geometry, but it ended up being about contradiction. Sand, marble, sea—each a distinct texture, each performing under different rules. It’s not a landscape and it’s not abstract, but it borrows from both. The diagonal lines, the flattened depth, the conflict between order and erosion—all deliberate, but not staged. I rotated the frame on purpose. The eye expects a horizon, some gravitational anchor, but here that’s denied. The marble slabs—cold, precise, quarried and arranged—seem to float or fall, depending on how you orient yourself. The band of sand running diagonally across the frame interrupts their perfection with a tactile, natural disorder: dunes formed by wind, not by…

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    Andrea Monti

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    And Justice For All

    May 15, 2015

    Suspicious

    September 8, 2013

    Using a 1960 Leica Elmarit 90/2,8 on a Fuji X-T3

    April 5, 2021
  • Colour,  Daily photo,  Gear,  Summer,  Thoughts

    Pentax SMC-A 50/1,7 – Nikkor 50/1,4 – Summicron 50/2

    February 9, 2021 /

    The left slice is taken with a Pentax K-1 and SMC-A 50/1,7, the centre with a Nikon D750 and a Nikkor 50/1,4, the right with a Fujifilm X-T3 and a Summicron 50/2. All the cameras were at their base ISO (100 for the Pentax and Nikon, 160 with the Fujifilm), at F2 and aperture priority. The K-1 and the X-T3 photos were shot in manual focus. Only the K-1 has IBIS stabilization. The jpg is taken in Affinity by slicing each OOC RAW file without post-processing.

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    Andrea Monti

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    A Fisherman

    December 25, 2014

    Watching the Eiffel Tower

    October 14, 2013

    Floating

    October 7, 2023
  • Colour,  Daily photo,  Winter

    A Lockheed C-130 Hercules

    January 31, 2021 /

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    Andrea Monti

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    Final Arrangements Before the Hearing

    April 19, 2015

    Pensive

    February 26, 2021

    Inside the Nazario Sauro

    August 10, 2014
  • Colour,  Daily photo,  Kite Surf,  Seasons,  Sport,  Technique,  Winter

    Kite Surfer Under Duress

    January 29, 2021 /

    The wind was already rising when I reached the beach. Grey sky, hard light, the kind of day most people read from behind a window. But the kitesurfers were already out—lines taut, boards skipping through the chop. What always strikes me about this scene isn’t just the colour of the kites against a flat sky, or the sharp angles they carve into the wind—it’s the resolve. They know what they’re getting into. The cold. The salt in their eyes. The bruises. And they do it anyway. Because this is when it’s real. That’s what drew me to raise the camera. The same drive, maybe. You don’t wait for golden hour.…

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    Andrea Monti

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    Processing DSLR-digitized film with and without Pentax K-1 Monochrome Custom Image profile

    April 30, 2023

    Where Did I Left My Car?

    April 2, 2015

    Sting of the Vespa

    March 7, 2025
  • Artists,  Colour,  Daily photo,  Streets&Squares,  Winter

    Busker and Covid-19

    January 26, 2021 /

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    Andrea Monti

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    5 frames with a Kiev 60, a Volna 80/2,8 and a Ferrania Orto

    June 28, 2024

    How to Shoot Handball Matches

    April 14, 2024

    Fireworks on Film

    January 19, 2013
  • Colour,  Daily photo,  Gear,  Thoughts

    Galaxy S21 Ultra 5g. The difference between Marketing and Reality in Image Quality

    January 24, 2021 /

    To put it short, this is what you get by purchasing a Galaxy S21 Ultra 5g using the standard camera app: access to all four lenses is limited to jpg, 108megapixel resolution is limited to one lens (the one Samsung calls ‘wide’ or ‘1x’), RAW format is only availble in ‘PRO’ mode, limited to ‘ultrawide’ (0,6x) and ‘wide’ (1x), with no access to 108megpixel resolution. Samsung advertises the Galaxy S21 Ultra 5g by spinning its 108 megapixel camera. However, it does not make clear that the 108 megapixel resolution is not available in “PRO” mode, the only that records in raw. By contrast, this super resolution is available in normal…

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    Andrea Monti

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    Through the Fog

    January 5, 2014

    Walking Table in via Cornaggia

    March 22, 2014

    Old Rolls, Immortal Style

    August 12, 2019
  • Colour,  Daily photo,  Photography

    A Fix for the Wikipedia Photos’ Copyright Scams?

    December 19, 2020 /

    As reported by Petapixel, a new form of copyright (better, ‘moral rights of author) scam hits photographer: the credit stealing on Wikipedia. In a nutshell, as everything on Wikipedia is editable, somebody started changing the photos’ ownership information from the original author to somebody else who, as Petapixel writes, get a series of ‘benefit’. As bad as it sounds, copyright protection on the Internet is a lost battle for an individual. Some services like Unsplash “turned the problem into an opportunity”. However it did not solve the issue in general terms. I’m seriously considering if just going back to a print-only sharing is a better way to handle pictures’ copyright,…

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    Andrea Monti

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    Shopping in Bruxelles

    December 20, 2013

    Kristina Miller live@Teatro Marrucino

    February 21, 2022

    A ‘Trabocco’ on the Adriatic Sea

    April 20, 2021
  • Actors,  B&W,  Daily photo,  Gear,  PhotoCritics,  Portraits,  Technique,  Winter

    Easy To Shoot?

    December 12, 2020 /

    This picture might look “ordinary” but for the fact that I shot it with a rangefinder film camera (guess which?) during the scene change between to acts of a theatre play. Scene assistants were placing the furnitures, actors were trying to focus on their parts, there was no time (and place) to design a proper composition and set the camera. No autofocus, no real-time exposure and white-balance setting. Maybe I have been lucky capturing the match flame close to the cigar, maybe it was because of “muscle memory”, but I did it nonetheless. Problem is that I could not be sure if I succeeded until, one week later, I saw…

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    Andrea Monti

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    Coats

    March 19, 2023

    The Financial Times at Night

    October 1, 2016

    ChitChat in a sunny day

    January 4, 2013
  • Bookstores,  Colour,  Daily photo,  Tokyo

    Tsutaya Bookstore@Ginza

    December 6, 2020 /

    Photographed inside the Tsutaya Bookstore in Ginza, Tokyo, this image celebrates the bookstore as a curated stage, where books are not simply stored but presented as artefacts. The frame is dense yet controlled, offering layer upon layer of shelves, display tables, and oversized art books. The eye is immediately drawn to the centre, where a large black-and-white wildlife photograph dominates—its scale and high contrast making it the de facto anchor of the composition. CompositionThe photographer has worked with a classic layered approach. Foreground tables angle toward the viewer, drawing them deeper into the mid-ground where the hero book sits open, and then further into the background shelves which fill the…

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    Andrea Monti

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    Accidental Precision

    February 12, 2016

    A

    March 30, 2014

    A Couple of Windows

    January 5, 2018
  • Bookstores,  Colour,  Daily photo,  Kyoto,  Summer

    Dai Shodo@Kyoto

    December 2, 2020 /

    Kyoto ‘s Teramachi-dori is full of suprises. Amidst shops of the most different kind and attire, booklovers can find this small gem. This is Dai-Shodo, a quiet print shop tucked into a narrow Kyoto street. I stepped inside on a grey afternoon with no particular plan. The light was soft, filtered through old windows and the hushed presence of paper. Everything in the shop seemed to lean inwards—frames, shelves, stairs—as if holding its breath in reverence. What struck me most wasn’t the prints themselves, but how they were displayed. Ukiyo-e woodblocks and vintage ephemera layered on every surface, propped rather than hung, as if caught mid-conversation. The stairway invited you up…

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    Andrea Monti

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    Windows XVIII … Century

    February 27, 2014

    One Shot Story: (Un)Available Coin Lockers at Shin Osaka Station

    December 22, 2024

    The Eye

    April 25, 2014
  • Actors,  Artists,  Colour,  Daily photo,  Reportage,  Winter

    Il barbiere di Siviglia – Don Bartolo mad at Rosina

    November 28, 2020 /

    A shot from the mise en scene of the Il Barbiere di Siviglia I did as a scene-photgrapher for the Teatro Marrucino

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    Andrea Monti

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    @ Mediterranean Beach Games 2015 – Italian Female Rowing Team

    October 25, 2015

    Avvocati. A New Book

    October 11, 2015

    A Fashion Shop in Milan

    January 21, 2014
  • Colour,  Daily photo,  Docks,  Exhibitions

    Inside the Nazario Sauro

    November 26, 2020 /

    An important piece of history of the Italian Navy, at the anchor in the Port of Genova.

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    Andrea Monti

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    National Road Running Championships 2023 – Portraits

    June 28, 2024

    Seats

    September 11, 2017

    Bycicle Ride

    August 28, 2013
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