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A Fujifilm X-E1 Annoyance
The X-E1 is a good camera, though has some annoyances that make it less handy for Street Photography. Contrary to Leica, (some) Zeiss or (some) Nikon lenses, zone-focusing is not set on the lens barrel. You must do it either through the viewfinder or the LCD, and this makes problematic the switch from one technique to another. Same is true for aperture settings. Operating the camera one-handed, happened twice to me, led to a change of the image quality settings from RAW to Jpg. Unfortunately I wasn’t aware while shooting and I’ve wasted half a day in Barcelona getting inferior quality pictures.
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Same Seats, Different Lifes
They’re close, but never been so distant
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The Bodyguard
While she checks the map, somebody else cares about safety…
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Too Busy to Enjoy the Life…
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Flashes’ Lost Powersuits
Hey, where did The Flash and Kid Flashleave their powersuits?
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Quality Check
Books are maybe the only good you can actually try before you buy. p.s. ETTR is harder than I thought without liveview or an EVF…
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Mario Asks for it!
The political campaign for the European election is started. This is one of the posters showing the Democratic Party (PD) strategy: fooling the voters into thinking that PD cares about what its constituencies have to say…
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Street-Photographer’s eye side effect
Seeing the world through the Street-Photographer’s eye makes you more aware of your surroundings both at a conscious and unconscious, Zen-like, level. A side-effect of this state is that you can exploit-it for personal safety when traveling in risky places, like big stations where pickpockets are doing their tricks.
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Traffic Jam in Bruxelles
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Parisian’s Bags
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Perfect Strangers
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A Roller Coaster… A Kind Of
It’s not a ride. But it feels like one. Shot with an ultra-wide lens, this pedestrian bridge bends and twists like it’s unsure whether it’s architecture or attraction. The metal curves upward, forward, out of the frame—pulling your eye (and your balance) with it. Perspective doesn’t just stretch here—it spirals. Geometry gets theatrical. At the top of the climb, a small group walks calmly, as if unaware they’re part of the illusion. No one is rushing. One wears yellow, another carries a bag—ordinary people on a not-so-ordinary structure. The Adriatic glints below, a boat docked quietly at the base. It could be a coastal scene from anywhere in Italy, but…
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Lamp
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Skating on Avenue Louise
The architecture of Avenue Louise is built to impress — symmetrical, imposing, wrapped in glass and concrete. It speaks the language of power, efficiency, and institutional gravitas. Yet here, cutting across the uniformity of its grid, a lone skateboarder defies gravity and symmetry alike. In mid-air, suspended between takeoff and landing, the young skater rewrites the function of space. This plaza wasn’t designed for movement like his — spontaneous, raw, unruly — yet it hosts it with unexpected grace. The stark concrete façade becomes a backdrop, not a boundary. This is the city as canvas, the act of skating as resistance and reinterpretation. While others walk briskly from meeting to…
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Hanging Heart at via Olmetto
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Hanging Towels
This is what happens when coupling a summicron 50 (third gen) with a Fujifilm X-1.
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Off-Duty Eurocrats in Bruxelles
Late afternoon at the European Parliament. The Eurocrats – now off-duty – come back to their human form.
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Tour Saint-Jacques, Standby
Paris, the city of light, reflects off the polished chrome helmets of the sapeurs-pompiers. The firemen stand poised, immobile but ready. Their posture does not betray fatigue, nor doubt—it’s the stance of trained patience, of focused anticipation. This image captures a moment between action and calm. The fire hoses lie coiled with potential energy, valves shut, mechanisms still untouched. Behind them, the urban rhythm carries on: buses glide, pedestrians move, the sirens wait. The presence of the firefighters, framed by the bustle of Haussmannian façades and traffic, signals that something mighthave happened—or almost did. The mirrored helmets become metaphors themselves. They do not just shield: they reflect the world around them. Their function is…
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Late for Lunch
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Breakfast at Rue Brisemiche
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Mid-Morning Break at Place Jourdan
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Early Leave at Bruxelles-Midi
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Walking Table in via Cornaggia
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Hard Choice In Quai de la Corse