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The Expired Film Series – Episode 4 – Ferrania Solaris 100 – Dec. 2006 shot in August 2023
This is the fourth episode in a series documenting the use of expired film in various contexts. Episode 4 features a Ferrania Solaris 100 shot with a Voigtländer Vitoret DR and a Color Lanthar 50/2,8 in the vicinity of the sea of the city of Pescara (Abruzzi) .The film was overexposed by one stop as it is customary with expired film to allow more light to impress it.The results are just subpar, however the pictures have some sort of ‘individual’ trait.
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Red Moon at the end of August
Shot handheld (no tripod) with an X-T5 and a Fuji XF 150-600. Image stabilisation worked very well.
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HeadButt
Sometimes the difference between a pleasant result and just a plain wrong, missed photo may be challenging to tell.I took this picture years ago, during an MMA fight and, to be honest, I can not even remember framing and setting the camera accordingly for this shot. In other words, it happened almost by accident.The outcome is blurry and shaky, however, the overall result has a ‘painterly’ feel, almost like an ink sketch.
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Coffee at Caffè Nero
On the technical side, this photo was a test of the X-T5 capability to handle scenes with both strong highlights and shadows without increasing the standard dynamic range. As per the quality, despite the similarity of the name, definitely no, it has nothing ado with the ‘Nero’ one can taste in Trieste which —unbeknownst to many — is the Italian capital of coffee.
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A Maserati GranTurismo
Another piece of Italy in Boston…
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A Ferrari 812 GTS in Boston
Amid the urban thrum of a bustling boulevard in Boston, a Ferrari 812 GTS rests with theatrical poise, like a tenor waiting for the curtain to rise. Its rosso corsa bodywork catches the sun like a blade, slicing through the cluttered backdrop of imitation, of diluted Italian flair printed onto shirts, menus, slogans. But here—here is the real thing. This image captures more than automotive power. It embodies the burden and brilliance of authenticity in a world obsessed with mimicry. The Ferrari’s uncompromising lines, forged in Maranello, don’t shout. They assert. In contrast to the busy street and distracted passers-by, the car is still, composed, sovereign. It doesn’t need motion…
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Justice measured as the distance between Words and Facts
This photo, in itself, is nothing special. Bur it carries an implicit message about law and rights: the level of democracy in a country is measured by the distance between bold statements and the daily courtroom’s reality.
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A Cornhole Board – Independence Day Edition
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Elishéva live@Faneuil Hall
Boston is an incredibly vibrant city and hosts many live events in theatres and outdoor venues. At Boston’s Faneuil Hall, I took some pictures of Elishéva, a soulful jazz singer, while she was rehearsing.
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Tesla Coils@Boston Science Museum
Not a great photo, taken on the fly at Boston’s Science Museum. Nevertheless, Tesla Coils hold a special place in the hearts of early Command & Conquer players, so I had to take it.
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Helios 40-2 85/1,5 and Fuji X-T5: a sample
This is an early attempt at using an M42 mount Helios 40-2 85/1,5 coupled with a Fuji X-T5. The lens is not tack-sharp and the APS-C equivalent field of view is around 127mm, therefore the bokeh effect becomes less evident. The results, however, are pleasaning.
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FUJIFILM X-T5 RAF have problems with Affinity Photo 2.1
As this video shows, when opened in Affinity Photo 2.1, an RAF generated by a Fujifilm X-T5 shows a vertical stripe and a slightly higher resolution. The problem does not occur if the file is pre-processed with Iridient Transformer and converted to DNG, or if the file is processed with Pixelmator Pro 3, Lightroom Classic or the latest version of Capture One.
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A pouch for the Fuji XF 150-600
The JJC Deluxe Lens Pouch model 811 fits perfectly with the Fuji XF 150-600 with the handle mounted and the lens hood reversd. It also leaves some room for filters, SD cards or small accessories.
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Niccolò Fabi – Meno Per Meno Tour 2023 – Live@Teatro Massimo, Pescara
Covering Niccolò Fabi’s concert for Rockol, gave me the opportunity to test an X-T4 with an XF 150-600. The image quality is on a par with the X-T3. This was to be expected. However, I have some reservations about the autofocus. The lens also needs to be examined in more detail before I can form an informed opinion.
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Another experiment, now with a Kodak Portra 400
This is a DSLR scan of an old Kodak Portra 400 roll of film shot during a 2015 concert by John De Leo Grande Abarasse. The editing with Affinity Photo was quite challenging, however, the result is a fair rendition of the film aesthetic.
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Moonshot with a handheld Fuji XF150-600 and a Fuji X-T3
This picture is taken, handheld, with the following parameters: Focal Lenght 600mm, Aperture F/8, ISO 6400, Exposure 1/300s. Even if shot with a Fuji X-T3 (that has no In-Body Stabilisation) the resulting image is very good.
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Editing a photo taken with a Carl Zeiss Jena 135/4 Sonnar and a Fuji X-T3
A vintage Carl Zeiss Jena 135/4 Sonnar whose RF mount has been replaced with a Fuji X mount by Adriano Lolli (https://www.adrianololli.com).Coupled with a Fuji X-T3, it delivers pleasant results. Post production is highly subjective, so the final outcome might no be ‘acceptable’ to some taste. Still, the lens is very good.
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A sample of the Carl Zeiss Jena 135/F4 Sonnar and a Fuji X-T3
This photo was taken with an old Carl Zeiss Jena 135/4 Sonnar whose Contax RF mount was replaced by a Fuji X mount by Master Adriano Lolli.
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Floating
The Panasonic TZ100 is a very good travel camera. Its one-inch sensor allows a fair balance between performance and portability. Being slightly bigger of trendy smartphones, this camera delivers a way more better results.
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Pixelmator Pro Debanding and Electronic Shutter
Pixelmator Pro Deband feature does not work on banding caused by the well known electronic shutter lag. The Deband feature has not been advertised as working also with ES-induced banding, so the fact that it can not handle it is not a bug. However, this limit seriously reduces the appeal of the new feature. I have flagged the issue to Pixelmator Pro Support: currently, they are out of work, but eventually, they should get back to me with some news. Good news, hopefully.
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Ten Years Ago
Exactly ten years ago I started my career as a photograper.
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Fisherman’s Fatigue
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Daniele Silvestri – Teatri 2022 – Live@Teatro Massimo, Pescara
This is the Daniele Silvestri’s Teatri 2022 coverage I did on behalf of Rockol.it using good old Nikons (a D610 with the Sigma 150-600 contemporary and a D750 with a Nikkor 24-120). As a matter of personal taste, I still like a reflex more than a mirrorless camera. The possibility offered by the latter to shoot in total silence with the Electronic Shutter is invaluable in specific contexts such as classical concerts or theatrical plays, nowthistanding the downfalls (banding and distorted images). However (and, once again, this is a matter of personal opinion), a reflex still allow a better connection with the environment at least thanks to the optical viewfinder.…
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Norina shouts at Don Pasquale
This picture is part of the reportage I did for Gaetano Donizetti’s Don Pasquale, featured on December 11, 2022, at Teatro Marrucino. It has been the chance to experiment a few tricks to avoid the banding effect caused by the LED pulse frequency and the sensor’s delay in EFC is used. I chose to go for time rather than aperture priority mode. I also set the shutter speed at 1/50, as suggested in many forums, and the trick worked. In some cases, banding was still present, but it was insignificant. I also tried to shoot in full manual (leaving only the focus in auto.) Some pictures ended up overexposed, and…
