-
A Sad Violinist
-
A Pensive Nun
-
Three Shadows
-
The Sorcerer’s Shop
-
Even
-
Frames for Sale at Via Margutta
-
Hard Stare
Bad day, or much too bright the sunlight? 付いてない日 又は あまりにも多くの日光
-
What Could I Do?
Don’t be afraid to do a mistake, but fear its consequences… 失敗を恐れていません でも 結果を恐れて
-
As Deep As The Ocean
Sometimes the bag of a woman is as deep as the ocean. 時々女性のバッグ 海のように深いです
-
Gigi Cifarelli Guitar Solo (feat. Michele Di Toro) – Live@Florian Espace Pescara
This the reportage I did on behalf of Rockol.it with a Canon 5d Mk III and the venerable Canon EF 70-200/2,8. The theater was small and few were the angles to be exploited. Thus I’ve decided to focus on close-ups and american shots.
-
Portrait of a Law Professor (and Free Climber…)
-
Portrait of a Gunsmith
No bravado. No noise. Just focus. This is not a scene from a film. It’s a portrait of a gunsmith — hands steady, brow drawn in close. The room is small, functional, the shelves stacked. There’s no display of violence here. No suggestion of power. Only the patient act of tuning metal into balance. He’s wearing gloves, not out of fear, but out of respect — for the tool, for the work, for the ritual. The gun isn’t loaded. It isn’t posed. It’s an object in process. A mechanism being read, understood, maintained. I took this photo in near silence. The only sound was the faint click of a slide…
-
An Old Boxing Gym
-
Last Puff Before the Ride
-
Busy
-
Earbuds
-
A Vessel
-
Romeo’s Hideout
-
Traffic Jam in Rome
-
The Coffin
-
The Last Barrell
-
Seeing What Isn’t There
There’s no I Ching here. No coins. No symbols. No prophecy. And yet. This photo isn’t about what’s captured by the lens — it’s about what the mind decides is there. Three indistinct shadows above. Two sets of parallel lines below. That’s all. And yet, somewhere between them, something ancient is conjured. A trigram. A casting. A flipped coin in mid-air. Logic says: it’s a vent and the shadows of round objects on a backlit surface. But vision isn’t logic. It’s memory, pattern, story — all stitched together before you’re even aware you’re looking. Photography is often obsessed with truth. With freezing the real. But sometimes the most compelling images…
-
Ray-Ban in Milan
It’s not just about what sits on the roof—it’s about what it says without blinking. Shot in the heart of Milan, this image captures a building that has seen eras come and go, crowned by a brand that has spent decades convincing the world to look cool while blocking out the light. The lettering floats above the stone like graffiti gentrified by permanence. I framed the photo dead-on, as if to let the architecture and the logo negotiate their own contrast. The façade is neoclassical, orderly, almost too proud to wear an ad. But there it is—Ray-Ban—scribbled in neon above cornices and keystones, as defiant as it is inevitable. Black…
-
Shaken
