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What lasts after a party…
Bacardi, beer, and a strawberry.
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Hands of a drummer
… namely, Horacio “El Negro” Hernandez.
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Shade of Berlin
… Jeff, Berlin.
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Knocking on lion’s door
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Meeting on the board
Meeting on the board, waiting for the next passenger to arrive.
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Still together
After a lifetime, Still together, like the very first day.
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The missing guest
Everything is ready to start the party, but a missing place suggest that they still have to wait…
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A future to tell
Quietly waiting, years after years, for somebody eager to know his own fate.
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Photography and the dangers of ethics
Starting from my usual visit at Yanick Delacroix website, yanidel.net, and Eric Kim blog link after link, I’ve stumbled upon a post by Joerg Colberg discussing the always-hot topic of ethics vs law in (street-)photography. The usual way to handle this problem is by expressing it in terms of “freedom-of-expression-vs-personal-privacy” and by raising questions like “would you have shot this picture?”, “how do you feel photographing homelesses, bums and freaks?”, “Is this photo ethical?” and invariably concluding without giving a clear (though non necessary correct) answer. So, for what it worth, here are my two pence. To put it short, the Colberg (proposed) Doctrine says (verbatim quotation) it might be…
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Foto-Grafo admitted to the Persol Reflex Edition contest
This photo has been accepted for the Persol Reflex Edition contest. I usually don’t like to participate in this kind of initiatives, but the appeal of the possibility to win a Leica M-E was too compelling!
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Late-afternoon’s snack
…who knows what will be served for dinner?
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The worst moment
… to fix a shoe’s problem
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An old-style ATM
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Who said that you need an Ipad
… to enjoy the waiting in the airport?
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Who is the mannequin?
… not sure.
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The Urban Chase
Not all of the urban chases, involve a couple of Alfa 159 trying to catch an Aston Martin
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So what?
Did I meet you before?
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A young Iron Maiden fan
He might never have seen them, but who cares? Metal is immortal…
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A stupid quarrell
This photo raised strong criticism in the mainstream media. A soldier deployed in an operational theater (war, in other words) wears a balaclava with the image of his all-day companion: the death. Apart the fact that the image is a skull and not the Death (whose iconography is fairly more articulated and complex) the question is: why should this photo matters? All the combatants, of all times, of all places in the world know best the value of inducing fear into the enemies’ minds by way of “icons” (armors, masks) and sounds (shouts, drums.) And, in parallel, every soldier must find his own way to handle the unbearable fear of…
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Thirthy years behind…
I took these two shots unbeknownst of the work of Luigi Ghirri and Mimmo Jodice. These photo cannot be at all compared with those from the two masters, nevertheless what amazed me is the similarity of the compositions between what I did and those of Ghirri and Jodice. It seems that I’m into a path already explored since some thirty years or so. Now the challenge is how long will it takes to evolve into a contemporary (and, possibly, original) style.
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As much as you’re far from home…
there will always be somebody who are more.
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When the day is gone
… there are plenty of ways to still make a newspaper useful.
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Forgotten bike
in a forgotten house.
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High-Tech Elder Care Tool
Rotten chairs for rotten people?
