Actors
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Pino Ammendola – L’ultima notte di Bonfiglio Liborio@Teatro Marrucino
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Alessandro Blasioli – L’ultima notte di Bonfiglio Liborio@Teatro Marrucino
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Ugo Pagliai – Romeo e Giulietta@Teatro Marrucino
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Leo Gullotta – Bartleby lo scrivano@Teatro Marrucino
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Giorgio Pasotti – Racconti disumani@Teatro Marrucino
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Easy To Shoot?
This picture might look “ordinary” but for the fact that I shot it with a rangefinder film camera (guess which?) during the scene change between to acts of a theatre play. Scene assistants were placing the furnitures, actors were trying to focus on their parts, there was no time (and place) to design a proper composition and set the camera. No autofocus, no real-time exposure and white-balance setting. Maybe I have been lucky capturing the match flame close to the cigar, maybe it was because of “muscle memory”, but I did it nonetheless. Problem is that I could not be sure if I succeeded until, one week later, I saw…
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Il barbiere di Siviglia – Don Bartolo mad at Rosina
A shot from the mise en scene of the Il Barbiere di Siviglia I did as a scene-photgrapher for the Teatro Marrucino
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Meaning in Photography
In this picture, taken during the reportage I did for the Teatro Marrucino’s I Miserabili, an old and exhausted fighter rests while a young citoyen waves the French flag defying the fire of the royalists. The strength of the picture is in the dialectics created by the two protagonists, hinting at a “relay” between an old man that “gave all”, resting while a young man steps in.
