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  • Daily Video,  Marketing,  Reportage,  Technique,  Winter

    We Make Cars, Not Videogames – An independent proof-of-concept in AI-made advertising

    February 21, 2026 /

    This video is a proof-of-concept for a short advertising campaign entirely designed and realised with an AI service. A bona fide brand, Alfa Romeo, was chosen to ascertaining the performance of the AI in a real-life scenario.

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    Andrea Monti

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    A Bridge

    September 22, 2019

    God Save the Queen!

    September 6, 2014

    The Driver

    August 8, 2015
  • Autumn,  B&W,  Boulevards,  Daily photo,  Marketing,  Rome,  Seasons,  Urban Landscape

    Iphone 15 Billboard in Via XX Settembre

    February 14, 2024 /

    This is an attempt to exploit the limitations of an orthocromatic film. Shadows and highlights were deliberately pushed, as was the contrast. This isn’t about the billboard. Not really. Yes, there’s a giant child smiling over Rome, her face stretched across several metres of vinyl, captured “with an iPhone 15,” if we’re to believe the tagline. She’s luminous, playful, part of a campaign you’ve probably already seen before you’ve even looked at it. But the photograph is something else. This was shot on orthocromatic film—intentionally. Shadows are carved in deeper than they should be. Highlights flare and collapse detail. The tonal scale isn’t flattering, and it isn’t faithful. It’s limited.…

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    Andrea Monti

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    Under the Arc of the Seine

    June 9, 2015

    Fishermen in Rome, Again

    November 5, 2013

    Over There!

    May 29, 2022
  • Colour,  Daily photo,  Marketing,  Nagoya,  Reportage,  Travels

    Nagoya’s reportage featured in The Good Life

    October 29, 2020 /

    The Good Life‘s October issue features my photoreportage of Nagoya.

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    Andrea Monti

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    A chat on a lake shore

    May 6, 2013

    Belgian Hats

    October 19, 2015

    A Couch in the Yard

    November 18, 2013
  • Colour,  Daily photo,  Marketing,  Restaurants&Bar

    A Great Marketing Stunt

    May 27, 2014 /

    Until June 1998 the Italian telephone system didn’t require to dial-in a prefix to place a local call, but this banner still lasts as nothing have changed. A great way to tell people that “we were there before…”

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    Andrea Monti

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    Portrait of a Judo Master

    November 14, 2013

    Carl Zeiss T* 50 1,5 Sonnar and EOS EF-M 18-55

    August 4, 2013

    The Arson

    February 21, 2014
  • Colour,  Daily photo,  Marketing,  Photography

    Who wants to live forever?

    June 15, 2013 /

    I found this sign in a narrow alley in southern Italy, somewhere between a forgotten tabaccheria and a shuttered photo lab. The kind of place where time no longer hurries. “Kodak films in vendita qui” it proclaims—still, stubbornly, as if refusing to accept the world has moved on. The once-bold red letters are now softened by decades of sun, rain, and indifference. The plastic casings holding each letter—cracked, leaning, imperfect—speak more truth than any marketing slogan ever could. It’s a ghost sign, still selling hope in an age when its promise has nearly vanished. This isn’t just a relic of analogue photography—it’s a whisper of what we thought would last…

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    Andrea Monti

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    An Altar for the Propaganda Machine

    November 17, 2013

    Labour Spilling Into Transit Time

    December 30, 2025

    What Lasts of Last Summer

    May 30, 2013
  • Colour,  Daily photo,  Marketing,  Shops,  Spring

    Hard Spam

    April 1, 2013 /

    Sometimes spam doesn’t hide in your inbox. It glows in a pharmacy window. Shot on a quiet evening walk, this storefront display in Rome—or somewhere very much like it—caught my attention with the subtlety of a neon bullhorn. A perfectly literal interpretation of hard advertising: Viagra, Levitra, Cialis. Bold red font, urgent discounts, official decree cited. Street-level pharma meets street-level comedy. The scene is absurdly human. Framed by a closed shutter and a lonely Gaviscon box, the paper sign is taped like a last-minute school notice, but the message is anything but shy. There’s no algorithm, no clickbait. Just unapologetic, front-facing capital letters offering a prescription-strength punchline. It’s spam—but analogue. No filters,…

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    Andrea Monti

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    Outside the Nobel Museum

    June 30, 2016

    Fantozzi’s chairs

    May 4, 2013

    Late for Lunch

    March 26, 2014

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