Observer Bias
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Light as Meaning Shifter
The original idea behind this picture was to match the emptiness of the shop with the facelessness of the mannequin posing as a store clerk, to convey a general feeling of depersonalization. Unfortunately, the big lightblot represented by the poster close to the mannequin catches the observer’s attention and reduce the effectiveness of the composition. Instead of connecting the mannequin with the internal part of the store thus making sense of the whole picture, the eye just “sees” an ad poster.
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Keep Out!
This photo conveys a message of “rejection”: first, a security guard who blocks access to the jewellery and then a signal of a prohibition of access reinforces the concept, thanks to a composition that guides the eye to a diagonal that goes from the bottom to the top, from left to right. Obviously, there is nothing “true” about all this because the overall result is the result of the organization of the spaces and the management of the perspective that allow connecting semantically elements that, in reality, have no relationship between them. It would have been enough to shoot from a different angle – or not juxtapose the security guard…
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Not A Rorschach Inkblot
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A Dragon Trainer?
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Red Wine Makes Good Blood…
When it comes to food, Italians aren’t short of reasons to sit and eat!
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The Eye
Another example of the constant brain’s meaning quest in the things the eye sees.
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On the Edge of the World
Still experimenting with a 1973-made Nikkor 16mm F/3,5 Fish-Eye.
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Bent
What’s wrong with this photo? Right, that’s one of the zillion’s, ubiquitous, boring rural landscape pictures. There is something, nevertheless, odd: panning from right to left everything starts bending. The foreground tree is vertical so is the red house, but when the road starts bending, the whole horizon does… The effect is achieved with no digital doctoring, just with a fish-eye (Nikon 16mm F/3,5) and a mindful composition.
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Brain vs Camera
The picture on the left is what the camera saw. The picture on the right is what I had in mind while shooting. Thanks to Photoshop I’ve been able to bend the “objectivity” of the camera along the line of my creativity.
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Rollercoaster (kind of)
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Lamp
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Ni
Just a couple of broken woods, or the Katakana symbok for “Ni”?
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Multiple Meaning
We do see, in a picture, what we want to see. While the vast majority would focus on the dynamics between the shooter with the hoodie and the man with spectacles, those familiar with the inner circle of photography in Pescara will immediately spot, behind the man, Mrs. Franca Cauti, the Big Boss at Ohmasa Foto Video…
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When The Passion Is Gone (thank to a sneaky photographer)
The close-up delivers a feeling of hot passion, as often tangueros do. But a wider view, including that sneaky photographer, kills the mood.
