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Al Di Meola, Peo Alfonsi, Sergio Martinez – Live @ Teatro della Villa Comunale – Roseto degli Abruzzi
Last night I “covered” the Abruzzo leg of Al Di Meola’s tour, where he performed in a trio with Peo Alfonsi (second guitar) and Sergio Martinez (percussion). As a musician, I wore out the vinyl records of his albums through sheer use, and I later met him over twenty years ago when I acted as his interpreter during a tour with Chris Carrington and Arto Tunçboyacıyan—the World Sinfonia Tour, which marked his acoustic turn after epic electric albums such as Elegant Gypsy, Casino, and Electric Rendezvous. Work aside, it was a pleasure to see him again and exchange a few words, even if, understandably, he couldn’t remember anything about that past meeting. The gallery…
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Inside a Master Luthier’s Workshop
Craftsmanship is fascinating. It’s almost magical how we can see things in our head and make them happen. This is true for every bit of wisdom that humans have come up with, but musical instruments – and guitars, in particular – are among the best examples of this skill. There’s nothing more unnecessary than music and musical instruments, but we —well, at least many of us— can’t live without them. So, it comes naturally to those who enjoy an active relationship with music to begin learning how to play an instrument and, therefore, to become familiar with the technical side of the story. This is why, sooner than later, one…
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On Tips’n Tricks to ‘take you photos to the next level’
I recently asked a friend, who works on the editorial side of the music industry, to share his thoughts on one of my photographs taken during a flamenco concert. His response was a deep and thorough analysis, which I will spare the readers in full. In brief, however, he praised the lighting as particularly effective for flamenco photography, noting how the chiaroscuro effect recalls the classical paintings of Caravaggio. Regarding the composition, he observed that the bailaora’s body fills the frame dynamically, without ever feeling cramped. In his conclusion, he remarked that the image captures the very soul of flamenco. As flattering as this commentary was, I must admit that none…
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Kristina Miller live@Teatro Marrucino
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Portrait of a Fin Swimmer
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Easy To Shoot?
This picture might look “ordinary” but for the fact that I shot it with a rangefinder film camera (guess which?) during the scene change between to acts of a theatre play. Scene assistants were placing the furnitures, actors were trying to focus on their parts, there was no time (and place) to design a proper composition and set the camera. No autofocus, no real-time exposure and white-balance setting. Maybe I have been lucky capturing the match flame close to the cigar, maybe it was because of “muscle memory”, but I did it nonetheless. Problem is that I could not be sure if I succeeded until, one week later, I saw…
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The Power of Underexposing
Properly mastering underexposure helps to obtain pleasant results in challenging light conditions. I took this picture of a soprano by lowering the camera exposure by two stops, thus preserving skin tones burning, and “fading” the background to black. A proper in-camera under-exposure has the advantage of requiring lesser work in post to toggle clarity, temperature and black point.
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When Heroes Come to Town
The armour clanked softly as he turned. Foam, paint, Velcro, and pride. I took this shot at a cosplay convention. The kind where universes blur together in the corridors and everyone is someone else for a while. He was dressed as Optimus Prime—or something close enough to carry the weight. She stood opposite, painted purple, gold-clad glove raised in mock judgment. Thanos, reimagined with a wink. I shot from behind. It felt right. Not to reveal, but to witness. There’s a kind of reverence in seeing a costume from this angle: the care in the stitching, the scuffs from wear, the illusion holding just enough to be believable—but only to…
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Portrait of a Professional Boxing Fighter. Davide De Lellis
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Marianna D’ama – Live
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A Shooter
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Damned Pidgeons…
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The Glassmaster
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Nick Beggs
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Steve Hackett – Live@Teatro d’Annunzio
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Portrait of a Cosplayer
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The Unresting Lawyer
Standing in Court, no matter what!
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A Different Passion…
If soccer is – to many – a religion, a supporter may well be a martyr. This picture is iconic of the multiple feeling that a team inspires to its fans: love, passion and pain.
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Portrait of a Law Professor (and Free Climber…)
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Portrait of a Gunsmith
No bravado. No noise. Just focus. This is not a scene from a film. It’s a portrait of a gunsmith — hands steady, brow drawn in close. The room is small, functional, the shelves stacked. There’s no display of violence here. No suggestion of power. Only the patient act of tuning metal into balance. He’s wearing gloves, not out of fear, but out of respect — for the tool, for the work, for the ritual. The gun isn’t loaded. It isn’t posed. It’s an object in process. A mechanism being read, understood, maintained. I took this photo in near silence. The only sound was the faint click of a slide…
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Avvocati. A New Book
I’ve just finished the project I’ve been working in the past months. Lawyers’ human and private face.
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The Man Behind The Croissant
It’s not just a title. It’s a layered truth. He’s literally behind the croissants — arms folded, resting gently on the chilled glass counter, smiling with the quiet confidence of someone who knows exactly what he’s made. But he’s also the one behind them in the deeper sense: the early riser, the flour-dusted craftsman, the keeper of recipes that live more in muscle memory than in ink. The Man Behind the Croissant is a portrait of work and warmth. Of a man whose day starts long before anyone steps into the shop. Who rolls, folds, rests, fills, bakes — not as performance, but as rhythm. There’s no spectacle here. Just trays of pastry…
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Portrait of The Alfa Romeo Guru
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Portrait of a Perinatal Cardiologist
Salvatore Gerboni, MD, is an expert perinatal cardiologist and a great human being.
