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  • Autumn,  B&W,  Daily photo,  Exhibitions,  Photography,  Thoughts,  Tokyo

    On Film Simulation or ‘is fiction more real than reality, and why should we care?’

    July 19, 2025 /

    Simulations have turned an inevitable fact —using the chosen brand and type of film for an entire roll— into an aesthetic tool allowing the selection of the most appropriate image rendition for each single exposure. Using simulations is like having all the different kinds of film in the same roll with all the convenience of digital technology, opening a huge number of creative possibilities. Initially published on 35mmc.com This is what the standard marketing claims for software simulations are based upon, but is that actually so? As a matter of fact, the answer is yes, but if we look at the matter from a different perspective, we should consider some…

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    Andrea Monti

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    Why You Should Only Shoot in Your Backyard (or ‘The Art of Belonging’)

    December 19, 2024

    The Temple of Justice

    February 25, 2017

    5 frames with the (much awaited) Ferrania P33, a Nikon F3 and a Nikkor 50 F2

    April 30, 2024
  • Autumn,  Colour,  Daily photo,  Rome,  Spring,  Tokyo,  Travels

    5 Frames with various cameras – Ferrari On The Road(s)

    February 22, 2025 /

    Sports car photography usually happens in specific settings such as motorshows, official events, race tracks etc., where lights, crowds, fences and limited access to restricted areas are an issue. Doing the same on the street, however, is no less challenging as things happen unpredictably and, unless taking photograph of parked vehicles, there is no time to compose – Initially published on 35mmc.com In this photograph of a Ferrari F8 Tributo, the framing makes the car the focal point, and even though the door on the left adds a bit of visual clutter, it doesn’t detract from the overall result. The following image illustrate the trade-offs of reacting in real time…

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    Andrea Monti

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    A Sailor

    July 28, 2014

    Room 17 – VIXI

    March 27, 2015

    Early Morning’s Cleanup

    July 21, 2013
  • Autumn,  Daily Video,  Docks

    The Expired Film Series – Episode 5 – Kodak Tri X 400 – September 2015 shot in Sept. 2023

    May 8, 2024 /

    This is the fifth episode in a series documenting the use of expired film in various contexts. Episode 5 features a Kodak Tri-x 400 shot with a Yashica Zoomate 105 at the Marina di Pescara. The film was not overexposed, was processed with Darktable’s Negadoctor module and finalised with Pixelmator Pro. The results are not, by far, definitive.

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    Andrea Monti

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    @Rome Maker Faire – 6. A Statue(?)

    October 21, 2014

    Trial Docks Waiting for the Justice to Come

    April 21, 2015

    Priority Pass Lounge at Fiumicino Airport

    November 30, 2015
  • Autumn,  B&W,  Colour,  Daily photo,  Seasons,  Spring,  Summer,  Technique,  Winter

    Yet Another WDISF Post

    May 5, 2024 /

    Yes, this is another ‘why do I shoot film’ post, and no, the answers are not ‘because it slows me down’, ‘because it connects me to the act of taking pictures’, ‘because I love the unique feeling of analogue images’, ‘because the inherent limitations of a film camera inspire creativity’, ‘why not?’ or any of the other common (and perfectly legitimate) reasons usually associated with the question. In addition, the wide range of post-processing options available to make a digital image look like an analogue one, even in terms of film emulsion, satisfies the need to produce an image with the ‘personality’ of a specific film. So, even the idea…

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    Andrea Monti

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    A Couch in the Yard

    November 18, 2013

    Damned Autofocus

    April 20, 2014

    Ramón Jarque, tocaor

    October 29, 2017
  • Artists,  Autumn,  Colour,  Daily photo,  Fighters,  Spring,  Summer,  Technique,  Winter

    Photography and the Importance of a Proper Training

    April 23, 2024 /

    In photography, among the various activities falling under the ‘preparation’ label, training is oftend underevaluated. Just as many newcomers to the world of guns think that buying expensive equipment will make them better shooters, many photographers think that mastering a bunch of exoteric camera settings will be enough to get decent pictures. This is summed up in a common piece of advice to novice shooters (of both guns and cameras): get out there and shoot. Results will just happen. I have nothing against a ‘Zen’ approach to things, based on instinct and intuition, but my Western, Benthamite mind does not allow me to forget that preparation is necessary to achieve…

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    Andrea Monti

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    Pentax – In Praise of Usability of Cameras and Lenses

    March 3, 2024

    While Waiting for the Food

    September 3, 2013

    Mir-20 20mm 3.5 on a Pentax K1-II – A Field Test

    January 18, 2025
  • Actors,  Autumn,  B&W,  Bruxelles,  Colour,  Daily photo,  Fighters,  Fighting Disciplines,  Photography,  Spring,  Summer,  Winter

    What Does ‘Professional’ Mean in Photography?

    March 19, 2024 /

    Pro’ is the photographer’s blessing and curse. It is the status we all – well, many of us – aspire to. It is the marketing gimmick created by the exploiters of the Gear Acquisition Syndrome to make people believe that tools make the craftsman. ‘Amateur’, on the other hand, is a word associated with casual photographers, ‘wannabe’ artists, and people who want to make you believe that tools make the craftsman. I have always been unconvinced that such a difference exists, at least in the general meaning associated with the words ‘pro’ and ‘amateur’, and in relation to the idea that the equipment used or the quality of the shots…

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    Andrea Monti

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    Alien Veins

    December 3, 2014

    A Fisherman

    August 29, 2014

    Antonio Onorato

    August 20, 2016
  • Autumn,  B&W,  Daily photo,  Fighters,  Gear,  Spring,  Summer,  Thoughts,  Winter

    Pentax – In Praise of Usability of Cameras and Lenses

    March 3, 2024 /

    The Internet is full of columns and videos about why ‘I left brand X for brand Y’, magnifiying this or that ‘new feature’ that forced a photographer to ditch his previous setup in favour of a brand new one. Sometimes there is a genuine motivation behind such a choice, sometimes – often – it is just a clickbait set up by the need (or hope) to monetise a piece of content published on a social network. This long introduction violates the golden rule of journalistic writing – tell the reader what’s the matter in the first paragraph or so – but it was necessary because this article is exactly that:…

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    Andrea Monti

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    The Calm Newsreader

    July 4, 2013

    Harley-Davidson

    December 24, 2018

    Technogym Milan@Night

    April 3, 2022
  • Autumn,  B&W,  Boulevards,  Daily photo,  Marketing,  Rome,  Seasons,  Urban Landscape

    Iphone 15 Billboard in Via XX Settembre

    February 14, 2024 /

    This is an attempt to exploit the limitations of an orthocromatic film. Shadows and highlights were deliberately pushed, as was the contrast. This isn’t about the billboard. Not really. Yes, there’s a giant child smiling over Rome, her face stretched across several metres of vinyl, captured “with an iPhone 15,” if we’re to believe the tagline. She’s luminous, playful, part of a campaign you’ve probably already seen before you’ve even looked at it. But the photograph is something else. This was shot on orthocromatic film—intentionally. Shadows are carved in deeper than they should be. Highlights flare and collapse detail. The tonal scale isn’t flattering, and it isn’t faithful. It’s limited.…

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    Andrea Monti

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    Table Dressing

    July 15, 2015

    A Fujifilm X-E1 Annoyance

    April 15, 2014

    National Road Running Championships 2023 – Portraits

    June 28, 2024
  • Autumn,  Daily Video,  Fighting Disciplines

    The Expired Film Series – Episode 7 – Kodak Portra 160 – June 2015 shot in Oct. 2023

    January 11, 2024 /

    This is the seventh episode in a series documenting the use of expired film in various contexts. Episode 6 features a Kodak Portra 160 shot with a Canon Eos 1V and a Canon EF 50 1,8 at the Trofeo Judo Italia. The film was not overexposed, and processed with Affinity Photo 2 .

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    Andrea Monti

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    One Shot (Plus One) Story – All That Lasts

    April 19, 2025

    Time Runs Fast

    May 21, 2014

    Skating at Palais de Tokyo

    June 11, 2015
  • Airport,  Autumn,  B&W,  Daily photo,  People,  Photography,  Technique,  Tokyo

    Different Stories

    December 30, 2023 /

    Taking ‘static’ pictures, such as those of buildings and other architectural structures, can be quite challenging, as it is easy to fall into obvious, already seen compositions that rob the shot of any individuality.One of the things that can make an otherwise dull image more interesting is the presence of some kind of action that blends in with the stillness of the environment.In this case, the woman on the phone is in exactly the same position as the model on the billboard. Only they are telling two different stories.

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    Andrea Monti

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    A Fence

    November 6, 2014

    A future to tell

    April 18, 2013

    Red Tears

    June 7, 2013
  • Autumn,  B&W,  Boston,  Daily photo,  Photography,  Tokyo

    As Seen on Ferrania Film’ Stories section…

    December 4, 2023 /

    A selection of the pictures I took this year in Boston and Tokyo has been published on the official Film Ferrania website, in the ‘Stories’ section.

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    Andrea Monti

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    Nikkor 16mm Fisheye – Three Ways to Make use of Such a Lens

    August 22, 2024

    A jam in via Alessandria

    December 8, 2023

    A Lost Towel

    July 3, 2013
  • Autumn,  Cars&Bikes,  Colour,  Daily photo,  Photography,  Tokyo

    An experiment with Dall-E, ChatGPT and a Nissan S8

    November 4, 2023 /

    This is an experiment based on a picture of a Nissan S8 taken at the Nissan Crossing in Ginza.First, I asked Dall-E to describe what he ‘sees’. Then I started asking questions to locate the place where the showroom should be, being careful not to give any hints.ChatGPT did not give a correct answer on the first try, but eventually it did. Me: Describe this photo ChatGPT: This photo features a futuristic-looking race car displayed indoors, presumably within a showroom or an exhibition space. The car is designed with an aggressive aerodynamic shape, with large, protruding front winglets and an expansive rear wing, characteristic of high-speed, high-performance vehicles, possibly a…

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    Andrea Monti

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    Inside The Clocktower

    August 22, 2015

    Alone

    December 31, 2017

    Lost

    July 13, 2015
  • Autumn,  Colour,  Daily photo,  Docks

    Red Beam

    October 24, 2023 /

    The Viltrox XF 85 F1.8 II is a very capable lens. Here is a shot taken with a Fuji X-T4 in difficult lighting conditions.

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    Andrea Monti

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    Hair Cut

    July 19, 2013

    A Modern Orpheus

    November 24, 2015

    Yet Another WDISF Post

    May 5, 2024
  • Autumn,  B&W,  Daily photo,  Milan,  People

    Where to?

    October 21, 2023 /

    Unlike my previous shots, this is a ‘normal’ analogue image. The film – Ferrania P30 – was not expired and the camera was fully manual – a Voigtländer Bessa R2A with a Voigtländer Nokton Classic 35 1.4.

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    Andrea Monti

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    A relic from the (recent) past

    April 30, 2013

    Lunchtime

    February 18, 2013

    Sergey Krylov live@Teatro Marrucino

    February 21, 2022
  • Autumn,  Colour,  Daily photo,  Docks

    Modern Moai?

    October 10, 2023 /

    Still pushing the Viltrox AF 56/1,4 XF on a Fuji X-T4.The limit has not been reached just yet.

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    Andrea Monti

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    A Modern Nazca?

    December 4, 2014

    In the backstage

    May 10, 2013

    Kristina Miller live@Teatro Marrucino

    February 21, 2022
  • Autumn,  Colour,  Daily photo,  Fighting Disciplines,  Sport

    Questioning the Referee

    October 8, 2023 /

    Sports photography is all about the moment. Freezing the moments of success – a win, a comeback or a try – as well as failure – a miss, a fall or an injury – is what usually attracts photographers’ attention. But there are many other stories to be told during a competition, and the complex relationship between coaches and referees is one of the most interesting – and overlooked. In this picture, taken during a national judo tournament, I captured the moment when a referee decided to stop talking to a complaining coach. Technical note: I took this picture with a Pentax K-3 II and a Pentax DA* 80-200/2.8. Maybe…

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    Andrea Monti

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    Ray-Ban in Milan

    October 5, 2015

    The Nightmare

    August 23, 2013

    A Jazz-Manouche Guitar Player

    August 17, 2014
  • Autumn,  B&W,  Bridges,  Daily photo

    Floating

    October 7, 2023 /

    Another shot taken with the Viltrox 56/1,4 XF and a Fuji X-T4.

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    Andrea Monti

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    Let’s get the party started…

    January 20, 2014

    Just a Soccer Field… Part 1

    February 3, 2014

    Coats

    March 19, 2023
  • Autumn,  Colour,  Daily photo,  Docks

    Sailing Home

    October 4, 2023 /

    The quality of the Viltrox 56 1/4 XF never ceases to amaze me.This image was taken with an X-T4 at ISO1600, so the quality of the sensor plays a significant role in the overall result. However, as the lens is not supported in Affinity Photo 2, the image is wysiwyg in the sense that no profile-based corrections have been applied.

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    Andrea Monti

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    The Silent Listeners

    December 27, 2013

    Hard Choice In Quai de la Corse

    March 21, 2014

    A Young Sailor

    August 11, 2014
  • Autumn,  B&W,  Daily photo,  Moon

    When Venus meets the Moon

    October 2, 2023 /

    Taken handheld early in the morning with an X-T5 at full res, this picture pushes the XF 150-600 to its limits. The moon is decently exposed and captured with enough details. Venus, by contrast, is but a glitch in the sky.

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    Andrea Monti

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    Hanging News

    June 18, 2013

    The Score Keeper

    April 24, 2019

    Busy

    January 8, 2013
  • Actors,  Autumn,  Colour,  Daily photo

    Serva padrona @ Teatro Marrucino

    October 1, 2023 /

    LED banding is a major problem when using electronic shutters, and the Fuji X-T4 and X-T5 are no exception. In the specific conditions of this piece, I found that setting the shutter speed below 1/100s tamed the problem. However, there is one major drawback: the number of ruined shots increases. This is particularly true of the moments when the actors are waving their limbs or moving randomly. In this case, the slower parts of the body remain in focus, while the peripheral parts do not. Unfortunately, there is still no post-production technique that can eliminate this problem, which makes it difficult to achieve usable results. Of course, using a mechanical…

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    Andrea Monti

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    The Call

    March 4, 2014

    The Modern Preacher

    November 14, 2016

    Portrait of a Judo Master

    November 14, 2013
  • Actors,  Autumn,  Colour,  Daily photo,  People,  Reportage

    The Death of Cio-Cio san

    October 15, 2022 /

    The final scene of yesterday’s Madama Butterfly’s ‘Prima’ at Teatro Marrucino. For this reportage I used an X-T3 and a Fujinon XF 100-400 that did an excellent job.

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    Andrea Monti

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    Evolution in Red

    November 20, 2019

    A Rusted Window

    September 11, 2014

    A Cello’s Player

    February 8, 2015
  • Autumn,  Colour,  Daily photo,  Rome,  Soccer,  Sport

    Stadio Olimpico, seen from Tribuna Monte Mario

    October 1, 2022 /

    The picture of Rome’s Stadio Olimpico has been shot from a very exclusive vantage point: Tribuna Monte Mario. Light conditions were so unmanageable that the only option to get an interesting photo was a heavy, borderline unrealistic post-production

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    Andrea Monti

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    The Silent Listeners

    December 27, 2013

    Different Financial Transactions

    November 3, 2016

    Burnt

    November 12, 2021
  • Autumn,  Colour,  Daily photo,  Docks,  Helsinki

    A Vessel Moored on the Pier

    September 27, 2022 /

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    Andrea Monti

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    Tiles

    October 31, 2014

    Wonder wall…

    June 8, 2021

    5 frames with a Kiev 60, a Volna 80/2,8 and a Ferrania Orto

    June 28, 2024
  • Autumn,  Beach&Shores,  Colour,  Daily photo

    The Compelling Power of Photography

    September 22, 2022 /

    This is a picture taken while a storm was coming. The wind was expected to blow at about 80 km-per-hour. It turned the sand into a myriad of micro-bullets, pricking all exposed body parts and filling the lungs. Nonetheless, a man took his chance, went to the shore and shot a picture with his smartphone. He is no professional, nor had a particular reason to do that. He just wanted to freeze a moment. This is the power of photography. p.s. Pentax K II and the DA* 50-135 2,8 went through the sandstorm brilliantly and survived without consequences.

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    Andrea Monti

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    Gigi Cifarelli Guitar Solo (feat. Michele Di Toro) – Live@Florian Espace Pescara

    March 7, 2016

    Free Ride

    October 2, 2014

    Shaken

    October 1, 2015
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