-
Ceci N’Est Pas Une Junior (or, Cognitive Dissonance – Part Two)
I took this photo last November while exploring a less touristy area of Tokyo: Ikebukuro. I went there hoping to see a limited edition Alfa Romeo Giulia Quadrifoglio, which was supposed to be on display at an official Alfa Romeo dealership. Unfortunately, the Quadrifoglio wasn’t there and the dealer was closed, too. So, the only option left to save the day was to take pictures of whatever could be seen through the windows. Peeping inside, though, I didn’t expect to find anything interesting in a car dealership, but I was wrong.
-
Kissaten – One Shot Story
When in Japan, Kissaten have soon became my favourite place to rest for a while or for a longer time, waiting for the rain to stop. Unlike Starbucks and other Western or Western-style chains, Kissaten offers a relaxing environment characterised by emptiness rather than crowded spaces. Of course, it’s possible to find all the places occupied by customers, as in a ‘regular’ coffee shop. However, in my experience, this rarely happens, especially in parts of town not plagued by hordes of aimless tourists.
-
How Nissan Crossing Has Changed Over Time
As a petrolhead, I always make a point of visiting Nissan Crossing whenever I’m in Tokyo, even if only for a few hours or half a day. Situated in Ginza, one of Tokyo’s most exclusive districts, Nissan Crossing is an open space in which the car manufacturer displays its concept cars and premium models.
-
Relentless – A One Shot Story
When in Tokyo, I don’t go to Shibuya unless I have a specific errand to run. Least of the usual ‘things are not what they used to be’ lament, the place never struck me as it deserved more than a cursory glance. This time, however, I had a specific photographic objective: to capture the Shibuya backdrop, i.e. things and people that keep the place running ‘smoothly’ which are in plain sight but go unnoticed by tourists, residents and passers-by. Crowd management and safety control are two such things.
-
What Souvenirs Say About Rome (and Your Attitude Toward Life)
Rome’s souvenir shops are full of busts, plaques and other artefacts mixing the sacre and the profane —and sometimes even things that have nothing to do with the Eternal City. This make it challenging for a tourist to actually understand what he is looking at —and googling for information is not a common practice among that kind of visitors who, as Aldous Huxely brilliantly pointed out, travel without knowing exactly why they are visiting a certain place or another. Nevertheless, these souvenir displays offer an insight into some of the most fascinating aspects of Rome’s culture and history – Initially published on 35mmc.com. On the top shelf, a plaque shows Latin…
You May Also Like
The Three Musketeers
A Banner
Wasted Shot Because iPhone 7 Poor Low-Light Handling
-
On Film Simulation or ‘is fiction more real than reality, and why should we care?’
Simulations have turned an inevitable fact —using the chosen brand and type of film for an entire roll— into an aesthetic tool allowing the selection of the most appropriate image rendition for each single exposure. Using simulations is like having all the different kinds of film in the same roll with all the convenience of digital technology, opening a huge number of creative possibilities. Initially published on 35mmc.com This is what the standard marketing claims for software simulations are based upon, but is that actually so? As a matter of fact, the answer is yes, but if we look at the matter from a different perspective, we should consider some…
-
On Detachment. Or ‘If You Love Something, Set It Free’ (cit. Sting)
A number of philosophies and religions preach the virtue of detachment from things as a path to enlightenment. When applied to gear, this advice won’t only save your soul —if you believe there’s one— but also your money and, last but not least, your photograph experience. This means avoiding the development of ‘feelings’ towards a camera or a lens that shift from appreciating their value as a tool to some sort of ‘personal engagement’. Initially published on 35mmc.com As odd as it sounds, such an attitude towards an inanimate object is more frequent than one may imagine. A paradigmatic case is the attachment of AIBO’s owners to their robotic pets:…
-
DSLR-like…?
I decided to write this post after having stumbled across the next ethusiast review of a smartphone published on a reputable magazine, claiming that the device can deliver ‘DSLR-like’ photos. In fact, as is often the case with ‘camera experts’ who work for a magazine or earn money by posting videos making funny faces on social networks, it was just a rewrite of the manufacturer’s product specifications and promotional material. There are few things, in photography, I dislike more than than these ‘DSLR-like’ claims made in the advertising of smartphones and compact cameras because ‘DSLR-like’ is the archetype of a meaningless statement made to lure people into using an arbitrary benchmark…
-
5 (random) frames of Bruxelles with a MIR-1B, a Pentax ME Super and a Kodak TMax400
The late hours of a day are dangerous times, because this is when the mind, lacking tasks, begins to look for a way to keep itself busy. To make a long story short, this is why, against what the common sense would have suggested, I decided to take a stroll in a (very) cold winter evening along and around Avenue Louise in Bruxelles to test a MIR-1B 37/2.8 mounted on a TMAX 400 loaded Pentax ME Super with an M42 adapter. Initially published on 35mmc.com. As much as this is not a ‘field test’, I was unfair to the lens because I used it in challenging conditions, starting with the…
-
Selling Italian Ice in Boston
Sales culture is one of the most distinctive traits of American anthropology. The foundations of modern marketing strategies date back to forerunners such as P.T. Barnum’s ‘have a little something for everybody’ slogan and Edward Bernays, the father of public relations. It is ingrained in popular culture phenomena such as garage sales, lemonade stands ran by kids and jokes about used cars salesmen. Sales culture is also paired with customer (not consumer) culture, as in the ubiquitous mantra ‘customer is king’, which ‘shapes’ people’s attitudes in terms of demanding fairness and a proper ‘bang for the bucks’. – Initially published on 35mmc.com When it comes to selling, creativity knows no…
-
Sting of the Vespa
Vespa, in Italian, is not only the name of the stingy and frightening wasp. The word also identifies one of the world’s most famous examples of industrial design, dating back to 1946, and made internationally famous by the 1953 Hollywood motion picture Roman Holiday, starring Audrey Hepburn and Gregory Peck. Initially published on 35mmc.com The creator of this iconic scooter — an example of a perfect blend of ingenuity, style and appeal — was Corradino D’Ascanio. An aeronautical engineer from my home region, Abruzzo, he also designed and built the first helicopter, whose first test flight took place in the city of Pescara, a town near Popoli, a small village in…
-
5 Frames with various cameras – Ferrari On The Road(s)
Sports car photography usually happens in specific settings such as motorshows, official events, race tracks etc., where lights, crowds, fences and limited access to restricted areas are an issue. Doing the same on the street, however, is no less challenging as things happen unpredictably and, unless taking photograph of parked vehicles, there is no time to compose – Initially published on 35mmc.com In this photograph of a Ferrari F8 Tributo, the framing makes the car the focal point, and even though the door on the left adds a bit of visual clutter, it doesn’t detract from the overall result. The following image illustrate the trade-offs of reacting in real time…
-
A Japanese Luthier and a Fingerstyle Player from My Home Region (and My Past) – A One shot story
I took this photo at GuitarPlanet, in the Ochanomizu district of Tokyo, because I was intrigued by the different bracing of the guitars’ lower backs. The picture in itself has no particular value, but on closer inspection it revealed a story linking a musical instrument, a Japanese luthier, a region of Italy (Abruzzi) and my past. – Initially published on 35mmc.com I took this photo at GuitarPlanet, in the Ochanomizu district of Tokyo, because I was intrigued by the different bracing of the guitars’ lower backs. The picture in itself has no particular value, but on closer inspection it revealed a story linking a musical instrument, a Japanese luthier, a region of…
-
One Shot Story: (Un)Available Coin Lockers at Shin Osaka Station
コインロッカー, the coin-operated lockers, are fundamental to travel around Japan: this is the first lesson any first-timer to this Country should learn beforehand. – Initially publishd on 35mmc.com Almost ubiquitous, they are plentiful in train stations and airports and are a convenient way to get rid of your luggage for a few hours or days while you are on a stopover. Until a few years ago, finding an empty コインロッカー was not such a daunting task, even when there were large numbers of tourists. Now, however, things have changed for the worse. Recently, on my way to Tokyo from Kyushu, I did —as the automatic PA system of the Shinkansen likes…
-
Colour, Daily photo, Downtown, Nagasaki, Osaka, Photography, Streets&Squares, Thoughts, Tokyo, Travels, Yokohama
Why You Should Only Shoot in Your Backyard (or ‘The Art of Belonging’)
What do these pictures have in common (apart from having been taken in various places in Japan)? No, they don’t have the same look and feel, composition or use of light, nor they convey a particular meaning. What they have in common is that they’re just dull and boring —meaningless, indeed. This picture of the Yokohama’s Chinatown Dragon is hardly different than the others available on the Internet. Initially published on 35mmc.com It shares a similar fate with this one, taken last Mid November in Osaka, and, as Google Lens mercylessly shows, with this one, shot in Omura, near Nagasaki. One can hardly say that this is a never-seen-before view of Tokyo’s Kyu-Shiba-rikyū Gardens, or of…
-
Padua, a photographer’s goldmine
During a few hours off work, I recently had the chance to wander around Padua, one of the many historical jewels that make up Italy’s immense cultural heritage. What makes Padua special is its devotion to a powerful icon of Christianity, Sant’ Antonio. A Portuguese by birth, Sant’ Antonio belonged to the Franciscan Order and gave birth to a religious movement whose importance is testified by the basilica that still bears his name – Initially published on 35mmc.com. For the photographer, Padua is a goldmine, not only for its architectural masterpieces, but also for the many less obvious and nonetheless interesting details. For example, here is a close-up of an antique…
-
5 frames with a Voigtländer Bessa R2, a Nokton 35/1,4 and a roll of an expired Kodak Portra 160
Tevere, the river that divides Rome in two, is one of my favourite places. No matter how much chaos there is in the ‘high places’: walking along the banks of the river puts you in another dimension, where time has no meaning and the pace slows down – Initially published on 35mmc.com Anchored boats stand still, in stark contrast to the fast-moving streets, crowded with cars, bicycles, pedestrians and tourists who have returned in droves once the pandemic is over. This is obviously a mirror image, but it looks as if it has been projected onto a digital screen. And here is what was mirrored: There are a lot of…
-
5 frames with the (much awaited) Ferrania P33, a Nikon F3 and a Nikkor 50 F2
I managed to grab a few rolls of the very first batch of Ferrania’s brand new P33 film, so I wasted no time in putting it to work with a Nikon F3 and the glorious Nikkor 50 f2. I won’t go into the technical details of this film, firstly because I can’t claim to be an authority on the subject, and secondly because Ferrania’s website has plenty of information. There is only one thing to know: the canister is not DX-coded, so shooting is only possible in full manual mode. This may change in the future, but for now this is the state of the art. Finally, a transparency note:…
-
A Hellish Look
It is quite common these days to see images of various kinds using the facade of a building as a screen. In the case of government or state buildings, a flag appears out of nowhere after dusk.The overall effect is quite spectacular, especially in Italy where the palaces of power are beautiful works of art. However, when photographed with a narrow field of view, the result can be disturbing, as in this case, where the building looks more like some sort of hell embassy.It wouldn’t be strange, though: doesn’t the Pope live on the other side of the Tevere River?
-
Actors, Autumn, B&W, Bruxelles, Colour, Daily photo, Fighters, Fighting Disciplines, Photography, Spring, Summer, Winter
What Does ‘Professional’ Mean in Photography?
Pro’ is the photographer’s blessing and curse. It is the status we all – well, many of us – aspire to. It is the marketing gimmick created by the exploiters of the Gear Acquisition Syndrome to make people believe that tools make the craftsman. ‘Amateur’, on the other hand, is a word associated with casual photographers, ‘wannabe’ artists, and people who want to make you believe that tools make the craftsman. I have always been unconvinced that such a difference exists, at least in the general meaning associated with the words ‘pro’ and ‘amateur’, and in relation to the idea that the equipment used or the quality of the shots…
-
Creativity vs Originality
Is the photo above creative? Is it original? Well… yes and no. It is certainly original because I ‘in person’ took it, and it is creative because – regardless of the aesthetic result – I took the time to arrange all the elements (composition, light, etc.) in a coherent moment —and I have the film negative to prove it. On the other hand, it is neither original —as in ‘unique’— nor creative because the same photo can be found here and maybe elsewhere on the Internet. Obviously, the linked photo it is not ‘the’ same as mine, because it is clear that they were taken at different times and places (mine was…
-
5 (improbable) Frames with a roll of Ferrania Orto and a Nikon 35TI
The photographer is a peculiar type of social being, characterised by a ‘rules are meant to be broken’ attitude in the search for the perfect exposure. So, sooner or later, all the dogmas about composition, hyperfocal, zone system, rule of thirds, etc. will be put aside to try something ‘different’. This is what happened with these five images, taken at night in Piazza Venezia and Via Salaria in Rome with a Ferrania Orto on a Nikon 35TI; a rather strange choice given the inherent limitations of an orthocromatic film and a 2,8 35mm lens of a compact camera in this scenario. Against all odds the 35TI performed well (especially in…
-
Iphone 15 Billboard in Via XX Settembre
This is an attempt to exploit the limitations of an orthocromatic film. Shadows and highlights were deliberately pushed, as was the contrast. This isn’t about the billboard. Not really. Yes, there’s a giant child smiling over Rome, her face stretched across several metres of vinyl, captured “with an iPhone 15,” if we’re to believe the tagline. She’s luminous, playful, part of a campaign you’ve probably already seen before you’ve even looked at it. But the photograph is something else. This was shot on orthocromatic film—intentionally. Shadows are carved in deeper than they should be. Highlights flare and collapse detail. The tonal scale isn’t flattering, and it isn’t faithful. It’s limited.…
-
Nagasaki Biker
Sometimes carrying a camera with a slow autofocus, slow shutter and low ISO can be a hindrance. Had I had a better camera and a faster film, this photo would have been much better.However, it is the eye that is to blame, not the old Nikon 35TI. I realised too late that what I was looking at could have been an image and had to react within a few seconds. In those conditions, the camera did what it could, but if I had been aware of my surroundings, I would have been ready at the right moment. So I paid the price for my bad habit of relying on gear…
