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On Prizes and Awards (a Long and Tiring Musing)
Prizes and awards are ubiquitous also in the photography world. There is an award for everything, and I wouldn’t be suprised to discover an award for the best photo award as well. When we’re just starting out on our photographic journey, it’s natural to think about entering a competition. I am not an exception, in fact I tried a few myself and I also got one honorable mention for the photo featuring this post in a competition organised by a local chapter of the Italian Photoamateur Association (FIAF).
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A Moto Guzzi Falcone and an Expired Kodak Portra 160 Roll
Shot with a Pentax SMC FA 50/1,4 and a Pentax Z-20 loaded with an expired Kodak Portra 160, this photo portrays a Moto Guzzi Falcone. The Falcone has a special place in the history of Italian motor industry. It was successful in both the civilian market and the military/law enfrocement sector. So strong was its appeal in this latter community that the Polizia Stradale (roughly, the highway patrol) kept it in service until the seventies despite the official manufacturing ceased at the end of the sixties.
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Saturday Night Fight Fever
On October 18, I was ringside to shoot the European Boxing Union‘s female super-lightweight European title fight. The crown vas vacant and the two contenders were both Italians. Silvia Bortot, a former two-time European champion, and Sonia Fracassi, the Italian champion. The match was pretty intense. All along the 10 rounds of the bout, Fracassi put her opponent under a great deal of pressure, and she responded with equal energy. Ultimately, Bortot emerged victorious. However, the close referee scores (96-95, 96-95 and 97-93) show that the two fighters were closely matched, and that Fracassi could have won if she had thrown a few more punches, or if the match had been…
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Autumn, Colour, Daily photo, PhotoCritics, Photography, Spring, Street Photography, Summer, Technique, Winter
Make Sense (or: Meaning is in the Eye of the Beholder)
I am a big fan of Jim Hall. A god of the Jazz Olympus, he was an amazing guitar player and played (i.e. lived) according to a simple but effective maxim: make musical sense. He jotted it on a scrap of paper and stashed it in his guitar case, so, whenever he took the instrument out, he was reminded to follow the advice. And he did it. This is an excellent advice also in photography and I do my best to follow it, also if I don’t always get it right for a number of reasons, the main one being that meaning is in the eye of the beholder as…
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Zeiss ZK Planar T* 50mm F/1.4 – Test Shots and an Unpleasant Incident
I am a huge fan of Zeiss lenses, and I have made sure to own at least one of them for each camera system I have used over the years. To be honest, my only regret when switching to Pentax and ditching Leica, Nikon and Canon was that Zeiss lenses in K mount weren’t as widely available as they are for other platforms. Sure, eBay has plenty of them, but I didn’t want to risk the consequences of overseas shipping. Eventually, however, I managed to get a Planar T* 50 mm f/1.4, and last night I went out for the first time to try it with a Pentax K-1.
