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Al Di Meola, Peo Alfonsi, Sergio Martinez – Live @ Teatro della Villa Comunale – Roseto degli Abruzzi
Last night I “covered” the Abruzzo leg of Al Di Meola’s tour, where he performed in a trio with Peo Alfonsi (second guitar) and Sergio Martinez (percussion). As a musician, I wore out the vinyl records of his albums through sheer use, and I later met him over twenty years ago when I acted as his interpreter during a tour with Chris Carrington and Arto Tunçboyacıyan—the World Sinfonia Tour, which marked his acoustic turn after epic electric albums such as Elegant Gypsy, Casino, and Electric Rendezvous. Work aside, it was a pleasure to see him again and exchange a few words, even if, understandably, he couldn’t remember anything about that past meeting. The gallery…
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Inside a Master Luthier’s Workshop
Craftsmanship is fascinating. It’s almost magical how we can see things in our head and make them happen. This is true for every bit of wisdom that humans have come up with, but musical instruments – and guitars, in particular – are among the best examples of this skill. There’s nothing more unnecessary than music and musical instruments, but we —well, at least many of us— can’t live without them. So, it comes naturally to those who enjoy an active relationship with music to begin learning how to play an instrument and, therefore, to become familiar with the technical side of the story. This is why, sooner than later, one…
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On Film Simulation or ‘is fiction more real than reality, and why should we care?’
Simulations have turned an inevitable fact —using the chosen brand and type of film for an entire roll— into an aesthetic tool allowing the selection of the most appropriate image rendition for each single exposure. Using simulations is like having all the different kinds of film in the same roll with all the convenience of digital technology, opening a huge number of creative possibilities. Initially published on 35mmc.com This is what the standard marketing claims for software simulations are based upon, but is that actually so? As a matter of fact, the answer is yes, but if we look at the matter from a different perspective, we should consider some…
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Some odd outcomes from a photo recovering attempt using an AI
I was curious to see how an AI would handle a bad photo, so I uploaded this black-and-white shot taken in the area around Kyoto Station with my Nikon 35TI. Initially published on 35mmc.com. The photo itself —the one published as featured image— it’s part of a long term project to show the presence of Alfa Romeo (a brand I’m a big fan of) in the Japanese streets. It isn’t anything special, but I needed a starting point (the worse, the better) so, after having uploaded this poor shot, I prompted the software like this: As a professional in photo restoration and post production restore this photograph of an Alfa…
