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  • Colour,  Daily photo,  Gear,  Technique,  Thoughts

    A creative approach to zone focusing with superfast manual lenses and mirrorless cameras in street photography

    September 28, 2024 /

    Manual lenses on mirrorless cameras are often a match made in heaven: (once) cheap, high-quality lenses can finally be brought back from the grave and used on modern cameras. However, as with any marriage, there are some rough edges that are difficult to smooth out. In the case of manual lenses, the main problem is the lack of autofocus, which limits the street photographer’s options. Zone focusing is the usual way to overcome this limitation, but this solution has an inherent problem: to get a decent depth of field, you need to shoot at least at F8 or even F11. This means that, in street-photography, it is not possible to…

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    Andrea Monti

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    Coffee at Caffè Nero

    July 16, 2023

    The Worst Moment to Fix a Shoe’s Problem

    April 14, 2013

    At the theater, between two scenes

    June 15, 2015
  • Colour,  Daily photo,  Gear,  Thoughts

    5 frames with a Canon R6 Mk II and its RF 50/1,2 L USM

    September 28, 2024 /

    I was recently given a Canon R6 Mk II and a set of lenses, including the RF 50/1.2, to test them in a specific environment, so to familiarise myself with the kit I spent a few hours wandering around with the most unlikely configuration for street photography: camera, battery grip and a bulky lens: not exactly what you would call ‘discreet’ or ‘unobtrusive’. However, as counterintuitive as it may seem, I had no problem carrying a ‘real’ camera with all the bells and whistles, as they often seem less threatening and creepy to the casual passer-by, the main target of street photography, because people think you’re just working. There would…

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    Andrea Monti

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    Behind the Glass

    April 4, 2015

    Chasing Rainbows on the Open Road

    October 13, 2021

    A new camera and the quest for the missed information

    December 18, 2012
  • Colour,  Daily photo,  Kite Surf,  Winter

    Shooting Kite Surfing

    September 22, 2024 /

    Kite surfing is quite spectacular but difficult to photograph. As with any water sport, the main difference that affects the results is whether or not the photographer is embedded in the organisation. In the former case, being allowed to stay on the official boats allows him to be closer to the action and get better shots. In the other case, the photographer must essentially rely on a telephoto lens (the longer the better) at the expense of depth of field – Initially published on 35mmc.com. Jumps and the flight phase are the most spectacular moments to capture. However, as the next two photos show, it is essential that the autofocus works…

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    Andrea Monti

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    Leitz Summicron 50/2 and Nikon Z5 – An empirical field test

    January 3, 2026

    A Modern Nazca?

    December 4, 2014

    Oops!

    July 4, 2014

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