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  • Airport,  Autumn,  B&W,  Daily photo,  People,  Photography,  Technique,  Tokyo

    Different Stories

    December 30, 2023 /

    Taking ‘static’ pictures, such as those of buildings and other architectural structures, can be quite challenging, as it is easy to fall into obvious, already seen compositions that rob the shot of any individuality.One of the things that can make an otherwise dull image more interesting is the presence of some kind of action that blends in with the stillness of the environment.In this case, the woman on the phone is in exactly the same position as the model on the billboard. Only they are telling two different stories.

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    Andrea Monti

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    A Shadow

    July 24, 2014

    Interior Design at Aurum

    May 26, 2013

    Harley-Davidson: Chrome And Presence

    December 24, 2018
  • B&W,  Bookstores,  Daily photo,  Winter

    二千円

    December 20, 2023 /

    The 2,000 yen note is something of a rarity even for the Japanese. As Japan is mainly a cash-based society (at least for everyday life), I made sure to carry enough money on my recent trip to the Kyushu region.The bank gave me a wad of brand new ¥2,000 notes, which were so unusual that they attracted the attention of many people I exchanged them with. The photo was taken with a КИЕВ 60 TTL and a волна 80/2.8, the film was a Ferrania P30.

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    Andrea Monti

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    A Mesh

    February 16, 2021

    Waiting for the hearing

    February 19, 2013

    A Panorama

    December 30, 2014
  • B&W,  Daily photo,  Rome,  Winter

    An Antique Shop in via Cadorna

    December 10, 2023 /

    I made this frame with a Bessa R2 paired to a Nokton Classic 35mm f/1.4, loaded with Kodak Tri-X 400. That combination has a way of imposing its character on an image, and here it played straight into the atmosphere of the scene. The urn in the foreground caught my attention first, its surface worn and flaking, the sort of texture that Tri-X renders with a quiet authority. Its reflection in the shop window doubled the presence without turning the composition into a perfect mirror—imperfections in the glass kept it alive. The rust-speckled lamp leans towards it, both physically and compositionally, as though curious about the object’s past. I exposed…

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    Andrea Monti

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    Zeiss ZK Planar T* 50mm F/1.4 – Test Shots and an Unpleasant Incident

    October 3, 2025

    60×40 Borderless Printing with a HP Z3200ps 24

    May 11, 2014

    Square One

    June 17, 2014
  • B&W,  Daily photo,  Rome,  Streets&Squares,  Winter

    A jam in via Alessandria

    December 8, 2023 /

    Taking pictures with a fully manual camera is a way to keep practising the basics. Honestly, I would not use a film camera for a professional assignment —at least, not as the main one— but it’s worth doing it in a less challenging condition.As per the technicalities, waiting for the next batch of Ferrania Orto to arrive, I resorted to a Kodak Tri-X 400 roll, which is my favourite film at these ISOs.

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    Andrea Monti

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    Who The Hell Killed the Light Off?

    August 2, 2015

    The Lost Garage

    July 8, 2013

    Kristina Miller live@Teatro Marrucino

    February 21, 2022
  • Autumn,  B&W,  Boston,  Daily photo,  Photography,  Tokyo

    As Seen on Ferrania Film’ Stories section…

    December 4, 2023 /

    A selection of the pictures I took this year in Boston and Tokyo has been published on the official Film Ferrania website, in the ‘Stories’ section.

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    Andrea Monti

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    Upcoming Call

    June 3, 2013

    Zeiss ZM Biogon 35/2 and Nikon Z5. An Empirical Field Test

    January 12, 2026

    An Unplausable Perspective

    May 6, 2014

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