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Helios 40-2 85/1,5 and Fuji X-T5: a sample
Shooting with the Helios 40-2 is always a slightly unpredictable experience, and that’s part of the charm. Mounted on the Fuji X-T5, the combination produces a character you simply don’t get from clinically perfect modern glass — here, the swirly background bokeh and slightly dreamlike rendering are as much a statement as the subject itself. This fishing boat sat in just the right light to make the most of the lens’ quirks. The midday sun was still high, harsh enough to create deep shadows but angled enough to give the hull and rigging a degree of texture. The exposure leaned toward protecting highlights on the water and white paint, which…
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Guarding Democracy
Shot on film, this frame came from a day of walking — not searching, just watching. I didn’t need to look far. Two officers, positioned under a temporary gazebo, leaned into casual conversation, framed by the barricade they were meant to man. Beyond them, a crowd gathered in orderly concentration. The juxtaposition wasn’t loud, but it was clear: authority in the foreground, public in the distance. The separation was both literal and symbolic. The choice to shoot from behind the barrier wasn’t just compositional — it was contextual. I wanted to keep the divide intact. The vertical bars bisecting the two officers are rigid, unforgiving. They draw the eye down,…
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FUJIFILM X-T5 RAF have problems with Affinity Photo 2.1
As this video shows, when opened in Affinity Photo 2.1, an RAF generated by a Fujifilm X-T5 shows a vertical stripe and a slightly higher resolution. The problem does not occur if the file is pre-processed with Iridient Transformer and converted to DNG, or if the file is processed with Pixelmator Pro 3, Lightroom Classic or the latest version of Capture One.
