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Andrea Monti

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  • Colour,  Daily photo,  Nagoya,  Parks,  People,  Seasons,  Summer

    Street Magic@Nagoya Castle

    July 21, 2019 /

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    Andrea Monti

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    Call On The Docks

    August 4, 2014

    Rocco Zifarelli, Jeff Berlin, Beth&Danny Gottlieb, Gabriela Sinagra

    June 10, 2013

    A Juggler in Bruxelles

    April 28, 2026
  • Cities,  Colour,  Daily photo,  Nagoya,  People,  Restaurants&Bar,  Seasons,  Summer

    Fast Food Loneliness in Nagoya…

    July 17, 2019 /

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    Andrea Monti

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    Access Denied

    June 1, 2015

    Frames for Sale at Via Margutta

    May 2, 2016

    Inside The Clocktower

    August 22, 2015
  • Colour,  Daily photo,  People,  Seasons,  Street Photography,  Summer

    In the Rain, A Helping Hand

    July 10, 2019 /

    The rain hit fast and hard. Streets turned to rivers in minutes. I was sheltering under a bus stop roof, camera still strapped around my shoulder, when I saw the man go down. Not dramatically—just a slow, heavy fall as he misjudged the kerb under the surge of water. Then came the officer. No hesitation. No fuss. Just a clean, instinctive move to lift him. The Leica didn’t leave my eye. I shot quickly—no time to compose in a traditional sense, but sometimes the moment doesn’t wait for your geometry. The turquoise pole on the left anchors the frame almost by accident. The crossing lines in the background help balance…

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    Andrea Monti

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    A Hellish Look

    March 26, 2024

    Romeo’s Hideout

    December 16, 2015

    Giorgio Pasotti – Racconti disumani@Teatro Marrucino

    February 28, 2022
  • Colour,  Daily photo,  Fighters,  Fighting Disciplines,  People,  Sport,  Spring

    Mid-Knee Clinch

    July 7, 2019 /

    This frame caught the clinch mid-knee, elbows locked, muscles in tension, balance tipping. I didn’t fire in burst—timing was deliberate. The image had to hold the convergence of force and geometry: shin to torso, fists to neck, backs arched into compression. Shot ringside at f/2.8 with a fast telephoto, ISO pushed to 3200 under dim sodium-halide lights softened by overhead mesh. Shutter at 1/640s, just enough to freeze impact without killing the tension in the stance. Noise control was adequate. Detail retained in skin texture and compression shorts without artificial smoothing. Lighting was patchy but consistent enough to avoid burnouts. Composition obeys containment. The cage creates the visual boundary, but…

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    Andrea Monti

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    Harley-Davidson: Chrome And Presence

    December 24, 2018

    Zeiss ZK Planar T* 50mm F/1.4 – Test Shots and an Unpleasant Incident

    October 3, 2025

    Quality Check. Try Before You Buy

    April 10, 2014
  • Colour,  Daily photo

    Collision Path

    July 5, 2019 /

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    Andrea Monti

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    Inside a Master Luthier’s Workshop

    July 24, 2025

    Let’s get the party started…

    January 20, 2014

    The Taste Master

    March 2, 2014

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