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Andrea Monti

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  • Colour,  Daily photo,  Nagoya,  Parks,  People,  Seasons,  Summer

    Street Magic@Nagoya Castle

    July 21, 2019 /

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    Andrea Monti

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    A Taxi Night Fleet At Oslo’s Central Station

    September 26, 2014

    @Rome Maker Faire – 5. Pensive

    October 18, 2014

    A Step Ahead

    October 8, 2022
  • Cities,  Colour,  Daily photo,  Nagoya,  People,  Restaurants&Bar,  Seasons,  Summer

    Fast Food Loneliness in Nagoya…

    July 17, 2019 /

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    Andrea Monti

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    The Traveler’s Dilemma: Where To?

    October 21, 2023

    Fujifilm XF 100-400: a quick test

    January 12, 2018

    Portrait of a Lawyer

    October 5, 2013
  • Colour,  Daily photo,  People,  Seasons,  Street Photography,  Summer

    In the Rain, A Helping Hand

    July 10, 2019 /

    The rain hit fast and hard. Streets turned to rivers in minutes. I was sheltering under a bus stop roof, camera still strapped around my shoulder, when I saw the man go down. Not dramatically—just a slow, heavy fall as he misjudged the kerb under the surge of water. Then came the officer. No hesitation. No fuss. Just a clean, instinctive move to lift him. The Leica didn’t leave my eye. I shot quickly—no time to compose in a traditional sense, but sometimes the moment doesn’t wait for your geometry. The turquoise pole on the left anchors the frame almost by accident. The crossing lines in the background help balance…

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    Andrea Monti

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    Antonio Onorato

    August 20, 2016

    What a odd couple of bipedals…

    February 26, 2013

    Let’s get the party started…

    January 20, 2014
  • Colour,  Daily photo,  Fighters,  Fighting Disciplines,  People,  Sport,  Spring

    Mid-Knee Clinch

    July 7, 2019 /

    This frame caught the clinch mid-knee, elbows locked, muscles in tension, balance tipping. I didn’t fire in burst—timing was deliberate. The image had to hold the convergence of force and geometry: shin to torso, fists to neck, backs arched into compression. Shot ringside at f/2.8 with a fast telephoto, ISO pushed to 3200 under dim sodium-halide lights softened by overhead mesh. Shutter at 1/640s, just enough to freeze impact without killing the tension in the stance. Noise control was adequate. Detail retained in skin texture and compression shorts without artificial smoothing. Lighting was patchy but consistent enough to avoid burnouts. Composition obeys containment. The cage creates the visual boundary, but…

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    Andrea Monti

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    The Fisherman’s Knots

    February 11, 2014

    The Chess Players

    October 10, 2013

    A Green Patch

    August 26, 2014
  • Colour,  Daily photo

    Collision Path

    July 5, 2019 /

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    Andrea Monti

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    The Sinking Giant

    December 6, 2013

    Last Wing Down

    February 26, 2015

    Alfa (1750) … Dog

    July 25, 2015

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