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  • Colour,  Daily photo,  Nagoya,  Parks,  People,  Seasons,  Summer

    Street Magic@Nagoya Castle

    July 21, 2019 /

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    Andrea Monti

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    Pillars

    January 29, 2015

    Labour Spilling Into Transit Time

    December 30, 2025

    UnortORTOdox (Ferrania)

    July 22, 2023
  • Cities,  Colour,  Daily photo,  Nagoya,  People,  Restaurants&Bar,  Seasons,  Summer

    Fast Food Loneliness in Nagoya…

    July 17, 2019 /

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    Andrea Monti

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    Hanging Heart at via Olmetto

    March 31, 2014

    Priority Pass Lounge at Fiumicino Airport

    November 30, 2015

    Outside the Courthall

    April 15, 2015
  • Colour,  Daily photo,  People,  Seasons,  Street Photography,  Summer

    In the Rain, A Helping Hand

    July 10, 2019 /

    The rain hit fast and hard. Streets turned to rivers in minutes. I was sheltering under a bus stop roof, camera still strapped around my shoulder, when I saw the man go down. Not dramatically—just a slow, heavy fall as he misjudged the kerb under the surge of water. Then came the officer. No hesitation. No fuss. Just a clean, instinctive move to lift him. The Leica didn’t leave my eye. I shot quickly—no time to compose in a traditional sense, but sometimes the moment doesn’t wait for your geometry. The turquoise pole on the left anchors the frame almost by accident. The crossing lines in the background help balance…

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    Andrea Monti

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    Ghosts of Ginza

    November 14, 2023

    The Prisoner’s View from the Sospiri’s Bridge

    September 25, 2017

    None of my business…

    March 3, 2013
  • Colour,  Daily photo,  Fighters,  Fighting Disciplines,  People,  Sport,  Spring

    Mid-Knee Clinch

    July 7, 2019 /

    This frame caught the clinch mid-knee, elbows locked, muscles in tension, balance tipping. I didn’t fire in burst—timing was deliberate. The image had to hold the convergence of force and geometry: shin to torso, fists to neck, backs arched into compression. Shot ringside at f/2.8 with a fast telephoto, ISO pushed to 3200 under dim sodium-halide lights softened by overhead mesh. Shutter at 1/640s, just enough to freeze impact without killing the tension in the stance. Noise control was adequate. Detail retained in skin texture and compression shorts without artificial smoothing. Lighting was patchy but consistent enough to avoid burnouts. Composition obeys containment. The cage creates the visual boundary, but…

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    Andrea Monti

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    The Coach

    December 9, 2018

    Portrait of a Gunsmith

    February 24, 2016

    Last Check Before The Show

    July 21, 2014
  • Colour,  Daily photo

    Collision Path

    July 5, 2019 /

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    Andrea Monti

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    Gloves

    October 19, 2014

    Parallels & Diagonals

    December 21, 2012

    Blowin in the Wind

    February 8, 2014

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