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Andrea Monti

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  • Colour,  Daily photo,  Nagoya,  Parks,  People,  Seasons,  Summer

    Street Magic@Nagoya Castle

    July 21, 2019 /

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    Andrea Monti

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    A Green Patch

    August 26, 2014

    What an Elegant Chocolatier!

    January 6, 2014

    A Couple of Windows

    January 5, 2018
  • Cities,  Colour,  Daily photo,  Nagoya,  People,  Restaurants&Bar,  Seasons,  Summer

    Fast Food Loneliness in Nagoya…

    July 17, 2019 /

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    Andrea Monti

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    The Driver

    August 8, 2015

    Using a 1960 Leica Elmarit 90/2,8 on a Fuji X-T3

    April 5, 2021

    Boat Maintenance At Genova’s Porto Antico

    July 30, 2014
  • Colour,  Daily photo,  People,  Seasons,  Street Photography,  Summer

    In the Rain, A Helping Hand

    July 10, 2019 /

    The rain hit fast and hard. Streets turned to rivers in minutes. I was sheltering under a bus stop roof, camera still strapped around my shoulder, when I saw the man go down. Not dramatically—just a slow, heavy fall as he misjudged the kerb under the surge of water. Then came the officer. No hesitation. No fuss. Just a clean, instinctive move to lift him. The Leica didn’t leave my eye. I shot quickly—no time to compose in a traditional sense, but sometimes the moment doesn’t wait for your geometry. The turquoise pole on the left anchors the frame almost by accident. The crossing lines in the background help balance…

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    Andrea Monti

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    Couples

    May 17, 2013

    The call that never quite ends

    March 4, 2014

    Generations – I

    August 6, 2014
  • Colour,  Daily photo,  Fighters,  Fighting Disciplines,  People,  Sport,  Spring

    Mid-Knee Clinch

    July 7, 2019 /

    This frame caught the clinch mid-knee, elbows locked, muscles in tension, balance tipping. I didn’t fire in burst—timing was deliberate. The image had to hold the convergence of force and geometry: shin to torso, fists to neck, backs arched into compression. Shot ringside at f/2.8 with a fast telephoto, ISO pushed to 3200 under dim sodium-halide lights softened by overhead mesh. Shutter at 1/640s, just enough to freeze impact without killing the tension in the stance. Noise control was adequate. Detail retained in skin texture and compression shorts without artificial smoothing. Lighting was patchy but consistent enough to avoid burnouts. Composition obeys containment. The cage creates the visual boundary, but…

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    Andrea Monti

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    A ‘Trabocco’ on the Adriatic Sea

    April 20, 2021

    Watching the Eiffel Tower

    October 14, 2013

    A Few More Shots From An Urban Exploration Trip

    September 20, 2025
  • Colour,  Daily photo

    Collision Path

    July 5, 2019 /

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    Andrea Monti

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    Gary O’ Toole

    July 15, 2017

    Three’s Company

    November 14, 2014

    Negrita’s Cover Band

    September 19, 2013

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