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Andrea Monti

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  • Colour,  Daily photo,  Nagoya,  Parks,  People,  Seasons,  Summer

    Street Magic@Nagoya Castle

    July 21, 2019 /

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    Andrea Monti

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    A Silohuette on the Bridge

    March 3, 2014

    Belgian Chocolate – Neuhaus

    November 16, 2015

    A Japanese Luthier and a Fingerstyle Player from My Home Region (and My Past) – A One shot story

    January 22, 2025
  • Cities,  Colour,  Daily photo,  Nagoya,  People,  Restaurants&Bar,  Seasons,  Summer

    Fast Food Loneliness in Nagoya…

    July 17, 2019 /

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    Andrea Monti

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    Alone

    December 31, 2017

    Don’t Forget!

    March 27, 2013

    Carl Zeiss Ultron 50/1,8 and Pentax K1 – An Empirical Field Test

    February 11, 2026
  • Colour,  Daily photo,  People,  Seasons,  Street Photography,  Summer

    In the Rain, A Helping Hand

    July 10, 2019 /

    The rain hit fast and hard. Streets turned to rivers in minutes. I was sheltering under a bus stop roof, camera still strapped around my shoulder, when I saw the man go down. Not dramatically—just a slow, heavy fall as he misjudged the kerb under the surge of water. Then came the officer. No hesitation. No fuss. Just a clean, instinctive move to lift him. The Leica didn’t leave my eye. I shot quickly—no time to compose in a traditional sense, but sometimes the moment doesn’t wait for your geometry. The turquoise pole on the left anchors the frame almost by accident. The crossing lines in the background help balance…

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    Andrea Monti

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    The Hasselblad Way

    January 2, 2014

    The Coach

    December 9, 2018

    @Rome Maker Faire – 2

    October 10, 2014
  • Colour,  Daily photo,  Fighters,  Fighting Disciplines,  People,  Sport,  Spring

    Mid-Knee Clinch

    July 7, 2019 /

    This frame caught the clinch mid-knee, elbows locked, muscles in tension, balance tipping. I didn’t fire in burst—timing was deliberate. The image had to hold the convergence of force and geometry: shin to torso, fists to neck, backs arched into compression. Shot ringside at f/2.8 with a fast telephoto, ISO pushed to 3200 under dim sodium-halide lights softened by overhead mesh. Shutter at 1/640s, just enough to freeze impact without killing the tension in the stance. Noise control was adequate. Detail retained in skin texture and compression shorts without artificial smoothing. Lighting was patchy but consistent enough to avoid burnouts. Composition obeys containment. The cage creates the visual boundary, but…

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    Andrea Monti

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    Wrecked Hull

    February 14, 2014

    A Lighthouse

    October 11, 2023

    Crowd Control

    February 14, 2016
  • Colour,  Daily photo

    Collision Path

    July 5, 2019 /

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    Andrea Monti

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    Damned Autofocus

    April 20, 2014

    Red Fan

    June 14, 2022

    Late-afternoon’s snack

    April 15, 2013

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