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Andrea Monti

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  • Colour,  Daily photo,  Nagoya,  Parks,  People,  Seasons,  Summer

    Street Magic@Nagoya Castle

    July 21, 2019 /

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    Andrea Monti

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    When Heroes Come to Town

    April 17, 2019

    The SoundMaster

    July 10, 2013

    A Ryanair Aircraft

    August 21, 2018
  • Cities,  Colour,  Daily photo,  Nagoya,  People,  Restaurants&Bar,  Seasons,  Summer

    Fast Food Loneliness in Nagoya…

    July 17, 2019 /

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    Andrea Monti

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    The Stupidity of Being Stubborn

    August 31, 2024

    None of Your Business

    October 2, 2013

    The Sprint Before the Ride

    August 8, 2013
  • Colour,  Daily photo,  People,  Seasons,  Street Photography,  Summer

    In the Rain, A Helping Hand

    July 10, 2019 /

    The rain hit fast and hard. Streets turned to rivers in minutes. I was sheltering under a bus stop roof, camera still strapped around my shoulder, when I saw the man go down. Not dramatically—just a slow, heavy fall as he misjudged the kerb under the surge of water. Then came the officer. No hesitation. No fuss. Just a clean, instinctive move to lift him. The Leica didn’t leave my eye. I shot quickly—no time to compose in a traditional sense, but sometimes the moment doesn’t wait for your geometry. The turquoise pole on the left anchors the frame almost by accident. The crossing lines in the background help balance…

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    Andrea Monti

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    Nature gets its space back…

    November 7, 2018

    Canon EOS-M. Useless for Street-Photography

    March 28, 2013

    Out of Focus, again

    October 3, 2013
  • Colour,  Daily photo,  Fighters,  Fighting Disciplines,  People,  Sport,  Spring

    Mid-Knee Clinch

    July 7, 2019 /

    This frame caught the clinch mid-knee, elbows locked, muscles in tension, balance tipping. I didn’t fire in burst—timing was deliberate. The image had to hold the convergence of force and geometry: shin to torso, fists to neck, backs arched into compression. Shot ringside at f/2.8 with a fast telephoto, ISO pushed to 3200 under dim sodium-halide lights softened by overhead mesh. Shutter at 1/640s, just enough to freeze impact without killing the tension in the stance. Noise control was adequate. Detail retained in skin texture and compression shorts without artificial smoothing. Lighting was patchy but consistent enough to avoid burnouts. Composition obeys containment. The cage creates the visual boundary, but…

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    Andrea Monti

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    The Cameraman

    July 17, 2013

    Via Collina, Empty, From Above

    September 13, 2014

    Belgian Chocolate – Godiva

    November 20, 2015
  • Colour,  Daily photo

    Collision Path

    July 5, 2019 /

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    Andrea Monti

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    Lost in Another World

    March 17, 2014

    A young Iron Maiden fan

    April 8, 2013

    Is AI-generated art actually killing ‘real’ Art?

    September 16, 2022

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