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Andrea Monti

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  • Bottles&Cups,  Colour,  Daily photo,  Winter

    Don’t They Drink Tea, Instead?

    December 27, 2016 /

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    Andrea Monti

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    The Porter

    July 3, 2015

    @ Mediterranean Beach Games 2015 – Beach Wrestlers

    October 21, 2015

    Mir-20 20mm 3.5 on a Pentax K1-II – A Field Test

    January 18, 2025
  • Artists,  B&W,  Daily photo,  People,  Winter

    The Choir Master

    December 24, 2016 /

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    Andrea Monti

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    A Seagull

    May 10, 2021

    Blowin in the Wind

    February 8, 2014

    The Abused Balcony

    February 17, 2014
  • Artists,  B&W,  Daily photo,  People,  Seasons,  Winter

    Interplay

    December 22, 2016 /

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    Andrea Monti

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    Serva padrona @ Teatro Marrucino

    October 1, 2023

    Night Shift At The Gas Station

    November 11, 2013

    Room 17 – VIXI

    March 27, 2015
  • Bruxelles,  Cars&Bikes,  Colour,  Daily photo,  Seasons,  Winter

    Traffic Master

    December 19, 2016 /

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    Andrea Monti

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    Shade of Berlin

    April 23, 2013

    A Cello’s Player

    February 8, 2015

    The Boat That Never Left

    September 26, 2019
  • Artists,  B&W,  Daily photo,  People,  Winter

    A Focused (or Sad) Violinist

    December 17, 2016 /

    There are moments in photography when ambiguity becomes its greatest strength. A Focused (or Sad) Violinist captures one of those moments—a fleeting expression caught between concentration and melancholy, leaving the viewer unsure which emotion truly takes precedence. The composition is deliberately layered, with the foreground figure—out of focus—providing a soft frame for the central subject. This technique draws the eye directly to the violinist, whose gaze is fixed slightly to the side, lost either in the music or in a private thought. The choice to work with a shallow depth of field accentuates her presence while allowing the surrounding players to dissolve into a gentle blur, reinforcing the sense of…

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    Andrea Monti

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    Just a Soccer Field… Part 1

    February 3, 2014

    The Eye

    April 25, 2014

    Efesto’s New Production Line

    September 20, 2014
  • B&W,  Daily photo,  People,  Social Control,  Winter

    A Pensive Nun

    December 14, 2016 /

    I took this photo during a quiet moment in a Roman church. I wasn’t looking for drama. I wasn’t even looking for a nun. I was watching light — soft, diffused, the kind that reveals more than it conceals. Then she shifted her weight, her arm fell to the bench, and the composition drew itself. The image balances solitude and collective presence. She sits in isolation, yet she’s surrounded. Everyone in that frame is turned inward — praying, grieving, thinking, hiding. It’s an ensemble of introspection, and she anchors it without knowing. I shot this on film. Ilford HP5 pushed to 1600. The grain works with the silence; it has…

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    Andrea Monti

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    Crowd Control At Dusk

    July 16, 2013

    Last Check Before the Start

    July 29, 2015

    A Nikon’s Portrait Made With a Fuji

    January 14, 2016
  • Colour,  Daily photo,  Fighters,  People,  Winter

    Surreal Judo

    December 11, 2016 /

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    Andrea Monti

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    Out of Focus, again

    October 3, 2013

    The Financial Times at Night

    October 1, 2016

    Portrait of a (former) bike champion

    May 3, 2014
  • Colour,  Daily photo,  Shooting,  Winter

    Lost Bag

    December 8, 2016 /

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    Andrea Monti

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    Red Cross

    October 26, 2017

    A Weird Fujifilm Battery Issue for X-series cameras

    December 2, 2019

    UnortORTOdox (Ferrania)

    July 22, 2023
  • Cities,  Colour,  Daily photo,  Docks,  London,  Summer

    Up from the Waterline

    December 3, 2016 /

    As a photographer, I have always been drawn to the power of perspective—how the choice of vantage point can turn a simple set of stairs into a visual narrative. Up from the Waterline achieves precisely this, transforming an ordinary urban ascent into a scene layered with mood, tension, and a touch of mystery. Framed from the bottom of the stairwell, the composition draws the eye upward in a natural, almost subconscious motion. The heavy shadows along the concrete walls create a narrowing funnel of light, directing attention to the top landing where a burst of colour—a pot of flowers—awaits. This sudden contrast between the dark, gritty stone and the warm,…

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    Andrea Monti

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    Leica Shop @ Strada Maggiore

    May 11, 2017

    Ceci N’Est Pas Une Junior (or, Cognitive Dissonance – Part Two)

    December 12, 2025

    Clandestine Seagull

    November 24, 2013

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