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Andrea Monti

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  • Bottles&Cups,  Colour,  Daily photo,  Winter

    Don’t They Drink Tea, Instead?

    December 27, 2016 /

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    Andrea Monti

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    Wasted Shot Because iPhone 7 Poor Low-Light Handling

    January 22, 2019

    A young Iron Maiden fan

    April 8, 2013

    Get Ready for The Duty

    July 13, 2013
  • Artists,  B&W,  Daily photo,  People,  Winter

    The Choir Master

    December 24, 2016 /

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    Andrea Monti

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    Viltrox AF85/1,8 II XF. Reflexless?

    April 2, 2021

    The Restorer’s Nest

    June 27, 2013

    Parachute

    September 14, 2013
  • Artists,  B&W,  Daily photo,  People,  Seasons,  Winter

    Interplay

    December 22, 2016 /

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    Andrea Monti

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    Waiting To Board At Santa Margherita Ligure

    August 16, 2014

    Hey Mister!

    June 25, 2015

    The Shoesfixer

    September 7, 2014
  • Bruxelles,  Cars&Bikes,  Colour,  Daily photo,  Seasons,  Winter

    Traffic Master

    December 19, 2016 /

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    Andrea Monti

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    Helios 40-2 85/1,5 and Fuji X-T5: a sample

    June 21, 2023

    What Does ‘Professional’ Mean in Photography?

    March 19, 2024

    Carabinieri:To Serve And Protect

    February 8, 2016
  • Artists,  B&W,  Daily photo,  People,  Winter

    A Focused (or Sad) Violinist

    December 17, 2016 /

    There are moments in photography when ambiguity becomes its greatest strength. A Focused (or Sad) Violinist captures one of those moments—a fleeting expression caught between concentration and melancholy, leaving the viewer unsure which emotion truly takes precedence. The composition is deliberately layered, with the foreground figure—out of focus—providing a soft frame for the central subject. This technique draws the eye directly to the violinist, whose gaze is fixed slightly to the side, lost either in the music or in a private thought. The choice to work with a shallow depth of field accentuates her presence while allowing the surrounding players to dissolve into a gentle blur, reinforcing the sense of…

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    Andrea Monti

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    Last Check Before the Start

    July 29, 2015

    A Lamp

    November 14, 2015

    Bus Driver

    September 16, 2016
  • B&W,  Daily photo,  People,  Social Control,  Winter

    A Pensive Nun

    December 14, 2016 /

    I took this photo during a quiet moment in a Roman church. I wasn’t looking for drama. I wasn’t even looking for a nun. I was watching light — soft, diffused, the kind that reveals more than it conceals. Then she shifted her weight, her arm fell to the bench, and the composition drew itself. The image balances solitude and collective presence. She sits in isolation, yet she’s surrounded. Everyone in that frame is turned inward — praying, grieving, thinking, hiding. It’s an ensemble of introspection, and she anchors it without knowing. I shot this on film. Ilford HP5 pushed to 1600. The grain works with the silence; it has…

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    Andrea Monti

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    Hanging

    May 29, 2016

    Still Ruling The Empire

    February 5, 2022

    Lost in mumbling

    September 22, 2013
  • Colour,  Daily photo,  Fighters,  People,  Winter

    Surreal Judo

    December 11, 2016 /

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    Andrea Monti

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    Knowledge in the Atelier (or: The First Shot of 2026)

    January 1, 2026

    Caparezza – Live@Palamaggetti Roseto degli Abruzzi

    February 12, 2018

    Is the next Kano Jigoro already on the mat?

    November 7, 2013
  • Colour,  Daily photo,  Shooting,  Winter

    Lost Bag

    December 8, 2016 /

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    Andrea Monti

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    Easy To Shoot?

    December 12, 2020

    Wonder… Wall

    June 8, 2021

    Alone, Together…

    June 19, 2013
  • Cities,  Colour,  Daily photo,  Docks,  London,  Summer

    Up from the Waterline

    December 3, 2016 /

    As a photographer, I have always been drawn to the power of perspective—how the choice of vantage point can turn a simple set of stairs into a visual narrative. Up from the Waterline achieves precisely this, transforming an ordinary urban ascent into a scene layered with mood, tension, and a touch of mystery. Framed from the bottom of the stairwell, the composition draws the eye upward in a natural, almost subconscious motion. The heavy shadows along the concrete walls create a narrowing funnel of light, directing attention to the top landing where a burst of colour—a pot of flowers—awaits. This sudden contrast between the dark, gritty stone and the warm,…

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    Andrea Monti

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    Carl Zeiss T* 50 1,5 Sonnar and EOS EF-M 18-55

    August 4, 2013

    Uncertainity

    August 11, 2013

    Relax At The Rapallo’s Marina

    August 2, 2014

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