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Andrea Monti

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  • Bottles&Cups,  Colour,  Daily photo,  Winter

    Don’t They Drink Tea, Instead?

    December 27, 2016 /

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    Andrea Monti

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    Kime in Photography

    June 9, 2013

    St. Peter in Background

    December 5, 2013

    Santino’s Photo& Video at Broadway

    August 7, 2014
  • Artists,  B&W,  Daily photo,  People,  Winter

    The Choir Master

    December 24, 2016 /

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    Andrea Monti

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    The Financial Times at Night

    October 1, 2016

    Streetlight Duet

    June 30, 2014

    Home on the Range

    May 17, 2015
  • Artists,  B&W,  Daily photo,  People,  Seasons,  Winter

    Interplay

    December 22, 2016 /

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    Andrea Monti

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    The Cameraman

    July 17, 2013

    Portrait of a Politician – 2

    June 15, 2014

    Path of Life

    May 17, 2017
  • Bruxelles,  Cars&Bikes,  Colour,  Daily photo,  Seasons,  Winter

    Traffic Master

    December 19, 2016 /

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    Andrea Monti

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    Personal Musing On Monochrome Digital Cameras

    September 11, 2025

    True Leather (Saved by Photoshop’s Crop)

    January 18, 2016

    Norina shouts at Don Pasquale

    December 12, 2022
  • Artists,  B&W,  Daily photo,  People,  Winter

    A Focused (or Sad) Violinist

    December 17, 2016 /

    There are moments in photography when ambiguity becomes its greatest strength. A Focused (or Sad) Violinist captures one of those moments—a fleeting expression caught between concentration and melancholy, leaving the viewer unsure which emotion truly takes precedence. The composition is deliberately layered, with the foreground figure—out of focus—providing a soft frame for the central subject. This technique draws the eye directly to the violinist, whose gaze is fixed slightly to the side, lost either in the music or in a private thought. The choice to work with a shallow depth of field accentuates her presence while allowing the surrounding players to dissolve into a gentle blur, reinforcing the sense of…

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    Andrea Monti

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    Renovating Milan

    November 18, 2017

    Close up of an Ethnic Chessboard

    September 1, 2018

    Night Shift At The Gas Station

    November 11, 2013
  • B&W,  Daily photo,  People,  Social Control,  Winter

    A Pensive Nun

    December 14, 2016 /

    I took this photo during a quiet moment in a Roman church. I wasn’t looking for drama. I wasn’t even looking for a nun. I was watching light — soft, diffused, the kind that reveals more than it conceals. Then she shifted her weight, her arm fell to the bench, and the composition drew itself. The image balances solitude and collective presence. She sits in isolation, yet she’s surrounded. Everyone in that frame is turned inward — praying, grieving, thinking, hiding. It’s an ensemble of introspection, and she anchors it without knowing. I shot this on film. Ilford HP5 pushed to 1600. The grain works with the silence; it has…

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    Andrea Monti

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    Avvocati. A New Book

    October 11, 2015

    Surreal Judo

    December 11, 2016

    Scarf’s Meeting

    March 5, 2014
  • Colour,  Daily photo,  Fighters,  People,  Winter

    Surreal Judo

    December 11, 2016 /

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    Andrea Monti

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    Tattoos in Barcelona

    August 18, 2014

    An Essay on Composition

    February 14, 2021

    Rest on the lake

    April 29, 2013
  • Colour,  Daily photo,  Shooting,  Winter

    Lost Bag

    December 8, 2016 /

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    Andrea Monti

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    5 frames with a Kiev 60, a Volna 80/2,8 and a Ferrania Orto

    June 28, 2024

    Footprints in the Snow

    December 25, 2012

    Half a Bridge

    October 16, 2016
  • Cities,  Colour,  Daily photo,  Docks,  London,  Summer

    Up from the Waterline

    December 3, 2016 /

    As a photographer, I have always been drawn to the power of perspective—how the choice of vantage point can turn a simple set of stairs into a visual narrative. Up from the Waterline achieves precisely this, transforming an ordinary urban ascent into a scene layered with mood, tension, and a touch of mystery. Framed from the bottom of the stairwell, the composition draws the eye upward in a natural, almost subconscious motion. The heavy shadows along the concrete walls create a narrowing funnel of light, directing attention to the top landing where a burst of colour—a pot of flowers—awaits. This sudden contrast between the dark, gritty stone and the warm,…

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    Andrea Monti

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    Friend or Foe?

    January 21, 2013

    Boat Dock Bumpers

    October 26, 2014

    A Fujifilm X-E1 Annoyance

    April 15, 2014

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