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Andrea Monti

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  • Bottles&Cups,  Colour,  Daily photo,  Winter

    Don’t They Drink Tea, Instead?

    December 27, 2016 /

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    Andrea Monti

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    The Quiet Riot

    November 19, 2017

    An Old Portable Camera

    October 14, 2014

    The Pulse of Passion: A Story Told in Red

    August 9, 2018
  • Artists,  B&W,  Daily photo,  People,  Winter

    The Choir Master

    December 24, 2016 /

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    Andrea Monti

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    Final Arrangements Before the Hearing

    April 19, 2015

    The Last Journey Of An Hero of Italian Motoring

    March 7, 2021

    Red Storm

    June 30, 2013
  • Artists,  B&W,  Daily photo,  People,  Seasons,  Winter

    Interplay

    December 22, 2016 /

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    Andrea Monti

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    Longtime Abandoned

    May 30, 2014

    Creativity vs Originality

    March 11, 2024

    Tattoos in Barcelona

    August 18, 2014
  • Bruxelles,  Cars&Bikes,  Colour,  Daily photo,  Seasons,  Winter

    Traffic Master

    December 19, 2016 /

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    Andrea Monti

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    LP – Live@Anfiteatro La Civitella

    July 22, 2022

    Real Time Update

    February 20, 2016

    Why Writing About Photography Matters (or: The Importance of Re-inventing the Wheel)

    April 9, 2026
  • Artists,  B&W,  Daily photo,  People,  Winter

    A Focused (or Sad) Violinist

    December 17, 2016 /

    There are moments in photography when ambiguity becomes its greatest strength. A Focused (or Sad) Violinist captures one of those moments—a fleeting expression caught between concentration and melancholy, leaving the viewer unsure which emotion truly takes precedence. The composition is deliberately layered, with the foreground figure—out of focus—providing a soft frame for the central subject. This technique draws the eye directly to the violinist, whose gaze is fixed slightly to the side, lost either in the music or in a private thought. The choice to work with a shallow depth of field accentuates her presence while allowing the surrounding players to dissolve into a gentle blur, reinforcing the sense of…

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    Andrea Monti

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    Learning to Shoot Boxing Matches

    July 18, 2024

    The perfect ski outfit

    March 12, 2013

    Renovating Milan

    November 18, 2017
  • B&W,  Daily photo,  People,  Social Control,  Winter

    A Pensive Nun

    December 14, 2016 /

    I took this photo during a quiet moment in a Roman church. I wasn’t looking for drama. I wasn’t even looking for a nun. I was watching light — soft, diffused, the kind that reveals more than it conceals. Then she shifted her weight, her arm fell to the bench, and the composition drew itself. The image balances solitude and collective presence. She sits in isolation, yet she’s surrounded. Everyone in that frame is turned inward — praying, grieving, thinking, hiding. It’s an ensemble of introspection, and she anchors it without knowing. I shot this on film. Ilford HP5 pushed to 1600. The grain works with the silence; it has…

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    Andrea Monti

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    Shooting Fast Alfa Romeo on a Race Track

    October 22, 2024

    Getting In The Zone Before the Shot

    November 28, 2016

    A Knitting Shop in Rovereto

    March 21, 2026
  • Colour,  Daily photo,  Fighters,  People,  Winter

    Surreal Judo

    December 11, 2016 /

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    Andrea Monti

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    Weren’t a Smartphone and a Selfie Stick Enough?

    October 6, 2016

    When Tilted Photos Work

    December 18, 2019

    Sunny Afternoon

    January 22, 2013
  • Colour,  Daily photo,  Shooting,  Winter

    Lost Bag

    December 8, 2016 /

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    Andrea Monti

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    Strategy

    September 20, 2018

    When Heroes Come to Town

    April 17, 2019

    The Lost Church

    July 16, 2014
  • Cities,  Colour,  Daily photo,  Docks,  London,  Summer

    Up from the Waterline

    December 3, 2016 /

    As a photographer, I have always been drawn to the power of perspective—how the choice of vantage point can turn a simple set of stairs into a visual narrative. Up from the Waterline achieves precisely this, transforming an ordinary urban ascent into a scene layered with mood, tension, and a touch of mystery. Framed from the bottom of the stairwell, the composition draws the eye upward in a natural, almost subconscious motion. The heavy shadows along the concrete walls create a narrowing funnel of light, directing attention to the top landing where a burst of colour—a pot of flowers—awaits. This sudden contrast between the dark, gritty stone and the warm,…

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    Andrea Monti

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    Red Wine Makes Good Blood…

    April 27, 2014

    Street Crossing

    September 17, 2014

    At the theater, between two scenes

    June 15, 2015

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