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Andrea Monti

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  • B&W,  Daily photo,  Lines,  Spring,  Visual

    Stripes in B&W

    April 29, 2015 /

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    Andrea Monti

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    Ceci N’Est Pas Une Pipe

    September 27, 2014

    Humannequin

    January 10, 2013

    Bent

    April 21, 2014
  • Colour,  Daily photo,  Social Control,  Spring

    Hammer and Sickle

    April 27, 2015 /

    The image presents a straightforward urban fragment: an electrical cabinet bearing two layers of graffiti, one in red, one in blue. The red, unmistakably, forms the hammer and sickle symbol — sprayed quickly, with visible vertical striations from the cabinet’s ridged surface disrupting its edges. The blue tag below is broader, more gestural, perhaps made with a thicker nozzle and without concern for the political overtones of what sits above it. Compositionally, the vertical framing suits the subject, containing the entire cabinet and the immediate environment. The flanking pipes and textured wall create a symmetrical boundary, keeping the viewer’s focus on the graffiti itself. The alignment is square and deliberate,…

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    Andrea Monti

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    Free Shoes On A Hot Day

    October 8, 2014

    Steve Hackett – Live@Teatro d’Annunzio

    July 8, 2017

    How to Shoot an Handball Match with a Film Camera

    May 25, 2024
  • Beach&Shores,  Colour,  Daily photo

    Rusted Platform

    April 25, 2015 /

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    Andrea Monti

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    @Rome Maker Faire – 4. The Hands Controller

    October 16, 2014

    Nagoya’s reportage featured in The Good Life

    October 29, 2020

    Abruzzo’s made Coke??

    March 26, 2013
  • Colour,  Daily photo,  Gates&Fences,  Spring

    Springtime

    April 23, 2015 /

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    Andrea Monti

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    Urban Totem

    April 29, 2014

    The Ferrania Film Series – Episode 1 – Ferrania Orto shot on October/November 2023

    August 7, 2024

    Wet Socks

    July 19, 2014
  • B&W,  Court,  Daily photo,  Rome

    Trial Docks Waiting for the Justice to Come

    April 21, 2015 /

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    Andrea Monti

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    Moistmaker@Piazza della Rotonda

    July 12, 2018

    A Special Dress for a Special Party

    July 6, 2016

    Distraction

    April 6, 2016
  • B&W,  Court,  Daily photo,  Rome,  Spring

    Final Arrangements Before the Hearing

    April 19, 2015 /

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    Andrea Monti

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    A Young Sailor in Open Sea

    August 11, 2014

    Portrait with Skewers

    December 6, 2014

    Audience

    February 20, 2014
  • B&W,  Bottles&Cups,  Daily photo,  Spring

    Writer Inspiration’s Tools

    April 17, 2015 /

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    Andrea Monti

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    Run Like Hell, Pinocchio!

    February 24, 2015

    Who wants to live forever?

    June 15, 2013

    5 frames exploring the Sporting Gun Culture in Italy

    April 15, 2025
  • B&W,  Court,  Daily photo,  Rome,  Social Control

    Outside the Courthall

    April 15, 2015 /

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    Andrea Monti

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    Street Magic@Nagoya Castle

    July 21, 2019

    @ Mediterranean Beach Games 2015 – Italian Female Rowing Team

    October 25, 2015

    Buying Chocolate

    October 31, 2015
  • B&W,  Court,  Daily photo,  Spring

    Too Late

    April 10, 2015 /

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    Andrea Monti

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    Mind The Gap!

    July 5, 2014

    Skating on Avenue Louise

    April 1, 2014

    Silent Among Many Voices

    January 1, 2013
  • Colour,  Daily photo,  Past&Relics,  Spring

    Italian Stardust

    April 6, 2015 /

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    Andrea Monti

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    Bicycle

    February 2, 2015

    Sleep Wins

    August 30, 2013

    Nagoya’s reportage featured in The Good Life

    October 29, 2020
  • B&W,  Court,  Daily photo,  Rome,  Spring

    Behind the Glass

    April 4, 2015 /

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    Andrea Monti

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    Rest in peace

    March 13, 2013

    Moistmaker@Piazza della Rotonda

    July 12, 2018

    A Few Shots with the 7Artisans 35mm f/0.95 in X-Mount

    October 24, 2024
  • Colour,  Daily photo,  People,  Streets&Squares,  Winter

    Where Did I Left My Car?

    April 2, 2015 /

    When I framed “Where Did I Left My Car”, I was chasing absence, presence, and the city’s quiet accusation. I recall stepping into a narrow lane, scanning facades, light and shadow, empty spots. I trained the lens not on what was there, but on what was not. The void became subject. I waited until all cars had passed, until the frame was emptied. Then I held the shutter, letting the urban grid, the lines of curb, doorways, and windows become witnesses. The emptiness sits heavy, like a question mark in concrete. I chose a vantage point slightly off-centre. The negative space on one side is meant to feel unbalanced—echoing the unease…

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    Andrea Monti

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    Lost in iPhone while the wind blows

    January 23, 2013

    Gravity on Pause

    September 5, 2025

    The Spinners

    June 13, 2013
  • Colour,  Daily photo,  Photography,  Thoughts

    Money Doesn’t Smell

    April 2, 2015 /

    The main photo depicts a Syrian kid surrending to a photographer, whose camera she thought was a weapon, while the side pictures are automatically displayed by the advertising engine of the online newspaper. There is a contrast between the brutal reality where the kid lives and the luxury aura implied by the two fashion shot that shows how insensitive magazine editors can be. I understand the need to monetize every click or content, but I’m not sure that this is the right way to do it. Why don’t chose, for instance, to advertise a fund raising campaign supporting UNICEF or Doctors Without Borders? And, by the way, I don’t understand…

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    Andrea Monti

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    A Focused (or Sad) Violinist

    December 17, 2016

    The Godfather

    July 23, 2014

    Priority Pass Lounge at Fiumicino Airport

    November 30, 2015

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