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Andrea Monti

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  • B&W,  Daily photo,  Lines,  Spring,  Visual

    Stripes in B&W

    April 29, 2015 /

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    Andrea Monti

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    London in Motion: A Night Ride in a Single Frame

    October 26, 2016

    Mario Asks for it!

    April 9, 2014

    Lunchtime

    February 18, 2013
  • Colour,  Daily photo,  Social Control,  Spring

    Hammer and Sickle

    April 27, 2015 /

    The image presents a straightforward urban fragment: an electrical cabinet bearing two layers of graffiti, one in red, one in blue. The red, unmistakably, forms the hammer and sickle symbol — sprayed quickly, with visible vertical striations from the cabinet’s ridged surface disrupting its edges. The blue tag below is broader, more gestural, perhaps made with a thicker nozzle and without concern for the political overtones of what sits above it. Compositionally, the vertical framing suits the subject, containing the entire cabinet and the immediate environment. The flanking pipes and textured wall create a symmetrical boundary, keeping the viewer’s focus on the graffiti itself. The alignment is square and deliberate,…

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    Andrea Monti

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    A Sailors’ Warehouse

    September 9, 2014

    Los Niños y El Tocaor

    October 30, 2017

    Conversation

    September 14, 2017
  • Beach&Shores,  Colour,  Daily photo

    Rusted Platform

    April 25, 2015 /

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    Andrea Monti

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    Sega Codemaster

    November 21, 2017

    A Broken Gearwheel

    August 27, 2014

    Modern Moai?

    October 10, 2023
  • Colour,  Daily photo,  Gates&Fences,  Spring

    Springtime

    April 23, 2015 /

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    Andrea Monti

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    Blow Up

    November 13, 2014

    Barbarians At the Beach

    August 30, 2021

    Missed Airplane

    December 4, 2017
  • B&W,  Court,  Daily photo,  Rome

    Trial Docks Waiting for the Justice to Come

    April 21, 2015 /

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    Andrea Monti

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    Poetry Still Survives

    June 7, 2014

    Portrait of a young guitar player

    May 4, 2014

    Alex Britti – Live@Cinema teatro Massimo – Pescara

    April 3, 2016
  • B&W,  Court,  Daily photo,  Rome,  Spring

    Final Arrangements Before the Hearing

    April 19, 2015 /

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    Andrea Monti

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    Labour Spilling Into Transit Time

    December 30, 2025

    Hanging

    January 19, 2015

    Cultural Variety In Helsinki

    September 24, 2022
  • B&W,  Bottles&Cups,  Daily photo,  Spring

    Writer Inspiration’s Tools

    April 17, 2015 /

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    Andrea Monti

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    Much Too Powerful a Knock…

    June 3, 2014

    Still Together

    April 20, 2013

    When the Rubbish Basket is full…

    December 13, 2013
  • B&W,  Court,  Daily photo,  Rome,  Social Control

    Outside the Courthall

    April 15, 2015 /

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    Andrea Monti

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    Just A Cat

    June 29, 2014

    Friendship is Forever

    March 6, 2014

    Alien Veins

    December 3, 2014
  • B&W,  Court,  Daily photo,  Spring

    Too Late

    April 10, 2015 /

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    Andrea Monti

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    Shooting a Roller Derby Bout

    November 19, 2024

    The Sprint Before the Ride

    August 8, 2013

    Winter Leaves

    December 9, 2014
  • Colour,  Daily photo,  Past&Relics,  Spring

    Italian Stardust

    April 6, 2015 /

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    Andrea Monti

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    On Air

    July 22, 2014

    A Bookstore in the Gallery

    December 22, 2013

    The Sorcerer’s Shop

    November 1, 2016
  • B&W,  Court,  Daily photo,  Rome,  Spring

    Behind the Glass

    April 4, 2015 /

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    Andrea Monti

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    Staring At The Infinite (While Waiting For The Fishes)

    August 1, 2014

    Foto-Grafo featured on Yanidel.net

    March 20, 2013

    What’s the Time?

    October 8, 2019
  • Colour,  Daily photo,  People,  Streets&Squares,  Winter

    Where Did I Left My Car?

    April 2, 2015 /

    When I framed “Where Did I Left My Car”, I was chasing absence, presence, and the city’s quiet accusation. I recall stepping into a narrow lane, scanning facades, light and shadow, empty spots. I trained the lens not on what was there, but on what was not. The void became subject. I waited until all cars had passed, until the frame was emptied. Then I held the shutter, letting the urban grid, the lines of curb, doorways, and windows become witnesses. The emptiness sits heavy, like a question mark in concrete. I chose a vantage point slightly off-centre. The negative space on one side is meant to feel unbalanced—echoing the unease…

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    Andrea Monti

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    The Ubiquitous Mobile

    July 14, 2016

    A Fix for the Wikipedia Photos’ Copyright Scams?

    December 19, 2020

    Leaving

    September 27, 2018
  • Colour,  Daily photo,  Photography,  Thoughts

    Money Doesn’t Smell

    April 2, 2015 /

    The main photo depicts a Syrian kid surrending to a photographer, whose camera she thought was a weapon, while the side pictures are automatically displayed by the advertising engine of the online newspaper. There is a contrast between the brutal reality where the kid lives and the luxury aura implied by the two fashion shot that shows how insensitive magazine editors can be. I understand the need to monetize every click or content, but I’m not sure that this is the right way to do it. Why don’t chose, for instance, to advertise a fund raising campaign supporting UNICEF or Doctors Without Borders? And, by the way, I don’t understand…

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    Andrea Monti

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    The Empty Stage

    November 25, 2013

    Tired or Fascinated?

    October 21, 2013

    Seeking Directions – Where Do I Go From Here?

    September 10, 2013

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