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Andrea Monti

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  • B&W,  Daily photo,  Lines,  Spring,  Visual

    Stripes in B&W

    April 29, 2015 /

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    Andrea Monti

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    Snaps of a Flamenco recital…

    April 26, 2013

    5 frames with a Canon R6 Mk II and its RF 50/1,2 L USM

    September 28, 2024

    Easy Parking

    August 12, 2013
  • Colour,  Daily photo,  Social Control,  Spring

    Hammer and Sickle

    April 27, 2015 /

    The image presents a straightforward urban fragment: an electrical cabinet bearing two layers of graffiti, one in red, one in blue. The red, unmistakably, forms the hammer and sickle symbol — sprayed quickly, with visible vertical striations from the cabinet’s ridged surface disrupting its edges. The blue tag below is broader, more gestural, perhaps made with a thicker nozzle and without concern for the political overtones of what sits above it. Compositionally, the vertical framing suits the subject, containing the entire cabinet and the immediate environment. The flanking pipes and textured wall create a symmetrical boundary, keeping the viewer’s focus on the graffiti itself. The alignment is square and deliberate,…

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    Andrea Monti

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    Protected: Prova Aurum

    April 25, 2014

    Portraits From Nagoro, the Scarecrows’ Village

    December 25, 2025

    Blowin in the Wind

    February 8, 2014
  • Beach&Shores,  Colour,  Daily photo

    Rusted Platform

    April 25, 2015 /

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    Andrea Monti

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    Sweet Dilemma

    November 4, 2015

    Pentax k-5 And The Aquapack 458

    August 15, 2014

    The First Picture of the Year

    January 5, 2019
  • Colour,  Daily photo,  Gates&Fences,  Spring

    Springtime

    April 23, 2015 /

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    Andrea Monti

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    When Faith Is Gone

    June 20, 2026

    Money Doesn’t Smell

    April 2, 2015

    The Financial Times at Night

    October 1, 2016
  • B&W,  Court,  Daily photo,  Rome

    Trial Docks Waiting for the Justice to Come

    April 21, 2015 /

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    Andrea Monti

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    The Road To Justice

    August 31, 2014

    Hanging

    May 29, 2016

    What Could I Do?

    April 18, 2016
  • B&W,  Court,  Daily photo,  Rome,  Spring

    Final Arrangements Before the Hearing

    April 19, 2015 /

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    Andrea Monti

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    The Stupidity of Being Stubborn

    August 31, 2024

    Beach Party

    January 22, 2022

    Nittele Tower

    April 25, 2022
  • B&W,  Bottles&Cups,  Daily photo,  Spring

    Writer Inspiration’s Tools

    April 17, 2015 /

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    Andrea Monti

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    Gloves

    October 19, 2014

    Careful With That Bike, Eugene!

    July 29, 2013

    Justice measured as the distance between Words and Facts

    July 10, 2023
  • B&W,  Court,  Daily photo,  Rome,  Social Control

    Outside the Courthall

    April 15, 2015 /

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    Andrea Monti

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    A Young Sailor in Open Sea

    August 11, 2014

    LP – Live@Anfiteatro La Civitella – The photogallery

    July 11, 2022

    Just a Soccer Field… Part 1

    February 3, 2014
  • B&W,  Court,  Daily photo,  Spring

    Too Late

    April 10, 2015 /

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    Andrea Monti

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    The Calm Newsreader

    July 4, 2013

    Up Where the World Unfolds

    November 16, 2013

    In praise of ‘cheap’ lenses for ‘pro’ works

    April 4, 2021
  • Colour,  Daily photo,  Past&Relics,  Spring

    Italian Stardust

    April 6, 2015 /

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    Andrea Monti

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    A Fisherman

    December 25, 2014

    An interesting reading

    May 13, 2013

    Beer or Spritz?

    November 1, 2019
  • B&W,  Court,  Daily photo,  Rome,  Spring

    Behind the Glass

    April 4, 2015 /

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    Andrea Monti

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    Roman Break

    April 21, 2013

    Where Are Skilifts Supposed to Be?

    January 7, 2017

    Seeking Directions – Where Do I Go From Here?

    September 10, 2013
  • Colour,  Daily photo,  People,  Streets&Squares,  Winter

    Where Did I Left My Car?

    April 2, 2015 /

    When I framed “Where Did I Left My Car”, I was chasing absence, presence, and the city’s quiet accusation. I recall stepping into a narrow lane, scanning facades, light and shadow, empty spots. I trained the lens not on what was there, but on what was not. The void became subject. I waited until all cars had passed, until the frame was emptied. Then I held the shutter, letting the urban grid, the lines of curb, doorways, and windows become witnesses. The emptiness sits heavy, like a question mark in concrete. I chose a vantage point slightly off-centre. The negative space on one side is meant to feel unbalanced—echoing the unease…

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    Andrea Monti

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    Strolling in Stockholm

    July 4, 2016

    Tough Enough

    January 27, 2013

    A chat on a lake shore

    May 6, 2013
  • Colour,  Daily photo,  Photography,  Thoughts

    Money Doesn’t Smell

    April 2, 2015 /

    The main photo depicts a Syrian kid surrending to a photographer, whose camera she thought was a weapon, while the side pictures are automatically displayed by the advertising engine of the online newspaper. There is a contrast between the brutal reality where the kid lives and the luxury aura implied by the two fashion shot that shows how insensitive magazine editors can be. I understand the need to monetize every click or content, but I’m not sure that this is the right way to do it. Why don’t chose, for instance, to advertise a fund raising campaign supporting UNICEF or Doctors Without Borders? And, by the way, I don’t understand…

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    Andrea Monti

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    Killing Santa? Really?

    January 25, 2013

    Relaxed Call at Boulevard du Palais

    March 19, 2014

    As Time Goes By

    June 11, 2013

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