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Andrea Monti

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  • B&W,  Daily photo,  Lines,  Spring,  Visual

    Stripes in B&W

    April 29, 2015 /

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    Andrea Monti

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    José Ignacio Franco – Live@Auditorium Petruzzi

    July 31, 2022

    Too Late

    April 10, 2015

    Rest in peace

    March 13, 2013
  • Colour,  Daily photo,  Social Control,  Spring

    Hammer and Sickle

    April 27, 2015 /

    The image presents a straightforward urban fragment: an electrical cabinet bearing two layers of graffiti, one in red, one in blue. The red, unmistakably, forms the hammer and sickle symbol — sprayed quickly, with visible vertical striations from the cabinet’s ridged surface disrupting its edges. The blue tag below is broader, more gestural, perhaps made with a thicker nozzle and without concern for the political overtones of what sits above it. Compositionally, the vertical framing suits the subject, containing the entire cabinet and the immediate environment. The flanking pipes and textured wall create a symmetrical boundary, keeping the viewer’s focus on the graffiti itself. The alignment is square and deliberate,…

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    Andrea Monti

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    Early Morning Shaving on The Beach

    August 6, 2013

    The Worst Moment to Fix a Shoe’s Problem

    April 14, 2013

    Between Two Sets

    May 15, 2014
  • Beach&Shores,  Colour,  Daily photo

    Rusted Platform

    April 25, 2015 /

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    Andrea Monti

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    Sergey Krylov live@Teatro Marrucino

    February 21, 2022

    A (Soon) Lost Banner

    November 1, 2018

    The El Prat’s Lounge

    June 5, 2014
  • Colour,  Daily photo,  Gates&Fences,  Spring

    Springtime

    April 23, 2015 /

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    Andrea Monti

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    A young Iron Maiden fan

    April 8, 2013

    Blowin in the Wind

    February 8, 2014

    A Fence

    November 6, 2014
  • B&W,  Court,  Daily photo,  Rome

    Trial Docks Waiting for the Justice to Come

    April 21, 2015 /

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    Andrea Monti

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    Moonshot with a handheld Fuji XF150-600 and a Fuji X-T3

    April 24, 2023

    Leaving The Actor’s Studio

    January 14, 2014

    Somewhere in Japan

    May 19, 2014
  • B&W,  Court,  Daily photo,  Rome,  Spring

    Final Arrangements Before the Hearing

    April 19, 2015 /

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    Andrea Monti

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    Much Too Powerful a Knock…

    June 3, 2014

    Holding Against the Tide

    December 11, 2013

    Masters of Propaganda

    July 18, 2023
  • B&W,  Bottles&Cups,  Daily photo,  Spring

    Writer Inspiration’s Tools

    April 17, 2015 /

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    Andrea Monti

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    The Stare of a T800

    August 4, 2015

    One Shot Story: (Un)Available Coin Lockers at Shin Osaka Station

    December 22, 2024

    Sergey Krylov live@Teatro Marrucino

    February 21, 2022
  • B&W,  Court,  Daily photo,  Rome,  Social Control

    Outside the Courthall

    April 15, 2015 /

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    Andrea Monti

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    A true friend

    March 29, 2013

    The Real Street Photographer: Bold and Fearless

    February 25, 2013

    No Tablet, No Problem

    April 12, 2013
  • B&W,  Court,  Daily photo,  Spring

    Too Late

    April 10, 2015 /

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    Andrea Monti

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    The Oslo Opera House

    October 24, 2014

    Scarf’s Meeting

    March 5, 2014

    Real Time Update

    February 20, 2016
  • Colour,  Daily photo,  Past&Relics,  Spring

    Italian Stardust

    April 6, 2015 /

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    Andrea Monti

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    The Aperitif

    October 5, 2017

    The Bystander

    February 5, 2018

    Safe Living (?)

    July 28, 2016
  • B&W,  Court,  Daily photo,  Rome,  Spring

    Behind the Glass

    April 4, 2015 /

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    Andrea Monti

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    The El Prat’s Lounge

    June 5, 2014

    Avvocati. A New Book

    October 11, 2015

    Aren’t Tapas Spanish?

    June 29, 2015
  • Colour,  Daily photo,  People,  Streets&Squares,  Winter

    Where Did I Left My Car?

    April 2, 2015 /

    When I framed “Where Did I Left My Car”, I was chasing absence, presence, and the city’s quiet accusation. I recall stepping into a narrow lane, scanning facades, light and shadow, empty spots. I trained the lens not on what was there, but on what was not. The void became subject. I waited until all cars had passed, until the frame was emptied. Then I held the shutter, letting the urban grid, the lines of curb, doorways, and windows become witnesses. The emptiness sits heavy, like a question mark in concrete. I chose a vantage point slightly off-centre. The negative space on one side is meant to feel unbalanced—echoing the unease…

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    Andrea Monti

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    A Mini At The Garage

    June 16, 2013

    Spumante (Italian Champagne) ready to fuel the party

    May 29, 2013

    Who Dares Wins

    February 7, 2013
  • Colour,  Daily photo,  Photography,  Thoughts

    Money Doesn’t Smell

    April 2, 2015 /

    The main photo depicts a Syrian kid surrending to a photographer, whose camera she thought was a weapon, while the side pictures are automatically displayed by the advertising engine of the online newspaper. There is a contrast between the brutal reality where the kid lives and the luxury aura implied by the two fashion shot that shows how insensitive magazine editors can be. I understand the need to monetize every click or content, but I’m not sure that this is the right way to do it. Why don’t chose, for instance, to advertise a fund raising campaign supporting UNICEF or Doctors Without Borders? And, by the way, I don’t understand…

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    Andrea Monti

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    Forza Italia

    July 12, 2021

    Big Brother Enhanced

    May 1, 2013

    Lunar Network Or Snowy Mountain?

    May 5, 2015

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