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Andrea Monti

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  • B&W,  Daily photo,  Lines,  Spring,  Visual

    Stripes in B&W

    April 29, 2015 /

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    Andrea Monti

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    A Jazz-Manouche Guitar Player

    August 17, 2014

    Guess who’s happier?

    May 27, 2013

    Italy, Street-Photography and The Law – A Real Case

    October 3, 2014
  • Colour,  Daily photo,  Social Control,  Spring

    Hammer and Sickle

    April 27, 2015 /

    The image presents a straightforward urban fragment: an electrical cabinet bearing two layers of graffiti, one in red, one in blue. The red, unmistakably, forms the hammer and sickle symbol — sprayed quickly, with visible vertical striations from the cabinet’s ridged surface disrupting its edges. The blue tag below is broader, more gestural, perhaps made with a thicker nozzle and without concern for the political overtones of what sits above it. Compositionally, the vertical framing suits the subject, containing the entire cabinet and the immediate environment. The flanking pipes and textured wall create a symmetrical boundary, keeping the viewer’s focus on the graffiti itself. The alignment is square and deliberate,…

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    Andrea Monti

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    Pouring Water Since About 300 Years

    December 23, 2014

    The Temple of Justice

    February 25, 2017

    Footprints in the Snow

    December 25, 2012
  • Beach&Shores,  Colour,  Daily photo

    Rusted Platform

    April 25, 2015 /

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    Andrea Monti

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    The Nightmare

    August 23, 2013

    So Long, and Thank You for the Fish

    January 26, 2022

    Bless or Curse?

    August 12, 2014
  • Colour,  Daily photo,  Gates&Fences,  Spring

    Springtime

    April 23, 2015 /

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    Andrea Monti

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    Over There!

    May 29, 2022

    Longtime Abandoned

    May 30, 2014

    Not A Photography Anymore

    September 22, 2014
  • B&W,  Court,  Daily photo,  Rome

    Trial Docks Waiting for the Justice to Come

    April 21, 2015 /

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    Andrea Monti

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    Good Idea

    January 31, 2014

    Stairway to Hell

    January 9, 2022

    A (Soon) Lost Banner

    November 1, 2018
  • B&W,  Court,  Daily photo,  Rome,  Spring

    Final Arrangements Before the Hearing

    April 19, 2015 /

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    Andrea Monti

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    Different Financial Transactions

    November 3, 2016

    Fixing the ship

    August 18, 2021

    Visual

    January 18, 2013
  • B&W,  Bottles&Cups,  Daily photo,  Spring

    Writer Inspiration’s Tools

    April 17, 2015 /

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    Andrea Monti

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    The Expired Film Series – Episode 1 – Kodak BW400CN – Dec. 2014 shot in June 2023

    July 21, 2023

    A Missed Pricetag?

    January 29, 2013

    Not Sure I Would Like The Feel

    November 22, 2014
  • B&W,  Court,  Daily photo,  Rome,  Social Control

    Outside the Courthall

    April 15, 2015 /

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    Andrea Monti

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    A Fountain’s Jet

    April 12, 2021

    An Old Wi(n)dow

    November 17, 2014

    Das Feuerwehr

    April 17, 2018
  • B&W,  Court,  Daily photo,  Spring

    Too Late

    April 10, 2015 /

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    Andrea Monti

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    Red Fan

    June 14, 2022

    A Lamp

    November 14, 2015

    When Heroes Come to Town

    April 17, 2019
  • Colour,  Daily photo,  Past&Relics,  Spring

    Italian Stardust

    April 6, 2015 /

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    Andrea Monti

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    Too Busy to Enjoy the Life…

    April 12, 2014

    Hanging Towels

    March 29, 2014

    On Photography and Self-Delusion

    September 4, 2022
  • B&W,  Court,  Daily photo,  Rome,  Spring

    Behind the Glass

    April 4, 2015 /

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    Andrea Monti

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    Shrinking Knowledge Into A Small Brain

    July 24, 2018

    Just A Phone Call – 1

    February 18, 2015

    Last Check Before the Start

    July 29, 2015
  • Colour,  Daily photo,  People,  Streets&Squares,  Winter

    Where Did I Left My Car?

    April 2, 2015 /

    When I framed “Where Did I Left My Car”, I was chasing absence, presence, and the city’s quiet accusation. I recall stepping into a narrow lane, scanning facades, light and shadow, empty spots. I trained the lens not on what was there, but on what was not. The void became subject. I waited until all cars had passed, until the frame was emptied. Then I held the shutter, letting the urban grid, the lines of curb, doorways, and windows become witnesses. The emptiness sits heavy, like a question mark in concrete. I chose a vantage point slightly off-centre. The negative space on one side is meant to feel unbalanced—echoing the unease…

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    Andrea Monti

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    The Mailbox

    May 5, 2013

    A Sound Engineer

    March 10, 2016

    On the Edge of the World

    April 22, 2014
  • Colour,  Daily photo,  Photography,  Thoughts

    Money Doesn’t Smell

    April 2, 2015 /

    The main photo depicts a Syrian kid surrending to a photographer, whose camera she thought was a weapon, while the side pictures are automatically displayed by the advertising engine of the online newspaper. There is a contrast between the brutal reality where the kid lives and the luxury aura implied by the two fashion shot that shows how insensitive magazine editors can be. I understand the need to monetize every click or content, but I’m not sure that this is the right way to do it. Why don’t chose, for instance, to advertise a fund raising campaign supporting UNICEF or Doctors Without Borders? And, by the way, I don’t understand…

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    Andrea Monti

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    All Mobiles But One Book

    June 24, 2017

    Guarding Democracy

    June 14, 2023

    Fireworks on Film

    January 19, 2013

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