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Andrea Monti

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  • B&W,  Daily photo,  Lines,  Spring,  Visual

    Stripes in B&W

    April 29, 2015 /

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    Andrea Monti

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    Behind the Quirinale: Order After Dark

    January 23, 2026

    The Smoke Teacher

    July 1, 2013

    Pillars

    January 29, 2015
  • Colour,  Daily photo,  Social Control,  Spring

    Hammer and Sickle

    April 27, 2015 /

    The image presents a straightforward urban fragment: an electrical cabinet bearing two layers of graffiti, one in red, one in blue. The red, unmistakably, forms the hammer and sickle symbol — sprayed quickly, with visible vertical striations from the cabinet’s ridged surface disrupting its edges. The blue tag below is broader, more gestural, perhaps made with a thicker nozzle and without concern for the political overtones of what sits above it. Compositionally, the vertical framing suits the subject, containing the entire cabinet and the immediate environment. The flanking pipes and textured wall create a symmetrical boundary, keeping the viewer’s focus on the graffiti itself. The alignment is square and deliberate,…

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    Andrea Monti

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    Sailing Home

    October 4, 2023

    A Fujifilm X-E1 Annoyance

    April 15, 2014

    The Silent Listeners

    December 27, 2013
  • Beach&Shores,  Colour,  Daily photo

    Rusted Platform

    April 25, 2015 /

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    Andrea Monti

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    60×40 Borderless Printing with a HP Z3200ps 24

    May 11, 2014

    Mandatory Photo Position

    August 3, 2019

    Waiting for the Shinkansen – 1

    June 25, 2017
  • Colour,  Daily photo,  Gates&Fences,  Spring

    Springtime

    April 23, 2015 /

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    Andrea Monti

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    Modern Times

    January 6, 2013

    A pouch for the Fuji XF 150-600

    May 16, 2023

    Parisian’s Bags

    April 6, 2014
  • B&W,  Court,  Daily photo,  Rome

    Trial Docks Waiting for the Justice to Come

    April 21, 2015 /

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    Andrea Monti

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    What Does ‘Professional’ Mean in Photography?

    March 19, 2024

    Yet Another Dawn

    December 30, 2012

    Nightlife

    June 20, 2013
  • B&W,  Court,  Daily photo,  Rome,  Spring

    Final Arrangements Before the Hearing

    April 19, 2015 /

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    Andrea Monti

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    Shooting Historical European Martial Arts (HEMA)-like Events

    August 15, 2024

    Lost in Another World

    March 17, 2014

    MARTian Stairs

    March 25, 2026
  • B&W,  Bottles&Cups,  Daily photo,  Spring

    Writer Inspiration’s Tools

    April 17, 2015 /

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    Andrea Monti

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    Trust Us, We Care About You

    March 18, 2014

    The Real Street Photographer: Bold and Fearless

    February 25, 2013

    Audience

    February 20, 2014
  • B&W,  Court,  Daily photo,  Rome,  Social Control

    Outside the Courthall

    April 15, 2015 /

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    Andrea Monti

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    Easy Parking

    August 12, 2013

    Counter-intuitive Focus

    February 9, 2020

    Make Sense (or: Meaning is in the Eye of the Beholder)

    October 10, 2025
  • B&W,  Court,  Daily photo,  Spring

    Too Late

    April 10, 2015 /

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    Andrea Monti

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    A Panorama

    December 30, 2014

    A Bridge

    September 22, 2019

    Floating

    October 7, 2023
  • Colour,  Daily photo,  Past&Relics,  Spring

    Italian Stardust

    April 6, 2015 /

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    Andrea Monti

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    A Haunted(?) House

    September 19, 2014

    Handling the Fishnet

    October 28, 2014

    A Single(‘s) Call

    September 24, 2016
  • B&W,  Court,  Daily photo,  Rome,  Spring

    Behind the Glass

    April 4, 2015 /

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    Andrea Monti

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    Modern Times

    January 6, 2013

    A Few Shots with the 7Artisans 35mm f/0.95 in X-Mount

    October 24, 2024

    Knocking on lion’s door

    April 22, 2013
  • Colour,  Daily photo,  People,  Streets&Squares,  Winter

    Where Did I Left My Car?

    April 2, 2015 /

    When I framed “Where Did I Left My Car”, I was chasing absence, presence, and the city’s quiet accusation. I recall stepping into a narrow lane, scanning facades, light and shadow, empty spots. I trained the lens not on what was there, but on what was not. The void became subject. I waited until all cars had passed, until the frame was emptied. Then I held the shutter, letting the urban grid, the lines of curb, doorways, and windows become witnesses. The emptiness sits heavy, like a question mark in concrete. I chose a vantage point slightly off-centre. The negative space on one side is meant to feel unbalanced—echoing the unease…

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    Andrea Monti

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    Square Three

    June 20, 2014

    Room 17 – VIXI

    March 27, 2015

    Bulbs

    January 12, 2015
  • Colour,  Daily photo,  Photography,  Thoughts

    Money Doesn’t Smell

    April 2, 2015 /

    The main photo depicts a Syrian kid surrending to a photographer, whose camera she thought was a weapon, while the side pictures are automatically displayed by the advertising engine of the online newspaper. There is a contrast between the brutal reality where the kid lives and the luxury aura implied by the two fashion shot that shows how insensitive magazine editors can be. I understand the need to monetize every click or content, but I’m not sure that this is the right way to do it. Why don’t chose, for instance, to advertise a fund raising campaign supporting UNICEF or Doctors Without Borders? And, by the way, I don’t understand…

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    Andrea Monti

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    Forgotten Bike In A Forgotten House

    April 3, 2013

    The Businessman…

    February 9, 2013

    Longtime Abandoned

    May 30, 2014

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