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Andrea Monti

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  • B&W,  Daily photo,  Lines,  Spring,  Visual

    Stripes in B&W

    April 29, 2015 /

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    Andrea Monti

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    Oh…MG!

    July 23, 2015

    Fancy a beer?

    November 3, 2021

    Legal Apartheid

    March 25, 2015
  • Colour,  Daily photo,  Social Control,  Spring

    Hammer and Sickle

    April 27, 2015 /

    The image presents a straightforward urban fragment: an electrical cabinet bearing two layers of graffiti, one in red, one in blue. The red, unmistakably, forms the hammer and sickle symbol — sprayed quickly, with visible vertical striations from the cabinet’s ridged surface disrupting its edges. The blue tag below is broader, more gestural, perhaps made with a thicker nozzle and without concern for the political overtones of what sits above it. Compositionally, the vertical framing suits the subject, containing the entire cabinet and the immediate environment. The flanking pipes and textured wall create a symmetrical boundary, keeping the viewer’s focus on the graffiti itself. The alignment is square and deliberate,…

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    Andrea Monti

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    A party that shall never come

    May 9, 2013

    One Coffee

    December 20, 2015

    Beer or Spritz?

    November 1, 2019
  • Beach&Shores,  Colour,  Daily photo

    Rusted Platform

    April 25, 2015 /

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    Andrea Monti

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    Kudos to Ricoh

    February 8, 2013

    Labcoats In A Moment Of Rest

    December 28, 2015

    Poetry Still Survives

    June 7, 2014
  • Colour,  Daily photo,  Gates&Fences,  Spring

    Springtime

    April 23, 2015 /

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    Andrea Monti

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    A Fence

    November 6, 2014

    The Death of Cio-Cio san

    October 15, 2022

    Minolta MC W Rokkor-HG 35/2.8 and Nikon Z5 – An Empirical Field-Test

    January 8, 2026
  • B&W,  Court,  Daily photo,  Rome

    Trial Docks Waiting for the Justice to Come

    April 21, 2015 /

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    Andrea Monti

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    A Shooter

    December 8, 2017

    A Modern Nazca?

    December 4, 2014

    An outdoor theatre?

    January 31, 2013
  • B&W,  Court,  Daily photo,  Rome,  Spring

    Final Arrangements Before the Hearing

    April 19, 2015 /

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    Andrea Monti

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    Stripes in B&W

    April 29, 2015

    Justice Under Construction

    March 31, 2015

    I Don’t Get It

    May 7, 2026
  • B&W,  Bottles&Cups,  Daily photo,  Spring

    Writer Inspiration’s Tools

    April 17, 2015 /

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    Andrea Monti

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    An update on the poor Canon EOS-M autofocus

    March 30, 2013

    The Ghost

    February 15, 2013

    Behind the Beer

    December 26, 2013
  • B&W,  Court,  Daily photo,  Rome,  Social Control

    Outside the Courthall

    April 15, 2015 /

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    Andrea Monti

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    Zombies

    March 4, 2021

    A Blue Vespa

    November 3, 2014

    Franco Cerri. The Last Jazz Living Legend

    August 16, 2016
  • B&W,  Court,  Daily photo,  Spring

    Too Late

    April 10, 2015 /

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    Andrea Monti

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    A Special Dress for a Special Party

    July 6, 2016

    On Tips’n Tricks to ‘take you photos to the next level’

    May 29, 2025

    Thirsty

    June 10, 2014
  • Colour,  Daily photo,  Past&Relics,  Spring

    Italian Stardust

    April 6, 2015 /

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    Andrea Monti

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    TicTacToe

    September 1, 2014

    Waiting for (Supreme) Justice

    February 14, 2017

    Handling the Fishnet

    October 28, 2014
  • B&W,  Court,  Daily photo,  Rome,  Spring

    Behind the Glass

    April 4, 2015 /

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    Andrea Monti

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    Is the next Kano Jigoro already on the mat?

    November 7, 2013

    The Expired Film Series – Episode 2 – Ilford XP2Super 400 – Nov. 2017 shot in May 2023

    July 25, 2023

    Shooting Italian 5 birilli

    May 18, 2025
  • Colour,  Daily photo,  People,  Streets&Squares,  Winter

    Where Did I Left My Car?

    April 2, 2015 /

    When I framed “Where Did I Left My Car”, I was chasing absence, presence, and the city’s quiet accusation. I recall stepping into a narrow lane, scanning facades, light and shadow, empty spots. I trained the lens not on what was there, but on what was not. The void became subject. I waited until all cars had passed, until the frame was emptied. Then I held the shutter, letting the urban grid, the lines of curb, doorways, and windows become witnesses. The emptiness sits heavy, like a question mark in concrete. I chose a vantage point slightly off-centre. The negative space on one side is meant to feel unbalanced—echoing the unease…

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    Andrea Monti

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    Balilla

    July 17, 2015

    A Couch in the Yard

    November 18, 2013

    Trust Us, We Care About You

    March 18, 2014
  • Colour,  Daily photo,  Photography,  Thoughts

    Money Doesn’t Smell

    April 2, 2015 /

    The main photo depicts a Syrian kid surrending to a photographer, whose camera she thought was a weapon, while the side pictures are automatically displayed by the advertising engine of the online newspaper. There is a contrast between the brutal reality where the kid lives and the luxury aura implied by the two fashion shot that shows how insensitive magazine editors can be. I understand the need to monetize every click or content, but I’m not sure that this is the right way to do it. Why don’t chose, for instance, to advertise a fund raising campaign supporting UNICEF or Doctors Without Borders? And, by the way, I don’t understand…

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    Andrea Monti

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    Niccolò Fabi – Meno Per Meno Tour 2023 – Live@Teatro Massimo, Pescara

    May 7, 2023

    Leaving

    September 27, 2018

    A Sad Cat in a Neko Cafè

    August 5, 2018

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