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Andrea Monti

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  • B&W,  Daily photo,  Lines,  Spring,  Visual

    Stripes in B&W

    April 29, 2015 /

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    Andrea Monti

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    Bless or Curse?

    August 12, 2014

    José Ignacio Franco – Live@Auditorium Petruzzi

    July 31, 2022

    Padua, a photographer’s goldmine

    October 31, 2024
  • Colour,  Daily photo,  Social Control,  Spring

    Hammer and Sickle

    April 27, 2015 /

    The image presents a straightforward urban fragment: an electrical cabinet bearing two layers of graffiti, one in red, one in blue. The red, unmistakably, forms the hammer and sickle symbol — sprayed quickly, with visible vertical striations from the cabinet’s ridged surface disrupting its edges. The blue tag below is broader, more gestural, perhaps made with a thicker nozzle and without concern for the political overtones of what sits above it. Compositionally, the vertical framing suits the subject, containing the entire cabinet and the immediate environment. The flanking pipes and textured wall create a symmetrical boundary, keeping the viewer’s focus on the graffiti itself. The alignment is square and deliberate,…

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    Andrea Monti

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    The Pulse of Passion: A Story Told in Red

    August 9, 2018

    The Calm Newsreader

    July 4, 2013

    Perfectly Framed

    November 26, 2015
  • Beach&Shores,  Colour,  Daily photo

    Rusted Platform

    April 25, 2015 /

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    Andrea Monti

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    A London’s Skyline

    September 13, 2016

    The Suit

    July 15, 2013

    A Red Floating Crate

    February 15, 2014
  • Colour,  Daily photo,  Gates&Fences,  Spring

    Springtime

    April 23, 2015 /

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    Andrea Monti

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    Last Check Before The Show

    July 21, 2014

    Sales Force

    January 28, 2016

    Who Needs A Wedding Photographer Anymore?

    May 29, 2014
  • B&W,  Court,  Daily photo,  Rome

    Trial Docks Waiting for the Justice to Come

    April 21, 2015 /

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    Andrea Monti

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    The Financial Times at Night

    October 1, 2016

    Hands of a Steward

    November 22, 2019

    Self-Defense

    July 27, 2013
  • B&W,  Court,  Daily photo,  Rome,  Spring

    Final Arrangements Before the Hearing

    April 19, 2015 /

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    Andrea Monti

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    Right before the gig

    September 14, 2018

    All Mobiles But One Book

    June 24, 2017

    Waiting For A Customer To Come

    July 27, 2014
  • B&W,  Bottles&Cups,  Daily photo,  Spring

    Writer Inspiration’s Tools

    April 17, 2015 /

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    Andrea Monti

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    The Leica M9 CCDgate Outrageous Case

    December 11, 2014

    Renovating Milan

    November 18, 2017

    Powermeters

    February 18, 2023
  • B&W,  Court,  Daily photo,  Rome,  Social Control

    Outside the Courthall

    April 15, 2015 /

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    Andrea Monti

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    An Altar for the Propaganda Machine

    November 17, 2013

    A Priest Walking Through the Graffiti Streets

    October 19, 2019

    The Sailor

    June 24, 2013
  • B&W,  Court,  Daily photo,  Spring

    Too Late

    April 10, 2015 /

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    Andrea Monti

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    When Venus Meets the Moon

    October 2, 2023

    After the Party

    December 16, 2013

    A Lost Towel

    July 3, 2013
  • Colour,  Daily photo,  Past&Relics,  Spring

    Italian Stardust

    April 6, 2015 /

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    Andrea Monti

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    A Shadow

    July 24, 2014

    An outdoor theatre?

    January 31, 2013

    Wrecked Ship

    November 23, 2013
  • B&W,  Court,  Daily photo,  Rome,  Spring

    Behind the Glass

    April 4, 2015 /

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    Andrea Monti

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    What Does ‘Professional’ Mean in Photography?

    March 19, 2024

    A Sad Afternoon

    October 7, 2013

    A Dangerous Alley

    May 25, 2013
  • Colour,  Daily photo,  People,  Streets&Squares,  Winter

    Where Did I Left My Car?

    April 2, 2015 /

    When I framed “Where Did I Left My Car”, I was chasing absence, presence, and the city’s quiet accusation. I recall stepping into a narrow lane, scanning facades, light and shadow, empty spots. I trained the lens not on what was there, but on what was not. The void became subject. I waited until all cars had passed, until the frame was emptied. Then I held the shutter, letting the urban grid, the lines of curb, doorways, and windows become witnesses. The emptiness sits heavy, like a question mark in concrete. I chose a vantage point slightly off-centre. The negative space on one side is meant to feel unbalanced—echoing the unease…

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    Andrea Monti

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    An Old Lady in Great Shape

    September 23, 2014

    Out for a While

    September 26, 2013

    Art Auction at Piazza Navona

    February 6, 2016
  • Colour,  Daily photo,  Photography,  Thoughts

    Money Doesn’t Smell

    April 2, 2015 /

    The main photo depicts a Syrian kid surrending to a photographer, whose camera she thought was a weapon, while the side pictures are automatically displayed by the advertising engine of the online newspaper. There is a contrast between the brutal reality where the kid lives and the luxury aura implied by the two fashion shot that shows how insensitive magazine editors can be. I understand the need to monetize every click or content, but I’m not sure that this is the right way to do it. Why don’t chose, for instance, to advertise a fund raising campaign supporting UNICEF or Doctors Without Borders? And, by the way, I don’t understand…

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    Andrea Monti

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    Who Dares Wins

    February 7, 2013

    Friendship is Forever

    March 6, 2014

    Footprint

    April 24, 2014

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