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Andrea Monti

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  • B&W,  Daily photo,  Lines,  Spring,  Visual

    Stripes in B&W

    April 29, 2015 /

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    Andrea Monti

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    On Tips’n Tricks to ‘take you photos to the next level’

    May 29, 2025

    The Double Helix

    October 13, 2013

    A Cello Player

    April 24, 2017
  • Colour,  Daily photo,  Social Control,  Spring

    Hammer and Sickle

    April 27, 2015 /

    The image presents a straightforward urban fragment: an electrical cabinet bearing two layers of graffiti, one in red, one in blue. The red, unmistakably, forms the hammer and sickle symbol — sprayed quickly, with visible vertical striations from the cabinet’s ridged surface disrupting its edges. The blue tag below is broader, more gestural, perhaps made with a thicker nozzle and without concern for the political overtones of what sits above it. Compositionally, the vertical framing suits the subject, containing the entire cabinet and the immediate environment. The flanking pipes and textured wall create a symmetrical boundary, keeping the viewer’s focus on the graffiti itself. The alignment is square and deliberate,…

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    Andrea Monti

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    Asimo’s Ancestor@Tsukuba World1985 Expo

    June 30, 2018

    Fixing the ship

    August 18, 2021

    The Naughty Customer’s Place

    September 28, 2013
  • Beach&Shores,  Colour,  Daily photo

    Rusted Platform

    April 25, 2015 /

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    Andrea Monti

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    Careful With That Bike, Eugene!

    July 29, 2013

    Silhouettes@Osaka Castle

    June 12, 2018

    A Fisherman

    December 25, 2014
  • Colour,  Daily photo,  Gates&Fences,  Spring

    Springtime

    April 23, 2015 /

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    Andrea Monti

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    The Power of Music

    March 22, 2013

    Beach in black

    January 5, 2013

    Saturday Night’s Ice Cream

    August 19, 2013
  • B&W,  Court,  Daily photo,  Rome

    Trial Docks Waiting for the Justice to Come

    April 21, 2015 /

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    Andrea Monti

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    The EOS-M just sucks

    July 18, 2013

    A Hellish Look

    March 26, 2024

    Fisherman’s Fatigues

    December 19, 2022
  • B&W,  Court,  Daily photo,  Rome,  Spring

    Final Arrangements Before the Hearing

    April 19, 2015 /

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    Andrea Monti

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    A Seagull

    May 10, 2021

    ChitChat in a sunny day

    January 4, 2013

    The Drying Machine

    November 30, 2014
  • B&W,  Bottles&Cups,  Daily photo,  Spring

    Writer Inspiration’s Tools

    April 17, 2015 /

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    Andrea Monti

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    Thirsty

    June 10, 2014

    Seeking Directions – Where Do I Go From Here?

    September 10, 2013

    Is AI-generated art actually killing ‘real’ Art?

    September 16, 2022
  • B&W,  Court,  Daily photo,  Rome,  Social Control

    Outside the Courthall

    April 15, 2015 /

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    Andrea Monti

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    The Shoesfixer

    September 7, 2014

    Waiting for the Fish

    December 18, 2021

    The Sorcerer’s Shop

    November 1, 2016
  • B&W,  Court,  Daily photo,  Spring

    Too Late

    April 10, 2015 /

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    Andrea Monti

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    The Mystique of Film

    August 24, 2022

    Kite Surfing, Again

    February 19, 2017

    Denegata Justitia

    March 2, 2020
  • Colour,  Daily photo,  Past&Relics,  Spring

    Italian Stardust

    April 6, 2015 /

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    Andrea Monti

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    The TelcoMan

    January 26, 2015

    The Coach

    December 9, 2018

    Hanging Clothes Waiting to Dry

    February 18, 2014
  • B&W,  Court,  Daily photo,  Rome,  Spring

    Behind the Glass

    April 4, 2015 /

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    Andrea Monti

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    So What?

    December 7, 2013

    London Swash

    September 3, 2014

    The Spanish Sense of Flesh – 2

    June 28, 2014
  • Colour,  Daily photo,  People,  Streets&Squares,  Winter

    Where Did I Left My Car?

    April 2, 2015 /

    When I framed “Where Did I Left My Car”, I was chasing absence, presence, and the city’s quiet accusation. I recall stepping into a narrow lane, scanning facades, light and shadow, empty spots. I trained the lens not on what was there, but on what was not. The void became subject. I waited until all cars had passed, until the frame was emptied. Then I held the shutter, letting the urban grid, the lines of curb, doorways, and windows become witnesses. The emptiness sits heavy, like a question mark in concrete. I chose a vantage point slightly off-centre. The negative space on one side is meant to feel unbalanced—echoing the unease…

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    Andrea Monti

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    The Day After The Tide

    December 12, 2013

    TKO

    May 8, 2019

    @Rome Maker Faire – 2

    October 10, 2014
  • Colour,  Daily photo,  Photography,  Thoughts

    Money Doesn’t Smell

    April 2, 2015 /

    The main photo depicts a Syrian kid surrending to a photographer, whose camera she thought was a weapon, while the side pictures are automatically displayed by the advertising engine of the online newspaper. There is a contrast between the brutal reality where the kid lives and the luxury aura implied by the two fashion shot that shows how insensitive magazine editors can be. I understand the need to monetize every click or content, but I’m not sure that this is the right way to do it. Why don’t chose, for instance, to advertise a fund raising campaign supporting UNICEF or Doctors Without Borders? And, by the way, I don’t understand…

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    Andrea Monti

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    Watching the Eiffel Tower

    October 14, 2013

    Self-Defense

    July 27, 2013

    Ultras

    July 20, 2016

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