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Waiting To Board
I found this scene along a neglected stretch of riverbank—nothing curated, nothing arranged. A broken chair, its straw seat long unravelled, faced a decaying boat tethered loosely to the shore. They looked like they belonged to each other, equally abandoned, equally patient. The title came instantly. Not poetic, just accurate: Waiting to Board. The composition rests on tension—foreground versus background, texture versus reflection. The rope cuts a diagonal across the frame, literally tying the objects together. The chair leans slightly left, softened by rot and time, while the boat points right, cracked paint peeling toward the water. Neither is in motion, yet the whole image feels held in anticipation. Technically,…
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Opposites
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Busy (again)
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A perfect match
You don’t pose the street. You chase it — and sometimes, if your reflexes are fast enough, you catch it. In this image, it happened in a split second. A man sat reading the newspaper at a café table. For the briefest of moments, he held it in such a way that his own profile aligned perfectly with the image printed on the page — a fashion ad, a male model in a similar pose, eyes half in shadow, fingers near the mouth. Two men, one real, one imagined, locked in a mirrored gesture of casual confidence. Then it was gone. That’s the essence of street photography: the unrepeatable alignment…
